Curufin
04-20-2008, 08:46 AM
Recent re-reads of The Silmarillion and The Lord of the Rings have brought the question of 'Songs of Power' to the front of my mind again. I'm a bit curious how they work, and exactly what they are.
Obviously, in Tolkien's legendarium music has great power - it could be said that the entire history of the world was determined by song. But I'm curious to hear opinions and ideas of others as well.
Here are the instances of the use of 'Songs of Power' that I have come across:
Lord of the Rings
Setting down his lilies carefully on the grass, he ran to the tree. There he saw Merry's feet still sticking out - the rest had already been drawn further inside. Tom put his mouth to the crack and began singing into it in a low voice. They could not catch the words, but evidently Merry was aroused. His legs began to kick. ~The Old Forest, p. 120.
Get out, you old Wight! Vanish in the sunlight!
Shrivel like the cold mist, like the winds go wailing!
Out into the barren lands far beyond the mountains!
Come never here again! Leave your barrow empty!
Lost and forgotten be, darker than the darkness,
Where gates stand for ever shut, till the world is mended.
At these words there was a cry and part of the inner end of the chamber fell in with a crash...[/i] ~Fog on the Barrow Downs, p.142.
There he stood, with his hat in his hand and the wind in his hair, and looked down upon the three hobbits, that had been laid on their backs upon the grass at the west side of the mound. Raising his right hand he said in a clear and commanding voice:
Wake now my merry lads! Wake and hear me calling!
Warm now be heart and limb! The cold stone is fallen;
Dark door is standing wide; dead hand is broken.
Night under Night is flown, and the Gate is open!
To Frodo's great joy the hobbits stirred, stretched their arms, rubbed their eyes, and suddenly sprang up... ~Fog on the Barrow Downs, p.143.
The Silmarillion
Thus befell the contest of Sauron and Felagund which is renowned. For Felagund strove with Sauron in songs of power, and the power of the King was very great; but Sauron had the mastery, as is told in the Lay of Leithian:
He chanted a song of wizardry, of piercing, opening, of treachery,
Revealing, uncovering, betraying.
Then sudden Felagund there swaying
Sang in answer a song of staying,
Resisting, battling against power,
Of secrets kept, strength like a tower,
And trust unbroken, freedom, escape;
Of changing and of shifting shape,
Of snares eluded, broken traps,
The prison opening, the chain that snaps.
Backwards and forwards swayed their song.
Reeling and foundering, as ever more strong
The chanting swelled, Felagund fought,
And all the magic and might he brought
Of Elvenesse into his words.
Softly in the gloom they heard the birds
Singing afar in Nargothrond,
The sighing of the Sea beyond,
Beyond the western world, on sand,
On sand of pearls in Elvenland.
Then the gloom gathered; darkness growing
In Valinor, the red blood flowing
Beside the Sea, where the Noldor slew
The Foamriders, and stealing drew
Their white ships with their white sails
From lamplit havens. The wind wails,
The wolf hows. The ravens flee.
The ice mutters ni the mouths of the Sea.
The captives sad in Angband mourn.
Thunder rumbles, the fires burn -
And Finrod fell before the throne.
Then Sauron stripped from them their disguise, and they stood before him naked and afraid... ~Of Beren and Lúthien, p.201.
There Beren slunk in wolf's form beneath his throne; but Lúthien was stripped of her disguise by the will of Morgoth, and he bent his gaze upon her. She was not daunted by his eyes; and she named her own name, and offered her service to sing before him, after the manner of a minstrel. Then Morgoth looking upon her beauty conceived in his thought an evil lust, and a design more dark than any that had yet come into his heart since he fled from Valinor. Thus he was beguiled by his own malice, for he watched her, leaving her free for a while, and taking secret pleasure in his thought. Then suddenly she eluded his sight, and out of the shadows began a song of such surpassing loveliness, and of such blinding power, that he listened perforce; and a blindness came over him, and hiseyes roamed to and fro, seeking her. All his court were cast down in slumber, and all the fires faded and were quenched... ~Of Beren and Luthien, p.212-213.
So, discuss! What exactly are Songs of Power?
Obviously, in Tolkien's legendarium music has great power - it could be said that the entire history of the world was determined by song. But I'm curious to hear opinions and ideas of others as well.
Here are the instances of the use of 'Songs of Power' that I have come across:
Lord of the Rings
Setting down his lilies carefully on the grass, he ran to the tree. There he saw Merry's feet still sticking out - the rest had already been drawn further inside. Tom put his mouth to the crack and began singing into it in a low voice. They could not catch the words, but evidently Merry was aroused. His legs began to kick. ~The Old Forest, p. 120.
Get out, you old Wight! Vanish in the sunlight!
Shrivel like the cold mist, like the winds go wailing!
Out into the barren lands far beyond the mountains!
Come never here again! Leave your barrow empty!
Lost and forgotten be, darker than the darkness,
Where gates stand for ever shut, till the world is mended.
At these words there was a cry and part of the inner end of the chamber fell in with a crash...[/i] ~Fog on the Barrow Downs, p.142.
There he stood, with his hat in his hand and the wind in his hair, and looked down upon the three hobbits, that had been laid on their backs upon the grass at the west side of the mound. Raising his right hand he said in a clear and commanding voice:
Wake now my merry lads! Wake and hear me calling!
Warm now be heart and limb! The cold stone is fallen;
Dark door is standing wide; dead hand is broken.
Night under Night is flown, and the Gate is open!
To Frodo's great joy the hobbits stirred, stretched their arms, rubbed their eyes, and suddenly sprang up... ~Fog on the Barrow Downs, p.143.
The Silmarillion
Thus befell the contest of Sauron and Felagund which is renowned. For Felagund strove with Sauron in songs of power, and the power of the King was very great; but Sauron had the mastery, as is told in the Lay of Leithian:
He chanted a song of wizardry, of piercing, opening, of treachery,
Revealing, uncovering, betraying.
Then sudden Felagund there swaying
Sang in answer a song of staying,
Resisting, battling against power,
Of secrets kept, strength like a tower,
And trust unbroken, freedom, escape;
Of changing and of shifting shape,
Of snares eluded, broken traps,
The prison opening, the chain that snaps.
Backwards and forwards swayed their song.
Reeling and foundering, as ever more strong
The chanting swelled, Felagund fought,
And all the magic and might he brought
Of Elvenesse into his words.
Softly in the gloom they heard the birds
Singing afar in Nargothrond,
The sighing of the Sea beyond,
Beyond the western world, on sand,
On sand of pearls in Elvenland.
Then the gloom gathered; darkness growing
In Valinor, the red blood flowing
Beside the Sea, where the Noldor slew
The Foamriders, and stealing drew
Their white ships with their white sails
From lamplit havens. The wind wails,
The wolf hows. The ravens flee.
The ice mutters ni the mouths of the Sea.
The captives sad in Angband mourn.
Thunder rumbles, the fires burn -
And Finrod fell before the throne.
Then Sauron stripped from them their disguise, and they stood before him naked and afraid... ~Of Beren and Lúthien, p.201.
There Beren slunk in wolf's form beneath his throne; but Lúthien was stripped of her disguise by the will of Morgoth, and he bent his gaze upon her. She was not daunted by his eyes; and she named her own name, and offered her service to sing before him, after the manner of a minstrel. Then Morgoth looking upon her beauty conceived in his thought an evil lust, and a design more dark than any that had yet come into his heart since he fled from Valinor. Thus he was beguiled by his own malice, for he watched her, leaving her free for a while, and taking secret pleasure in his thought. Then suddenly she eluded his sight, and out of the shadows began a song of such surpassing loveliness, and of such blinding power, that he listened perforce; and a blindness came over him, and hiseyes roamed to and fro, seeking her. All his court were cast down in slumber, and all the fires faded and were quenched... ~Of Beren and Luthien, p.212-213.
So, discuss! What exactly are Songs of Power?