PDA

View Full Version : The Star Wars Musical


Grey_Wolf
02-18-2006, 09:09 AM
We have the familiar scene as the Rebel craft is being shot up and then the Star Destroyer hovers into view from sharp tip to beengined rear.


Inside…

The rebels cavort around singing:
(Judas Priest's Burn in Hell)

Speak to me
Of those days i won't forget
Your worst dreams
Has just returned - to pay you back
I'm still laughing
There's not much else i can do
But one's thing's certain
I'm coming back for you

Have you got a gun
Do you remember well
Who you used it on
It's time to burn in hell

Say my name
I can hear you whisper
Not to blame?
You are going to blister
Scream in the night
I've been counting the days
It's so amusing
To see you again

Have you got a gun
Do you remember well
Who d'ya use it on
You're going to burn in hell
Die
Why?
Time to pay the price
Kill
I will
Have my sacrifice

Plead
With fear
I am getting near

Grey_Wolf
02-18-2006, 09:16 AM
While the damaged rebelcraft is being pulled into the cargobay of the Destroyer two robots watch the insane cavorting of the Rebels and and the more verbal one sings a song of his own:
(Fleetwood Mac's Heroes are hard to find)

Girls you know
When you're in the mood
(in the mood)
You may meet a man
Can't do anything good
(nothing good)
But you've got to pity him
And ty to understand
(understand)
That a hero, a hero is so hard to find

When he takes you
For his love
(for his love)
And he tries to tell you
That there is'nt any other
(don't believe him)
Oh, he may kiss you
And tell you he'll miss you
(such a shame)
But don't forget, a hero is so hard to find

When he says hello
Don't forget they're all the same
(you know they're all the same)

You may end up sitting all alone
And with yourself to blame
Oh, don't you let him

So when he tells you
You've got diamonds in your eyes
(he's just lying)
Don't get carried away
Cause you know he's selling you lies
(he's just lying)
So when you get the feeling
The man you've got's no good
He's no good
Well just remember, a hero is so hard to find
Well just remember, a hero is so hard to find

Heroes, heroes are hard to find
Heroes, heroes are hard to find
Heroes, heroes are hard to find
Heroes, heroes are hard to find...

Grey_Wolf
02-18-2006, 09:37 AM
As the imperial troopers enter the cut up door to the rebel ship they chant in choir a very appropriate song:
(ABBA's The Winner Takes It All )

I don't wanna talk
About the things we've gone through
Though it's hurting me
Now it's history
I've played all my cards
And that's what you've done too
Nothing more to say
No more ace to play

The winner takes it all
The loser standing small
Beside the victory
That's her destiny

I was in your arms
Thinking i belonged there
I figured it made sense
Building me a fence
Building me a home
Thinking i'd be strong there
But i was a fool
Playing by the rules

The gods may throw a dice
Their minds as cold as ice
And someone way down here
Loses someone dear
The winner takes it all
The loser has to fall
It's simple and it's plain

Why should i complain.

But tell me does she kiss
Like i used to kiss you?
Does it feel the same
When she calls your name?
Somewhere deep inside
You must know i miss you
But what can i say
Rules must be obeyed

The judges will decide
The likes of me abide
Spectators of the show
Always staying low
The game is on again
A lover or a friend
A big thing or a small
The winner takes it all

I don't wanna talk
If it makes you feel sad
And i understand
You've come to shake my hand
I apologize
If it makes you feel bad
Seeing me so tense
No self-confidence
But you see
The winner takes it all
The winner takes it all......

Grey_Wolf
02-18-2006, 11:31 AM
Meanwhile, the tall droid, C3PO, had been looking for his squat friend. Soon spotting him further down the side-corridor in the company of, he couldn't make it out, a female figure, soon revealed to be a stunning beauty.
He sighs most unrobotically and sings the following:
(Beauty Queen by 98 Mute)

Pretty face, simple mind.
Take a look what's inside.
Sugar coated shell, as sweet as cake.
But you're as smart as a frosted flake.
Since you were born you've always been a beauty queen.
Every single little school girls fantasy.
Every night you wake me up in my wet dream.
But you're talented enough for porno magazines.
Fashion girl, a living lie.
Painted face, airbrushed thighs.
Pay you millions, though you're talentless.
It makes me wish i had tits.
But what will you do when your glory days are over?
Will you find yourself asking what's left for me?

And what will you do when your torch has finally burned out?
Who will you turn to and where will you be?
And will you cry when you go to sleep at night knowing that your entire life has been skin deep?
Who's gonna be your faceless partner to swim with you in your shallow waters who will be your victim who will you bleed?
Beauty queen, one of a kind.
Fashion world's left you behind.
What's left for you?
What have you got?
Just memories and a place to rot.

Grey_Wolf
02-18-2006, 12:34 PM
At this moment Darth Vader enters the crippled ship begins a intricate step routine all the while humming Fly Me To Moon. and the troopers sing:

Fly me to the moon
And let me play among the stars
Let me see what spring is like
On jupiter and mars
In other words hold my hand
In other words darling kiss me
Fill my life with song

And let me sing forevermore
You are all i hope for
All i worship and adore
In other words please be true
In other words i love you

Grey_Wolf
02-18-2006, 04:31 PM
After that nasty scene with throwing of the rebel officer Vader orders his troopers to look for the passengers.

The troopers, sighing and muttering that they have already done all the work begins to sing:
(It's hard day's night by Beatles)

It's been a hard day's night, and I been working like a dog
It's been a hard day's night, I should be sleeping like a log
But when I get home to you I'll find the things that you do
Will make me feel alright

You know I work all day to get you money to buy you things
And it's worth it just to hear you say you're going to give me everything
So why on earth should I moan, 'cause when I get you alone
You know I feel ok

When I'm home everything seems to be right
When I'm home feeling you holding me tight, tight

Owww!

So why on earth should I moan, 'cause when I get you alone
You know I feel ok

When I'm home everything seems to be right
When I'm home feeling you holding me tight, tight, yeah

It's been a hard day's night, and I been working like a dog
It's been a hard day's night, I should be sleeping like a log
But when I get home to you I'll find the things that you do
Will make me feel alright
You know I feel alright
You know I feel alright...

Grey_Wolf
02-18-2006, 06:48 PM
The female passenger hides in a side-corridor and is found by the troopers and tries to flee, but is shot with a stunray.

The troopers picks her up and as they troop off they merrily trill:

We're off to see the wizard,
The wonderful wizard of oz.
We hear he is a wiz of a wiz
If ever a wiz there was.

If ever, oh ever, a wiz there was,
The wizard of oz is one because,
Because, because, because, because, because--
Because of the wonderful things he does.

We're off to see the wizard,
The wonderful wizard of oz.

Grey_Wolf
02-19-2006, 08:48 AM
C3PO and R2D2 has successfully escaped to a sidecorridor where the escapepods are located.

THREEPIO: Hey, you're not permitted in there. It's restricted. You'll
be deactivated for sure..

Artoo beeps something to him.

THREEPIO: Don't call me a mindless philosopher, you overweight glob of
grease! Now come out before somebody sees you.

Artoo whistles something at his reluctant friend regarding
the mission he is about to perform.

THREEPIO: Secret mission? What plans? What are you talking about? I'm
not getting in there!

Artoo isn't happy with Threepio's stubbornness, and he beeps
and twangs angrily.

A new explosion, this time very close, sends dust and debris
through the narrow subhallway. Flames lick at Threepio and,
after a flurry of electronic swearing from Artoo, the lanky
robot jumps into the lifepod.

THREEPIO: I'm going to regret this. Humming a little tune:
(My Only Regret by Blues Traveller)

Please let me speak of my only regret
Let me speak of the girl that i'm sure you've all met
A kind with the earth like a dream that you've had
Terribly happy and wonderfully sad
This dream got to know me when i was in school
She made me look silly while i tried to act cool

She asked me to dance and i flatly refused
For my perpetual fear of being abused
She brushed me once more, and i turned away
So i can't help but wonder, what if i'd stayed

Devoid of a purpose, devoid of a place
I muster my courage by the smile on her face
I'm not used to people didn't know who they were
It needed a reason so i'd do it all for her
To pry for a meeting, how secretly i dreamed
Song and dance to hide, how easily it screamed

She asked me to dance and i flatly refused
For my perpetual fear of being abused
She brushed me once more, and i turned away
But i can't help but wonder, what if i'd stayed

Soon i wound up in a rock and roll band
A conquested number part of my total plan
One night we played for many, but i played for one
She'd not yet arrived and soon we'd be done
We finished too early and another band was on
My hopes for impressing this girl were gone

She asked me to dance and i flatly refused

For my perpetual fear of being abused
She brushed me once more, and i turned away
But i can't help but wonder, what if i'd stayed

She got there soon after and to my surprise
She walked right up to me with those beautiful eyes
She tried conversation, i tried to be bold
I came off indifferent, my manner was cold
I could see i was tired, perhaps unprepared
But the truth of the matter, i was too damn scared

You see she asked me to dance and i flatly refused
For my perpetual fear of being abused
She brushed me once more, and i turned away
But i can't help but wonder, what if i'd stayed

In different directions our two lives have led
And though not with her, but with thoughts in my head
Regrets can be scary, they can choke like a noose
But i also believe they can be put to good use
So follow your views, but be sure that they're yours
And try them out in real life, cause that's what they're for

She asked me to dance and i flatly refused
My perpetual fear of being abused
She brushed me once more, and i turned away
But i can't help but wonder, to this very day

The next time the girl of your dreams asks to dance
Put your dreams on the shelf and just give it a chance

Grey_Wolf
02-19-2006, 11:46 AM
Luke blasts into Anchorhead powerstation, singing this, after having seen the spacebattle:

When you're a Jet,
You're a Jet all the way
From your first cigarette
To your last dyin' day.

When you're a Jet,
If the spit hits the fan,
You got brothers around,
You're a family man!

You're never alone,
You're never disconnected!
You're home with your own:
When company's expected,
You're well protected!

Then you are set
With a capital J,
Which you'll never forget
Till they cart you away.
When you're a Jet,
You stay a Jet!

hectorberlioz
02-19-2006, 04:16 PM
hahahaha :p ...A Star Wars West Side Story! That would be great fun.

And here's a bit of Gilbert & Sullivan for an evil turned Luke.

I mean to rule the planet
as he the galaxy,
we really know our worth,
that Vader and I

Grey_Wolf
02-19-2006, 04:29 PM
FIXER: Did I hear a young noise blast through here?

CAMIE: It was just wormie on another rampage.

Luke bounces into a small room behind the office where Deak
and Windy, two tough boys about the same age as Luke, are
playing a computer pool-like game with Biggs, a burly,
handsome boy a few years older than the rest. His flashy city
attire is a sharp contrast to the loose-fitting tunics of the
farm boys. A robot repairs some equipment in the background.

LUKE: Shape it up you guys!.... Biggs?

Luke's surprise at the appearance of Biggs gives way to
great joy and emotion. They give each other a great bear hug.

LUKE: I didn't know you were back! When did you get in?

BIGGS: Just now. I wanted to surprise you, hot shot. I thought you'd be
here...certainly didn't expect you to be out working. (he laughs.)

LUKE: The Academy didn't change you much...but you're back so soon?
Hey, what happened, didn't you get your commission?

Biggs has an air of cool that seems slightly phony.

BIGGS: Of course I got it. Signed aboard The Rand Ecliptic last week.
First mate Biggs Darklighter at your service...(he salutes)...I just
came to say good-bye to all you unfortunate landlocked simpletons.

Everyone laughs. The dazzling spectacle of his dashing
friend is almost too much for Luke, but suddenly he snaps out
of it.

LUKE: I almost forgot. There's a battle going on! Right here in our
system. Come and look!

DEAK: Not again! Forget it.

EXTERIOR: TATOOINE -- ANCHORHEAD -- SETTLEMENT -- POWER STATION -- DAY.

The group stumbles out into the stifling desert sun. Camie and
The Fixer complain and are forced to shade their eyes. Luke
has his binoculars out scanning the heavens.

LUKE: There they are!

Biggs takes the binoculars from Luke as the others strain
to see something with the naked eye. Through the binoculars
Biggs sees two small silver specks.

BIGGS: That's no battle, hot shot...they're just sitting there!
Probably a freighter-tanker refueling.

LUKE: But there was a lot of firing earlier...

Camie grabs the binoculars away banging them against the
building in the process. Luke grabs them.

LUKE: Hey, easy with those...

CAMIE: Don't worry about it, Wormie.

The Fixer gives Luke a hard look and the young farm boy
shrugs his shoulders in resignation.

FIXER: I keep telling you, the Rebellion is a long way from here. I
doubt if the Empire would even fight to keep this system. Believe me
Luke, this planet is a big hunk of nothing...

Luke agrees, although it's obvious he isn't sure why. The
group stumbles back into the power station, grumbling about
Luke's ineptitude.

And Luke sings...
(Paint the sky with stars by Enya)

Suddenly before my eyes
Hues of indigo arise
With them how my spirit sighs
Paint the sky with stars

Only night will ever know
Why the heavens never show
All the dreams there are to know
Paint the sky with stars

Who has paced the midnight sky?
So a spirit has to fly
As the heavens seem so far
Now who will paint the midnight star?

Night has brought to those who sleep
Only dreams they cannot keep
I have legends in the deep
Paint the sky with stars

Who has paced the midnight sky?
So a spirit has to fly
As the heavens seem so far
Now who will paint the midnight star?

Place a name upon the night
One to set your heart alight
And to make the darkness bright
Paint the sky with stars.

Grey_Wolf
02-20-2006, 03:27 AM
INTERIOR: REBEL BLOCKADE RUNNER -- HALLWAY

Princess Leia is led down a low-ceilinged hallway by a squad
of armored stormtroopers. Her hands are bound and she is
brutally shoved when she is unable to keep up with the briskly
marching troops. They stop in a smoky hallway as Darth Vader
emerges from the shadows. The sinister Dark Lord stares hard
at the frail young senator, but she doesn't move, sings...

LEIA(Should Have Known Better by Ministry): So many years I just suffered through the tears
Knowing one day I'd wake up wishing I had never met her
But as the time goes by my hope keeping playing every day
As I laugh to myself, 'i just should have known better'

There's no more laughter as I think about the other girl
It's a slap in my face as I'm opening her letter
She's doing fine now with two kids and another man
As I cry out loud, 'i just should have known better'

VADER on seeing Leia strikes up another tune (Don't play with my hearth by Modern Talking): Don't play.....
Don't play with my heart

You can stop my heart
Love is here and now you're gone
Oh please, don't tear apart
Baby, i am so alone
We're looking on the same stars
And on the same moon
What have i done to you , lady
Oh, wherever you are - please come back soon
Can't you see i'm waiting for you

Oh, don't play with my heart
Don't do that again
If you tear it apart - i cannot be your friend
Don't play with my heart
Again and again
If you tear it apart

LEIA: I don't know what you're talking about. I'm a member of the
Imperial Senate on a diplomatic mission to Alderaan...

VADER: You're a part of the Rebel Alliance...and a traitor. Take her
away!

Leia is marched away down the hallway and into the
smoldering hole blasted in the side of the ship. An Imperial
Commander turns to Vader.

COMMANDER (Holding Her And Loving You by Clay Walker): It's the third hardest thing i'll ever do
Leaving here without you
And the second hardest thing i'll ever do
Is telling her about you

She's been good to me
When things were going rough
How can i tell her now
That good ain't good enough

The hardest thing i'll ever have to do
Is holding her and loving you

If she'd give me one good reason i'd be gone
But she ain't done one thing wrong
So don't expect me just to walk out of the door

I still love her but i love you more

She's been good to me
When things weren't going right
She made my days
Long before you made my nights

The hardest thing i'll ever have to do
Is holding her and loving you

Yeah the hardest thing i'll ever have to do
Is holding her, loving you

Girl the hardest thing i'll ever have to do
Is holding her, loving you

VADER: I have traced the Rebel spies to her. Now she is my only link
to find their secret base!

COMMANDER: She'll die before she tells you anything.

VADER: Leave that to me. Send a distress signal and then inform the
senate that all aboard were killed!

Grey_Wolf
02-20-2006, 10:54 AM
EXTERIOR: TATOOINE -- DESERT.

Jundland, or "No Man's Land", where the rugged desert mesas
meet the foreboding dune sea. The two helpless astro-droids
kick up clouds of sand as they leave the lifepod and clumsily
work their way across the desert wasteland. The lifepod in the
distance rests half buried in the sand.

THREEPIO: How did I get into this mess? I really don't know how. We
seem to be made to suffer. It's our lot in life.

Miserable he sings....
(What Did I Get Myself Into by Kyle Riabko )

Every day was filled with all the love and happiness
I could find in my life
There was nothing I could miss
It was easy
Easy

I had found the one before
I even knew her name
I was sure that when she left me
I would never feel the same
It was easy
Easy

What did I get myself into
I didn't realize the compromise
I put you through What did
I get myself into
And tell me how to get back into you

Now the reason for the complication's all because of me
I was sure it'd last forever
But I guess
I was naïve
It was easy
Easy

If I was the man, that I make myself to be
I would understand what understanding really means
If you could find it in your heart
To see what I'm going through
Tell me how to get back into you

Artoo answers with beeping sounds.

THREEPIO: I've got to rest before I fall apart. My joints are almost
frozen.

Artoo continues to respond with beeping sounds.

THREEPIO: What a desolate place this is.

Suddenly Artoo whistles, makes a sharp right turn and
starts off in the direction of the rocky desert mesas. Threepio
stops and yells at him.

THREEPIO: Where are you going?

A stream of electronic noises pours forth from the small
robot.

THREEPIO: Well, I'm not going that way. It's much too rocky. This way
is much easier.

Artoo counters with a long whistle.

THREEPIO: What makes you think there are settlements over there?
Artoo continues to make beeping sounds.

THREEPIO: Don't get technical with me.

Artoo continues to make beeping sounds.

THREEPIO: What mission? What are you talking about? I've had just
about enough of you! Go that way! You'll be malfunctioning within a
day, you nearsighted scrap pile!

and then he sings...
My way by Frank Sinatra

and now, the end is near;
And so i face the final curtain.
My friend, i'll say it clear,
I'll state my case, of which i'm certain.

I've lived a life that's full.
I've traveled each and ev'ry highway;
And more, much more than this,
I did it my way.

Regrets, i've had a few;
But then again, too few to mention.
I did what i had to do
And saw it through without exemption.

I planned each charted course;
Each careful step along the byway,
But more, much more than this,
I did it my way.

Yes, there were times, i'm sure you knew
When i bit off more than i could chew.

But through it all, when there was doubt,
I ate it up and spit it out.
I faced it all and i stood tall;
And did it my way.

I've loved, i've laughed and cried.
I've had my fill; my share of losing.
And now, as tears subside,
I find it all so amusing.

To think i did all that;
And may i say - not in a shy way,
"no, oh no not me,
I did it my way".

For what is a man, what has he got?
If not himself, then he has naught.
To say the things he truly feels;
And not the words of one who kneels.
The record shows i took the blows -
And did it my way!

Threepio gives the little robot a kick and starts off in
the direction of the vast dune sea.

THREEPIO: And don't let me catch you following me begging for help,
because you won't get it.
(Don't Let The Sun Catch You Crying by B4)

Don't let the sun catch you crying
The night's the time for all your tears
Your heart may be broken tonight
But tomorrow in the morning light
Don't let the sun catch you crying

The nighttime shadows disappear
And with that go all your tears, baby
For the morning will bring joy
For every girl and boy
Don't don't don't don't let the sun catch you crying
Oooo baby

You know that crying's not a bad thing
But stop your crying when the birds sing

Oh no no no

Oh yeah
Oooo oooo

Just don't forget that love's just a game
And it can always come again
So don't let the sun catch you crying
Don't let the sun catch you crying, baby

Tomorrow in the morning light
Everything gonna be all right
Tomorrow in the morning light
Everything gonna be all right
Tomorrow in the morning light
Everything gonna be all right
(repeat until fade)

Artoo's reply is a rather rude sound. He turns and trudges
off in the direction of the towering mesas.

THREEPIO: No more adventures. I'm not going that way.

Artoo beeps to himself as he makes his way toward the
distant mountains.

rohirrim TR
02-21-2006, 11:42 AM
The gargantuan rock formations are shrouded in a strange
foreboding mist and the onimous sounds of unearthly creatures
fill the air. Artoo moves cautiously through the creepy rock
canyon, inadvertently making a loud clicking noise as he goes.
He hears a distant, hard, metallic sound and stops for a
moment. Convinced he is alone, he continues on his way.
In the distance, a pepple tumbles down the steep canyon
wall and a small dark figure darts into the shadows. A little
further up the canyon a slight flicker of light reveals a pair
of eyes in the dark recesses only a few feet from the narrow
path.
The unsuspecting robot waddles along the rugged trail until
suddenly, out of nowhere, a powerful magnetic ray shoots out
of the rocks and engulfs him in an eerie glow. He manages one
short electronic squeak before he topples over onto his back.
His bright computer lights flicker off, then on, then off
again. Out of the rocks scurry three Jawas, no taller than
Artoo. They holster strange and complex weapons as they
cautiously approach the robot. They wear grubby cloaks and
their faces are shrouded so only their glowing eyes can be
seen. They hiss and make odd guttural sounds as they heave the
heavy robot onto their shoulders and carry him off down the
trail.

EXTERIOR: TATOOINE -- ROCK CANYON -- SANDCRAWLER -- SUNSET.

The eight Jawas carry Artoo out of the canyon to a huge
tank-like vehicle the size of a four-story house. They weld a
small disk on the side of Artoo and then put him under a large
tube on the side of the vehicle and the little robot is sucked
into the giant machine.
The filthy little Jawas scurry like rats up small ladders
and enter the main cabin of the behemoth transport.

INTERIOR: SANDCRAWLER -- HOLD AREA.

It is dim inside the hold area of the Sandcrawler. Artoo
switches on a small floodlight on his forehead and stumbles
around the scrap heap. The narrow beam swings across rusty
metal rocket parts and an array of grotesquely twisted and
maimed astro-robots. He lets out a pathetic electronic whimper
and stumbles off toward what appears to be a door at the end
of the chamber.

INTERIOR: SANDCRAWLER -- PRISON AREA.

Artoo enters a wide room with a four-foot ceiling. In the
middle of the scrap heap sit a dozen or so robots of various
shapes and sizes. Some are engaged in electronic conversation,
while others simply mill about. A voice of recognition calls
out from the gloom.

(Relient k)
And all of us we will endure
Just like we always have
But you just can't be too sure
How long this will last

Cause we control the chaos
In the back of our minds
Our problems seem so small
But the grow on us like gravity
But gravity still makes us fall

Grey_Wolf
02-21-2006, 04:06 PM
THREEPIO: Artoo-Detoo! It's you! It's you!
(For me it's you by Train)

If I ever find truth I'm gonna let you know
If I ever find faith I'm gonna sit in every bit of its afterglow
If I ever find a way to bring love here today
You better bet your life that this is what I'll say
Give it if you've got it
Get it if you don't

Take my hand in the meantime
And let's walk into the sunshine
Everybody got something that they want to sing about, laugh about, cry about
It's true
For me it's you

Give it away, give it away, give it away
If it's something that you got layin' round your house
Man let me tell ya if ain't a kiss
It's something you'll never miss
Give it to somebody that don't have a thing layin' round like a prayer or a sweet sound
Give it if you've got it
Get it if you don't

Take my hand in the meantime
Let's walk into the sunshine
Everybody got something that they want to sing about, laugh about, cry about

A battered Threepio scrambles up to Artoo and embraces him.

EXTERIOR: TATOOINE -- ROCK CANYON -- SANDCRAWLER -- SUNSET.

The enormous Sandcrawler lumbers off toward the magnificent
twin suns, which are slowly setting over a distant mountain
ridge.

EXTERIOR: TATOOINE -- DESERT -- DAY.

Four Imperial stormtroopers mill about in front of the half-
buried lifepod that brought Artoo and Threepio to Tatooine. A
trooper yells to an officer some distance away.

FIRST TROOPER: Someone was in the pod. The tracks go off in this
direction.

A second trooper picks a small bit of metal out of the sand
and gives it to the first trooper.

SECOND TROOPER: Look, sir -- droids.

EXTERIOR: TATOOINE -- DUNES.

The Sandcrawler moves slowly down a great sand dune.

INTERIOR: SANDCRAWLER.

Threepio and Artoo noisily bounce along inside the cramped
prison chamber. Artoo appears to be shut off.

THREEPIO: Wake up! Wake up!
(Wake Me Up Before You Go-go by George Michael)

You put the boom-boom into my heart
You send my soul sky high
When your loving starts
A jitterbug into my brain
Till my feet do the same

But something's bugging me
Something ain't right
My best friend told me what you did last night
You left me sleeping in my bed
I was dreaming but i should have been with you instead

Chorus:
Wake me up before you go-go
Don't leave me hanging on like a yo-yo
Wake me up before you go-go
I don't wanna miss it when you hit that high
Wake me up before you go-go
'cos i'm not planning on going solo
Wake me up before you go-go

Take me dancing tonight

You put the grey skies out of my way
You make the sun shine brighter than doris day
Turned a bright spark into a flame
My beats per minute never been the same

'cos you're my lady
I'm your fool
It makes me crazy when you act so cruel
Come on baby lets not fight
We'll go dancing
Everything wiil be alright

Chorus:

Cuddle up baby, move in tight
We'll go dancing tomorrow night
It's cold out there but it's warm in bed
They can dance
We'll stay at home instead

Chorus to fade

rohirrim TR
02-22-2006, 03:50 PM
THREEPIO: Wake up! Wake up!

Suddenly the shaking and bouncing of the Sandcrawler stops,
creating quite a commotion among the mechanical men.
Threepio's fist bangs the head of Artoo whose computer lights
pop on as he begins beeping. At the far end of the long
chamber a hatch opens, filling the chamber with blinding white
light. a dozen or so Jawas make their way through the odd
assortment of robots.

THREEPIO: We're doomed.

A Jawa starts moving toward them.

THREEPIO: Do you think they'll melt us down?

Artoo responds, making beeping sounds.

THREEPIO: Don't shoot! Don't shoot! Will this never end?

(Pillar, Hypnotized)
It's been far too long, we've known all along
This was going on, can't seem to respond to anything, so, we carry on
With our lives, we rewind, we can't find, we deny
The simple fact that we haven't done anything
Doesn't mean that we can't start offering
Why do we feel so far? It's like we're seeing stars
Why does it seem so hard to wake up now and see who we really are?

So, let go
Don't follow

Where do we go from here?
How did it disappear?
It's hard to see with our own eyes
These times (these lies)
We've been hypnotized

I think it's time we try to open up our eyes
Look away from the very thing that's made us cry
We're hypnotized, and you'll see the real me
Luckily, it can't be stopped
If the tick-tock of life isn't all that you got
So, come ready or not
Wake up, it's your last shot

So, come to
And redo

Wake up now, wake up now
So, wake up now, wake up now
So, wake up now
It's been far too long
How can we not go wrong?
Now, it's been far too long
How can we not go wrong again?

Grey_Wolf
02-23-2006, 04:03 AM
EXTERIOR: TATOOINE -- DESERT -- LARS HOMESTEAD -- AFTERNOON.

The Jawas mutter gibberish as they busily line up their
battered captives, including Artoo and Threepio, in front of
the enormous Sandcrawler, which is parked beside a small
homestead consisting of three large holes in the ground
surrounded by several tall moisture vaporators and one small
adobe block house.
The Jawas scurry around fussing over the robots,
straightening them up or brushing some dust from a dented
metallic elbow. The shrouded little creatures smell horribly,
attracting small insects to the dark areas when their mouths
and nostrils should be.
Out of the shadows of a dingy side-building limps Owen
Lars, a large burly man in his mid-fifties. His reddish eyes
are sunken in a dust-covered face. As the farmer carefully
inspects each robot, he is closely followed by his slump-
shouldered nephew, Luke Skywalker. One of the vile little
Jawas walks ahead of the farmer spouting an animated sales
pitch in a queer, unintelligible language.
A voice calls out from one of the huge holes that form the
homestead. Luke goes over to the edge and sees his Aunt Beru
standing in the main courtyard.

BERU: Luke, tell Owen that if he gets a translator to be sure it
speaks Bocce.

LUKE: It looks like we don't have much of a choice but I'll remind
him.

Luke returns to his uncle as they look over the equipment
for sale with the Jawa leader.

OWEN: I have no need for a protocol droid.

THREEPIO: (quickly) Sir -- not in an environment such as this --
that's why I've also been programmed for over thirty secondary
functions that...

OWEN: What I really need is a droid that understands the binary
language of moisture vaporators.

THREEPIO: Vaporators! Sir -- My first job was programming binary load
lifter...very similar to your vaporators. You could say...

OWEN: Do you speak Bocce?

THREEPIO: Of course I can, sir. It's like a second language for
me...I'm as fluent in Bocce...

OWEN: All right shut up! (turning to Jawa) I'll take this one.

THREEPIO: Shutting up, sir.

OWEN: Luke, take these two over to the garage, will you? I want you to
have both of them cleaned up before dinner.

LUKE: But I was going into Toshi Station to pick up some power
converters...

OWEN: You can waste time with your friends when your chores are done.
Now come on, get to it!

LUKE: All right, come on! And the red one, come on. Well, come on,
Red, let's go.

As the Jawas start to lead the three remaining robots
back into the Sandcrawler, Artoo lets out a pathetic little
beep and starts after his old friend Threepio. He is
restrained by a slimy Jawa, who zaps him with a control box.

Owen is negotiating with the head Jawa. Luke and the two
robots start off for the garage when a plate pops off the head
of the red astro-droid's head plate and it sparks wildly.

LUKE: Uncle Owen...

OWEN: Yeah?

LUKE: This R2 unit has a bad motivator. Look!

OWEN: (to the head Jawa) Hey, what're you trying to push on us?

The Jawa goes into a loud spiel. Meanwhile, Artoo has
sneaked out of line and is moving up and down trying to
attract attention. He lets out with a low whistle. Threepio
taps Luke on the shoulder.

THREEPIO: (pointing to Artoo) Excuse me, sir, but that R2 unit is in
prime condition. A real bargain.

LUKE: Uncle Owen...

OWEN: Yeah?

LUKE: What about that one?

OWEN: (to Jawa) What about that blue one? We'll take that one.

With a little reluctance the scruffy dwarf trades the
damaged astro-droid for Artoo.

LUKE: Yeah, take it away.

THREEPIO: Uh, I'm quite sure you'll be very pleased with that one,
sir. He really is in first-class condition. I've worked with him
before. Here he comes.

Owen pays off the whining Jawa as Luke and the two robots
trudge off toward a grimy homestead entry.

LUKE: Okay, let's go.

THREEPIO: (to Artoo) Now, don't you forget this! Why I should stick my
neck out for you is quite beyond my capacity!" turns around and hums...
(Helping Hand by Amy Grant)

Chorus:
Everybody needs a helping hand
Take a look at your fellow man
And tell me what can i do today
'cause everybody needs a helping out
If that ain't what it's all about
Tell me what
What can i do
What can i do today

We've all seen trouble from time to time
There is a mountain ahead
I've got no strength to climb, hey
If you're feeling that you're strong
Reach out to me
I hope this journey won't take long
But won't you please
Have mercy

(repeat chorus)

What can i do today

I'm talking 'bout the soul all alone
Needing the daily bread
Someplace to lay his head, yeah, hey
And i'm talking about the neighbor on your street
Won't you look him in the eye

Take time to speak
That's mercy, yeah, 'cause...

(repeat chorus)

Love one another
Sister and brother
Love is the only way, hey

(repeat chorus twice)

What can i do today
Everybody needs a helpin', helpin'
Everybody needs a helping hand
Everybody needs a helpin', helpin'
Everybody needs a helping hand

Everybody needs a helping hand
Everybody needs it, oh, everybody needs it
Everybody needs a helping hand
Oh, everybody needs it, oh, yeah, oh, everybody needs it
Oh, yeah, everybody needs a helping hand
Everybody needs it, oh, everybody needs it
Everybody needs a helping hand
Everybody needs it

rohirrim TR
02-23-2006, 03:32 PM
INTERIOR: LARS HOMESTEAD -- GARAGE AREA -- LATE AFTERNOON.

The garage is cluttered and worn, but a friendly peaceful
atmosphere permeates the low grey chamber. Threepio lowers
himself into a large tub filled with warm oil. Near the
battered Landspeeder little Artoo rests on a large battery
with a cord to his face.

THREEPIO: Thank the maker! This oil bath is going to feel so good.
I've got such a bad case of dust contamination, I can barely move!

Artoo beeps a muffled reply. Luke seems to be lost in
thought as he runs his hand over the damaged fin of a small
two-man Skyhopper spaceship resting in a low hangar off the
garage. Finally Luke's frustrations get the better of him and
he slams a wrench across the workbench.

LUKE: It just isn't fair. Oh, Biggs is right. I'm never gonna get out
of here!

THREEPIO: Is there anything I might do to help?

Luke glances at the battered robot. A bit of his anger
drains and a tiny smile creeps across his face.

LUKE: Well, not unless you can alter time, speed up the harvest, or
teleport me off this rock!

THREEPIO: I don't think so, sir. I'm only a droid and not very
knowledgeable about such things. Not on this planet, anyways. As a
matter of fact, I'm not even sure which planet I'm on.

LUKE: Well, if there's a bright center to the universe, you're on the
planet that it's farthest from.

THREEPIO: I see, sir.

LUKE: Uh, you can call me Luke.

THREEPIO: I see, sir Luke.

LUKE: (laughing) Just Luke.

THREEPIO: And I am See-Threepio, human-cyborg relations, and this is
my counterpart, Artoo-Detoo.

LUKE: Hello.

Artoo beeps in response. Luke unplugs Artoo and begins to
scrape several connectors on the robot's head with a chrome
pick. Threepio climbs out of the oil tub and begins wiping oil
from his bronze body.

LUKE: You got a lot of carbon scoring here. It looks like you boys
have seen a lot of action.

THREEPIO: With all we've been through, sometimes I'm amazed we're in
as good condition as we are, what with the Rebellion and all.

LUKE: You know of the Rebellion against the Empire?

THREEPIO: That's how we came to be in your service, if you take my
meaning, sir.

LUKE: Have you been in many battles?

THREEPIO: Several, I think. Actually, there's not much to tell. I'm
not much more than an interpreter, and not very good at telling
stories. Well, not at making them interesting, anyways.

Luke struggles to remove a small metal fragment from Artoo's
neck joint. He uses a larger pick.

LUKE: Well, my little friend, you've got something jammed in here real
good. Were you on a cruiser or...

The fragment breaks loose with a snap, sending Luke
tumbling head over heels. He sits up and sees a twelve-inch
three-dimensional hologram of Leia Organa, the Rebel senator,
being projected from the face of little Artoo. The image is a
rainbow of colors as it flickers and jiggles in the dimly lit
garage. Luke's mouth hangs open in awe.

LEIA: Help me, Obi-Wan Kenobi. You're my only hope.

LUKE: What's this?

Artoo looks around and sheepishly beeps an answer for
Threepio to translate. Leia continues to repeat the sentence
fragment over and over.

THREEPIO: What is what?!? He asked you a question...(pointing to Leia)
What is that?

Artoo whistles his surprise as he pretends to just notice
the hologram. He looks around and sheepishly beeps an answer
for Threepio to translate. Leia continues to repeat the
sentence fragment over and over.

LEIA: Help me, Obi-Wan Kenobi. You're my only hope. Help me, Obi-Wan
Kenobi. You're my only hope.

THREEPIO: Oh, he says it's nothing, sir. Merely a malfunction. Old
data. Pay it no mind.

Luke becomes intrigued by the beautiful girl.
(you're beutiful James Blunt)

My life is brilliant

*Musical Pause*

My life is brilliant.
My love is pure.
I saw an angel.
Of that I'm sure.
She smiled at me on the (hologram)subway.
She was with another man.
But I won't lose no sleep on that,
'Cause I've got a plan.

(Chorus):
You're beautiful. You're beautiful.
You're beautiful, it's true.
I saw your face in a crowded place,
And I don't know what to do,
'Cause Ill never be with you.

Yes, she caught my eye,
As I walked on by.
She could see from my face that I was,
Flying high,
And I don't think that I'll see her again,

But we shared a moment that will last till the end.

(Chorus):
You're beautiful. You're beautiful.
You're beautiful it's true
I saw your face in a crowded place,
And I don't know what to do,
'Cause Ill never be with you.

(La-la-la-la, La-la-la-la, La-la-la-la, Laaah)

(Chorus):
You're beautiful. You're beautiful.
You're beautiful, it's true.
There must be an angel, with a smile on her face,
When she thought that I should be with you.

But it's time to face the truth,
I will never be with you.

Grey_Wolf
02-24-2006, 02:33 AM
LUKE: Who is she? She's beautiful.

THREEPIO: I'm afraid I'm not quite sure, sir.

LEIA: Help me, Obi-Wan Kenobi...

THREEPIO: I think she was a passenger on our last voyage. A person of
some importance, sir -- I believe. Our captain was attached to...

LUKE: Is there more to this recording?

Luke reaches out for Artoo but he lets out several frantic
squeaks and a whistle.

THREEPIO: Behave yourself, Artoo. You're going to get us in trouble.
It's all right, you can trust him. He's our new master.

Artoo whistles and beeps a long message to Threepio.

THREEPIO: He says he's the property of Obi-Wan Kenobi, a resident of
these parts. And it's a private message for him. Quite frankly, sir I
don't know what he's talking about. Our last master was Captain
Antilles, but with what we've been through, this little R2 unit has
become a bit eccentric.

LUKE: Obi-Wan Kenobi? I wonder if he means old Ben Kenobi?

THREEPIO: I beg your pardon, sir, but do you know what he's talking
about?

LUKE: Well, I don't know anyone named Obi-Wan, but old Ben lives out
beyond the dune sea. He's kind of a strange old hermit.

Luke's gazes at the beautiful young princess for a few
moments.

LUKE: I wonder who she is. It sounds like she's in trouble. I'd better
play back the whole thing.

Artoo beeps something to Threepio.

THREEPIO: He says the restraining bolt has short circuited his
recording system. He suggests that if you remove the bolt, he might be
able to play back the entire recording.

Luke looks longingly at the lovely, little princess and
hasn't really heard what Threepio has been saying.

LUKE: H'm? Oh, yeah, well, I guess you're too small to run away on me
if I take this off! Okay.

Luke takes a wedged bar and pops the restraining bolt off
Artoo's side.

LUKE: There you go.

The princess immediately disappears...

LUKE: Well, wait a minute. Where'd she go? Bring her back! Play back
the entire message.

Artoo beeps an innocent reply as Threepio sits up in
embarrassment.

THREEPIO: What message? The one you're carrying inside your rusty
innards!" and gets so annoyed he begins to sing...
(Message in a bottle by Police)

Just a castaway, an island lost at sea, oh
Another lonely day, with no one here but me, oh
More loneliness than any man could bear
Rescue me before i fall into despair, oh

I'll send an s.o.s. to the world
I'll send an s.o.s. to the world
I hope that someone gets my
I hope that someone gets my
I hope that someone gets my
Message in a bottle, yeah
Message in a bottle, yeah

A year has passed since i wrote my note
But i should have known this right from the start
Only hope can keep me together
Love can mend your life but
Love can break your heart
I'll send an s.o.s. to the world
I'll send an s.o.s. to the world
I hope that someone gets my
I hope that someone gets my
I hope that someone gets my

Message in a bottle, yeah
Message in a bottle, yeah
Message in a bottle, yeah
Message in a bottle, yeah

Walked out this morning, don't believe what i saw
Hundred billion bottles washed up on the shore
Seems i'm not alone at being alone
Hundred billion castaways, looking for a home
I'll send an s.o.s. to the world
I'll send an s.o.s. to the world
I hope that someone gets my
I hope that someone gets my
I hope that someone gets my
Message in a bottle, yeah
Message in a bottle, yeah
Message in a bottle, yeah
Message in a bottle, yeah
Sending out at an s.o.s.
Sending out at an s.o.s.
Sending out at an s.o.s.
Sending out at an s.o.s.
Sending out at an s.o.s.
Sending out at an s.o.s...

Grey_Wolf
02-26-2006, 05:42 AM
A women's voice calls out from another room.

AUNT BERU: Luke? Luke! Come to dinner!

Luke stands up and shakes his head at the malfunctioning
robot.

LUKE: All right, I'll be right there, Aunt Beru.

THREEPIO: I'm sorry, sir, but he appears to have picked up a slight
flutter.

Luke tosses Artoo's restraining bolt on the workbench and
hurries out of the room.

LUKE: Well, see what you can do with him. I'll be right back.

THREEPIO: (to Artoo) Just you reconsider playing that message for him.

Artoo beeps in response.

THREEPIO: No, I don't think he likes you at all.

Artoo beeps.

THREEPIO: No, I don't like you either.

INTERIOR: LARS HOMESTEAD -- DINING AREA.

Luke's Aunt Beru, a warm, motherly woman, fills a pitcher
with blue fluid from a refrigerated container in the well-used
kitchen. She puts the pitcher on a tray with some bowls of
food and starts for the dining area.
Luke sits with his Uncle Owen before a table covered with
steaming bowls of food as Aunt Beru carries in a bowl of red
grain.

LUKE: You know, I think that R2 unit we bought might have been stolen.

OWEN: What makes you think that?

LUKE: Well, I stumbled across a recording while I was cleaning him. He
says he belongs to someone called Obi-Wan Kenobi.

Owen is greatly alarmed at the mention of his name, but
manages to control himself.

LUKE: I thought he might have meant old Ben. Do you know what he's
talking about? Well, I wonder if he's related to Ben.

Owen breaks loose with a fit of uncontrolled anger.

OWEN: That old man's just a crazy old wizard. Tomorrow I want you to
take that R2 unit into Anchorhead and have its memory flushed. That'll
be the end of it. It belongs to us now.

LUKE: But what if this Obi-Wan comes looking for him?

OWEN: He won't, I don't think he exists any more. He died about the
same time as your father.

LUKE: He knew my father?

OWEN: I told you to forget it. Your only concern is to prepare the new
droids for tomorrow. In the morning I want them on the south ridge
working out those condensers.

LUKE: Yes, sir. I think those new droids are going to work out fine.
In fact, I, uh, was also thinking about our agreement about my staying
on another season. And if these new droids do work out, I want to
transmit my application to the Academy this year.

Owen's face becomes a scowl, although he tries to suppress
it.

OWEN: You mean the next semester before harvest?

LUKE: Sure, there're more than enough droids.

OWEN: Harvest is when I need you the most. Only one more season. This
year we'll make enough on the harvest so I'll be able to hire some
more hands. And then you can go to the Academy next year.

Luke continues to toy with his food, not looking at his
uncle.

OWEN: You must understand I need you here, Luke.

LUKE: But it's a whole 'nother year.

OWEN: Look, it's only one more season.

Luke pushes his half-eaten plate of food aside and stands.

LUKE: Yeah, that's what you said last year when Biggs and Tank left.

AUNT BERU: Where are you going?

LUKE: It looks like I'm going nowhere. I have to finish cleaning those
droids.

Resigned to his fate, Luke paddles out of the room. Owen
mechanically finishes his dinner.

AUNT BERU: Owen, he can't stay here forever. Most of his friends have
gone. It means so much to him.

OWEN: I'll make it up to him next year. I promise.

AUNT BERU: Luke's just not a farmer, Owen. He has too much of his
father in him.

OWEN: That's what I'm afraid of.

EXTERIOR: TATOOINE -- LARS HOMESTEAD.

The giant twin suns of Tatooine slowly disappear behind a
distant dune range. Luke stands watching them for a few
moments, feeling that he ain't going anywhere soon he sings...

(Going Nowhere by Andrea Parker)

Through the stained glass window
Pictures in my mind
Dissolving in a jet
Taking time to rewind

New direction
Passagers in the dark
Shadows from below
Leaving a mark

Going nowhere (repeat)

Apart from the obvious

Nothing is what it seems
Silence between the light
Of a hidden ??scene/seem/seed/seize??

New direction
Lost connections to the past
Going nowhere
Moving too far

Going nowhere (repeat)

...then reluctantly enters the doomed entrance to thehomestead.

Grey_Wolf
03-01-2006, 08:00 AM
INTERIOR: LARS HOMESTEAD -- GARAGE.

Luke enters the garage to discover the robots nowhere in
sight. He takes a small control box from his utility belt
similar to the one the Jawas were carrying. He activates the
box, which creates a low hum, and Threepio, letting out a
short yell, pops up from behind the Skyhopper spaceship.

LUKE: What are you doing hiding there?

Threepio stumbles forward, but Artoo is still nowhere in
sight.

THREEPIO: It wasn't my fault, sir. Please don't deactivate me. I told
him not to go, but he's faulty, malfunctioning; kept babbling on about
his mission.

LUKE: Oh, no!

Luke races out of the garage followed by Threepio.

EXTERIOR: TATOOINE -- LARS HOMESTEAD.

Luke rushes out of the small doomed entry to the homestead and searches the darkening horizon for the small triped astrorobot. Threepio struggles out of the homestead and on the salt flat as Luke scans the landscape with his electrobinoculars.

THREEPIO: That R2 unit has always been a problem. These astro-droids are getting quite out of hand. Even I can't understand their logic at times.

LUKE: How could I be so stupid? He's nowhere in sight. Blast it!

THREEPIO: Pardon me, sir, but couldn't we go after him?

LUKE: It's too dangerous with all the Sandpeople around. We'll have to
wait until morning.

Owen yells up from the homestead plaza.

OWEN: Luke, I'm shutting the power down for the night.

LUKE: All right, I'll be there in a few minutes. Boy, am I gonna get it.

He takes one final look across the dim horizon.

LUKE: You know that little droid is going to cause me a lot of trouble.

THREEPIO: Oh, he excels at that, sir.

INTERIOR: LARS HOMESTEAD -- PLAZA.

Morning slowly creeps into the sparse but sparkling oasis of
the open courtyard. The idyll is broken be the yelling of
Uncle Owen, his voice echoing throughout the homestead.

OWEN: Luke? Luke? Luke? Where could he be loafing now!

INTERIOR: LARS HOMESTEAD -- KITCHEN.

The interior of the kitchen is a worm glow as Aunt Beru prepares the morning breakfast. Owen enters in a huff.

OWEN: Have you seen Luke this morning?

AUNT BERU: He said he had some things to do before he started today, so he left early.

OWEN: Uh? Did he take those two new droids with him?

AUNT BERU: I think so.

OWEN: Well, he'd better have those units in the south range repaired be midday or there'll be hell to pay!

EXTERIOR: TATOOINE -- DESERT WASTELAND -- LUKE'S SPEEDER -- DAY.

The rock and sand of the desert floor are a blur as Threepio pilots the sleek Landspeeder gracefully across the vast wasteland singing...

I got a sixty-nine chevy with a 396
Fuelie heads and a hurst on the floor
She's waiting tonight down in the parking lot
Outside the seven-eleven store
Me and my partner sonny built her straight out of scratch
And he rides with me from town to town
We only run for the money got no strings attached
We shut `em up and then we shut `em down

Tonight tonight the strip's just right
I wanna blow `em off in my first heat
Summer's here and the time is right
We're goin' racin' in the street

We take all the action we can meet
And we cover all the northeast state
When the strip shuts down we run `em in the street
From the fire roads to the interstate
Some guys they just give up living
And start dying little by little piece by piece
Some guys come home from work and wash up
Then go racin' in the street

Tonight tonight the strip's just right
I wanna blow `em all out of their seats

Calling out around the world
We're going racin' in the street

I met her on the strip three years ago
In a camaro with this dude from l.a.
I blew that camaro off my back and drove that little girl away
But now there's wrinkles around my baby's eyes
And she cries herself to sleep at night
When i come home the house is dark
She sighs "baby did you make it all right"
She sits on the porch of her daddy's house
But all her pretty dreams are torn
She stares off alone into the night
With the eyes of one who hates for just being born

For all the shut-down strangers and hot rod angels
Rumbling through this promised land
Tonight my baby and me we're gonna ride to the sea
And wash these sins off our hands

Tonight tonight the highway's bright
Out of our way mister you best keep
`cause summer's here and the time is right
We're goin' racin' in the street.

Grey_Wolf
03-01-2006, 12:51 PM
INTERIOR/EXTERIOR: LUKE'S SPEEDER -- DESERT WASTELAND -- TRAVELING -- DAY.

Luke leans over the back of the speeder and adjusts something
in the motor compartment.

LUKE: (yelling) How's that.

Threepio signals that is fine and Luke turns back into the
wind-whipped cockpit and pops the canopy shut.

LUKE: Old Ben Kenobi lives out in this direction somewhere, but I
don't see how that R2 unit could have come this far. We must have
missed him. Uncle Owen isn't going to take this very well.

THREEPIO: Sir, would it help if you told him it was my fault.

LUKE: (brightening) Sure. He needs you. He'd probably only deactivate
you for a day or so...

THREEPIO: Deactivate! Well, on the other hand if you hadn't removed
his restraining bolt...

LUKE: Wait, there's something dead ahead on the scanner. It looks like
our droid...hit the accelerator.

EXTERIOR: TATOOINE -- ROCK MESA -- DUNE SEA -- COASTLINE -- DAY.

From high on a rock mesa, the tiny Landspeeder can be seen
gliding across the desert floor. Suddenly in the foreground
two weather-beaten Sandpeople shrouded in their grimy desert
cloaks peer over the edge of the rock mesa. One of the
marginally human creatures raises a long ominous laser rifle
and points it at the speeder but the second creature grabs the
gun before it can be fired.
The Sandpeople, or Tusken Raiders as they're sometimes
called, speak in a coarse barbaric language as they get into
an animated argument. The second Tusken Raider seems to get in
the final word and the nomads scurry over the rocky terrain.

EXTERIOR: TATOOINE -- ROCK MESA -- CANYON.

The Tusken Raider approaches two large Banthas standing tied
to a rock. The monstrous, bear-like creatures are as large as
elephants, with huge red eyes, tremendous looped horns, and
long, furry, dinosaur-like tails. The Tusken Raiders mount
saddles strapped to the huge creatures' shaggy backs and ride
off down the rugged bluff.

EXTERIOR: TATOOINE -- ROCK CANYON -- FLOOR.

The speeder is parked on the floor of a massive canyon. Luke,
with his long laser rifle slung over his shoulder, stands
before little Artoo.

LUKE: Hey, whoa, just where do you think you're going?

The little droid whistles a feeble reply, as Threepio poses
menacingly behind the little runaway.

THREEPIO: Master Luke here is your rightful owner. We'll have no more
of this Obi-Wan Kenobi jibberish...and don't talk to me about your
mission, either. You're fortunate he doesn't blast you into a million
pieces right here.

LUKE: Well, come on. It's getting late. I only hope we can get back
before Uncle Owen really blows up.

THREEPIO: If you don't mind my saying so, sir, I think you should
deactivate the little fugitive until you've gotten him back to your
workshop.

LUKE: No, he's not going to try anything.

Suddenly the little robot jumps to life with a mass of
frantic whistles and screams.

LUKE: What's wrong with him now?

THREEPIO: Oh my...sir, he says there are several creatures approaching
from the southeast.

Luke swings his rifle into position and looks to the south.

LUKE: Sandpeople! Or worst! Come on, let's have a look. Come on.

EXTERIOR: TATOOINE -- ROCK CANYON -- RIDGE -- DAY.

Luke carefully makes his way to the top of a rock ridge and
scans the canyon with his electrobinoculars. He spots the two
riderless Banthas. Threepio struggles up behind the young
adventurer.

LUKE: There are two Banthas down there but I don't see any...wait a
second, they're Sandpeople all right. I can see one of them now.

Luke watches the distant Tusken Raider through his
electrobinoculars. Suddenly something huge moves in front of
his field of view. Before Luke or Threepio can react, a large,
gruesome Tusken Raider looms over them. Threepio is startled
and backs away, right off the side if the cliff. He can be
heard for several moments as he clangs, bangs and rattles down
the side of the mountain.
The towering creature brings down his curved,
double-pointed gaderffii -- the dreaded axe blade that has
struck terror in the heart of the local settlers. But Luke
manages to block the blow with his laser rifle, which is
smashed to pieces. The terrified farm boy scrambles backward
until he is forced to the edge of a deep crevice. The sinister
Raider stands over him with his weapon raised and lets out a
horrible shrieking laugh.

EXTERIOR: TATOOINE -- ROCK CANYON -- FLOOR -- DAY.

Artoo forces himself into the shadows of a small alcove in the
rocks as the vicious Sandpeople walk past carrying the inert
Luke Skywalker, who is dropped in a heap before the speeder.
The Sandpeople ransack the speeder, throwing parts and
supplies in all directions. Suddenly they stop. Then
everything is quiet for a few moments. A great howling moan is
heard echoing throughout the canyon which sends the Sandpeople
fleeing in terror.
Artoo moves even tighter into the shadows as the slight
swishing sound that frightened off the Sandpeople grows even
closer, until a shabby old desert-rat-of-a-man appears and
leans over Luke. His ancient leathery face, cracked and
weathered by exotic climates is set off by dark, penetrating
eyes and a scraggly white beard. Ben Kenobi squints his eyes
as he scrutinizes the unconscious farm boy. Artoo makes a
slight sound and Ben turns and looks right at him, singing:
(What's New, Pussycat by Burt Bacharach)

What's new, pussycat?
Whoa-oh
What's new, pussycat?
Whoa-oh oh

Pussycat pussycat ,
I've got flowers and lots of hours
To spend with you.
So go and power your cute little pussycat nose

Pussycat, pussycat i love you
Yes i do
You and your pussycat nose.

What's new, pussycat?
Whoa-oh
What's new, pussycat?
Whoa-oh oh


Pussycat, pussycat,
You're so thrilling and i'm so willing
To care for you.
So go and make up you big little pussy cat eyes

Pussycat, pussycat, i love you
Yes i do
You and your pussycat eyes.

What's new, pussycat?
Whoa-oh
What's new, pussycat?
Whoa-oh oh

Pussycat, pussycat,
You're delicious and if my wishes
Can all come true,
I'll soon be kissing your sweet little pussycat lips.

Pussycat, pussycat, i love you
Yes i do
You and your pussycat lips.
Whoa-oh
You and your pussycat eyes.
Whoa-oh
You and your pussycat nose.

Grey_Wolf
03-05-2006, 12:14 PM
BEN: Hello there! Come here my little friend. Don't be afraid.

Artoo waddles over to were Luke lies crumpled in a
heap and begins to whistle and beep his concern. Ben
puts his hand on Luke's forehead and he begins to
come around.

BEN: Don't worry, he'll be all right.

LUKE: What happened?

BEN: Rest easy, son, you've had a busy day. You're fortunate you're
still in one piece.

LUKE: Ben? Ben Kenobi! Boy, am I glad to see you!

BEN: The Jundland wastes are not to be traveled lightly. Tell me young
Luke, what brings you out this far?

LUKE: Oh, this little droid! I think he's searching for his former
master...I've never seen such devotion in a droid before...there
seems to be no stopping him. He claims to be the property of an Obi-
Wan Kenobi. Is he a relative of yours? Do you know who he's talking
about?

Ben ponders this for a moment, scratching his scruffy beard.

BEN: Obi-Wan Kenobi...Obi-Wan? Now thats a name I haven't heard in a
long time...a long time. Stands up and begins cavorting around suprising agile for such an old man, while singing...
(Ol' Ben Lucas by Kinky Friedman)

Ol' ben lucas had a lot of mucus
Comin' right out of his nose.
He picked and picked till it made you sick
But back again it grows.

Well, ol' ben lucas had a lot of mucus
Comin' right out of his nose.
He picked and picked till it made you sick,
But back again it grows.

When it's cotton picking time in texas,
Boys, it's booger picking time for ben.
He'd raise that finger mean and hostile

Stick it in that waitin' nostril,
Here he comes with a green one once again.

All right, pick it, eric!

Ol' ben lucas had a lot of mucus
Comin' right out of his nose.
He picked and picked till it made you sick,
But back again it grows.

Everybody!
Ol' ben lucas had a lot of mucus
Comin' right out of his nose,
He picked and picked till it made you sick
But back again it grows.

Grey_Wolf
03-07-2006, 11:43 AM
LUKE: I think my uncle knew him. He said he was dead.

BEN: Oh, he's not dead, not...not yet.

LUKE: You know him!

BEN: Well of course, of course I know him. He's me! I haven't gone by
the name Obi-Wan since oh, before you were born.

LUKE: Then the droid does belong to you.

BEN: Don't seem to remember ever owning a droid. Very interesting...

He suddenly looks up at the overhanging cliffs.

BEN: I think we better get indoors. The Sandpeople are easily startled
but they will soon be back and in greater numbers.

Luke sits up and rubs his head. Artoo lets out a pathetic
beep causing Luke to remember something. He looks around.

LUKE: Threepio!

EXTERIOR: TATOOINE -- SAND PIT -- ROCK MESA -- DAY.

Little Artoo stands at the edge of a large sand pit and begins
to chatter away in electronic whistles and beeps. Luke and Ben
stand over a very dented and tangled Threepio lying half
buried in the sand. One of his arms has broken off.
Luke tries to revive the inert robot by shaking him and
then flips a hidden switch on his back several times until
finally the mechanical man's systems turn on.

THREEPIO: Where am I? I must have taken a bad step...

LUKE: Can you stand? We've got to get out of here before the
Sandpeople return.

THREEPIO: I don't think I can make it. You go on, Master Luke. There's
no sense in you risking yourself on my account. I'm done for.

Artoo makes a beeping sound.

LUKE: No, you're not. What kind of talk is that?

Luke and Ben help the battered robot to his feet. Little
Artoo watches from the top of the pit. Ben glances around
suspiciously. Sensing something, he stands up and sniffs the
air.

BEN: Quickly, son...they're on the move.

INTERIOR: KENOBI'S DWELLING.

The small, spartan hovel is cluttered with desert junk but
still manages to radiate an air of time-worn comfort and
security. Luke is in one corner repairing Threepio's arm, as
old Ben sits thinking.

LUKE: No, my father didn't fight in the wars. He was a navigator on a
spice freighter.

BEN: That's what your uncle told you. He didn't hold with your
father's ideals. Thought he should have stayed here and not gotten
involved.

LUKE: You fought in the Clone Wars?

BEN: Yes, I was once a Jedi Knight the same as your father.

LUKE: I wish I'd known him.
(I wish I was him by Ben Lee)

It may sound stupid when i say it out loud
Like i'm just jealous of his silver cloud
He looks real good he drinks diet coke
He gets his nme's sent by air not boat

I wish i was him
He gets the women at his feet
With all his cool friends
He gets his records for free
I wish i was him
He has no enemies
I wish i was him

He's got six different flannel shirts
Airwalks not thongs
He even understands the words to pavement songs
He's got his new guitar toys
He loves smudge and the beastie boys

I wish i was him
He gets the girls at his feet
With all his cool friends
He gets his records for free
I wish i was him
He has no enemies
I wish i was him

I feel much better now i've let it all out
He's got big biceps and a masculine shout
I don't want to sound like i'm trying to be mean
But he plays guitar much faster than me

I wish i was him
He gets the girls at his feet
With all his cool friends
He gets his records for free
I wish i was him
He has no enemies
I wish i was him

I wish i was him
He gets the girls at his feet
I wish i was him
He has no enemies
With all his cool friends
He gets his records for free
I wish i was him
I wish i was him

[version 2]

Well, it may sound stupid when i say it out loud
Like i'm just jealous of his silver cloud
He's crazy as hell, he drinks diet coke

He gets his nme's sent by air not boat

I wish i was him
He gets the girls at his feet
With all his cool friends
He gets his records for free
I wish i was him
He has no enemies
I wish i was him

Well, he's got six different flannel shirts
Airwalks not thongs
He even understands the words to pavement songs
He's got his little fan club and his guitar toys
He loves smudge and the beastie boys

I wish i was him
He gets the girls at his feet
With all his cool friends
He gets his records for free
I wish i was him
He has no enemies
I wish i was him

Well, i feel much better now i've let it all out
'cause he's got big biceps and a masculine shout
I don't want to sound like i'm being mean
But he plays guitar much faster than me

I wish i was him
He gets the girls at his feet
With all his cool friends
He gets his records for free
I wish i was him
He has no enemies
I wish i was him

[spoken: y'know he even knows the guys from dinosaur jr.
And he played on the first blake babies album, how awesome
And you know that black stripey shirt he's got?
Well, i've got the same one, except it's red, but it's the same, y'know what i mean]

I wish i was him
He gets the girls at his feet
With all his cool friends
He gets his records for free
I wish i was him
He has no enemies
I wish i was him
I wish i was him

BEN: He was the best star-pilot in the galaxy, and a cunning warrior.
I understand you've become quite a good pilot yourself. And he was a
good friend. Which reminds me...

Ben gets up and goes to a chest where he rummages around.
As Luke finishes repairing Threepio and starts to fit the
restraining bolt back on, Threepio looks at him nervously.
Luke thinks about the bolt for a moment then puts it on the
table. Ben shuffles up and presents Luke with a short handle
with several electronic gadgets attached to it.

BEN: I have something here for you. Your father wanted you to have this when you were old enough, but your uncle wouldn't allow it. He feared you might follow old Obi-Wan on some damned-fool idealistic crusade like your father did.
(This gift by 98 degrees)

the snow is falling the city is white
ur eyes are shining like diamonds tonight
and were all alone theres no one home
your finally in my arms again
the night is silent, the moment is here
i couldnt ask for more than having you near
cause i love you girl i always will
and now i know the moment is right

cause i've been waiting to give this gift tonight
im down on my knees theres no better time
its something to last for as long as you live
tonight im gonna give you, all my heart can give

i thought i'd give you something shiny and new
i tried to find something worthy of you
but i realized when i looked inside
theres somethings that money cant buy
i feel the magic whenever your near

i feel it even more this time of the year
cause i love you girl, i always will
and now i know the moment is right, the moment is right

cause i've been waiting to give this gift tonight
im down on my knees theres no better time
its something to last for as long as you live
tonight im gonna give you, all my heart can give

you know ill always be true to you
and you know im the one you can turn to
anytime any place anywhere
you'll know that ill always be there
oh baby

cause i've been waiting to give this gift tonight
im down on my knees theres no better time
its something to last for as long as you live
tonight im gonna give you, all my heart can give

Grey_Wolf
03-11-2006, 09:31 AM
THREEPIO: Sir, if you'll not be needing me, I'll close down for
awhile.

LUKE: Sure, go ahead.

Ben hands Luke the saber.

LUKE: What is it?

BEN: Your fathers lightsaber. This is the weapon of a Jedi Knight. Not
as clumsy or as random as a blaster.

Luke pushes a button on the handle. A long beam shoots out
about four feet and flickers there. The light plays across the
ceiling.

BEN: An elegant weapon for a more civilized time. For over a thousand
generations the Jedi Knights were the guardians of peace and justice
in the Old Republic. Before the dark times, before the Empire.

Luke hasn't really been listening.

LUKE: How did my father die?

BEN: A young Jedi named Darth Vader, who was a pupil of mine until he
turned to evil, helped the Empire hunt down and destroy the Jedi
Knights. He betrayed and murdered your father. Now the Jedi are all
but extinct. Vader was seduced by the dark side of the Force.

LUKE: The Force?

BEN: Well, the Force is what gives a Jedi his power. It's an energy
field created by all living things. It surrounds us and penetrates us.
It binds the galaxy together.

Artoo makes beeping sounds.

BEN: Now, let's see if we can't figure out what you are, my little
friend. And where you come from.

LUKE: I saw part of the message he was...

Luke is cut short as the recorded image of the beautiful
young Rebel princess is projected from Artoo's face.

BEN: I seem to have found it.

Luke stops his work as the lovely girl's image flickers
before his eyes.

LEIA: General Kenobi, years ago you served my father in the Clone
Wars. Now he begs you to help him in his struggle against the Empire.
I regret that I am unable to present my father's request to you in
person, but my ship has fallen under attack and I'm afraid my mission
to bring you to Alderaan has failed. I have placed information vital
to the survival of the Rebellion into the memory systems of this R2
unit. My father will know how to retrieve it. You must see this droid
safely delivered to him on Alderaan. This is our most desperate hour.
Help me, Obi-Wan Kenobi, you're my only hope.

(Only Hope by Mandy Moore)

There's a song that's inside of my soul
It's the one that I've tried to write over, and over again
I'm awake in the infinite cold
But you sing to me over, and over, and over again


So I lay my head back down
And I lift my hands and pray
To be only yours I pray
To be only yours
I know now, you're my only hope


Sing to me the song of the stars
Of your galaxy dancing and laughing, and laughing again
When it feels like my dreams are so far
Sing to me of the plans that you have for me over again

So I lay my head back down
And I lift my hands and pray
To be only yours I pray
To be only yours
I know now, you're my only hope

I give you my destiny
I'm givin' you all of me
I want your symphony, singing in all that I am
At the top of my lungs, I'm givin' it back


So I lay my head back down
And I lift my hand and pray
To be only yours I pray
To be only yours I pray
To be only yours
I know now, you're my only hope



After this heartwrenching song the image of the beautiful princess vanishes.

Grey_Wolf
03-13-2006, 01:57 PM
There is a little static and the transmission is cut short.
Old Ben leans back and scratches his head. He silently puffs
on a tarnished chrome water pipe. Luke has stars in his eyes.

BEN: You must learn the ways of the Force if you're to come with me to
Alderaan.

LUKE: (laughing) Alderaan? I'm not going to Alderaan. I've got to go
home. It's late, I'm in for it as it is.

BEN: I need your help, Luke. She needs your help. I'm getting too old
for this sort of thing.

LUKE: I can't get involved! I've got work to do! It's not that I like
the Empire. I hate it! But there's nothing I can do about it right
now. It's such a long way from here.

BEN: That's your uncle talking.

LUKE: (sighing) Oh, God, my uncle. How am I ever going to explain
this?

BEN: Learn about the Force, Luke.

LUKE: Look, I can take you as far as Anchorhead. You can get a
transport there to Mos Eisley or wherever you're going.

BEN: You must do what you feel is right, of course.
At this he begins an intricate jig and sings...
(What I did right by sons of the desert)


-i have my heroes, but no one knows their names
They never asked for recognition, they never wanted fame
My granddad fought the second world war when he was just eighteen
He spent four months as a prisoner
To give me the american dream
In my eyes he's everything, all i hope to be
And i won't forget that day he said he was proud of me

So i'll take that one day and figure out what i did right
I'll do it the same way for the rest of my life
What i did right

I have my good friends, they have a place inside my heart
But my best friend, well she holds the biggest part

She finds the good in me
She knows just what it takes
And she loves the man in me
Through all my mistakes
In my eyes she's everything, everything to me
And i won't forget the day she said, "you're all i need"

So i'll take that one day and figure out what i did right
I'll do it the same way for the rest of my life
What i did right

And i hold my newborn baby
To give her comfort while she cries
In this moment i feel helpless
‘til she looks into my eyes, her tears subside

So i'll take that one day and figure out what i did right
I'll do it the same way for the rest of my life
What i did right

Grey_Wolf
03-14-2006, 11:35 AM
EXTERIOR: SPACE.
An Imperial Stardestroyer heads toward the evil planet-like battle station: the Death Star!
(Background music: Stardust sung by Frank Sinatra)

And now the purple dusk of twilight time
Steals across the meadows of my heart
High up in the sky the little stars climb
Always reminding me that we're apart
You wander down the lane and far away
Leaving me a song that will not die
Love is now the stardust
Of yesterday
The music
Of the years
Gone by

Chorus:

Sometimes i wonder why i spend
The lonely nights
Dreaming of a song.

The melody haunts my reverie
And i am once again with you.
When our love was new, and each kiss an inspiration.
But that was long ago, and now my consolation
Is in the stardust of a song.
Beside the garden wall, when stars are bright
You are in my arms
The nightingale tells his fairy tale
Of paradise where roses grew.
Though i dream in vain, in my heart you will remain
My stardust melody
The memory of love's refrain.

INTERIOR: DEATH STAR -- CONFERENCE ROOM.

Eight Imperial senators and generals sit around a black conference table. Imperial stormtroopers stand guard around the room. Commander Tagge, a young, slimy-looking general, is speaking.

TAGGE: Until this battle station is fully operational we are
vulnerable. The Rebel Alliance is too well equipped. They're more dangerous than you realize.

The bitter Admiral Motti twists nervously in his chair.

MOTTI stands up and sings:
(Dangerous by Michael Jackson)

The Way She Came Into The Place
I Knew Right Then And There
There Was Something Different
About This Girl

The Way She Moved
Her Hair, Her Face, Her Lines
Divinity In Motion

As She Stalked The Room
I Could Feel The Aura
Of Her Presence
Every Head Turned
Feeling Passion And Lust

The Girl Was Persuasive
The Girl I Could Not Trust
The Girl Was Bad
The Girl Was Dangerous

I Never Knew But I Was
Walking The Line
Come Go With Me
I Said I Have No Time
And Don't You Pretend We Didn't
Talk On The Phone
My Baby Cried
She Left Me Standing Alone

She's So Dangerous
The Girl Is So Dangerous
Take Away My Money
Throw Away My Time
You Can Call Me Honey
But You're No Damn Good For Me

She Came At Me In Sections
With The Eyes Of Desire
I Fell Trapped Into Her
Web Of Sin
A Touch, A Kiss
A Whisper Of Love
I Was At The Point
Of No Return

Deep In The Darkness Of
Passion's Insanity
I Felt Taken By Lust's
Strange Inhumanity
This Girl Was Persuasive
This Girl I Could Not Trust
The Girl Was Bad
The Girl Was Dangerous

I Never Knew
But I Was Living In Vain
She Called My House
She Said You Know My Name
And Don't You Pretend
You Never Did Me Before
With Tears In Her Eyes
My Baby Walked Out The Door

She's So Dangerous

The Girl Is So Dangerous
Take Away My Money
Throw Away My Time
You Can Call Me Honey
But You're No Damn Good For Me

Dangerous
The Girl Is So Dangerous
I Have To Pray To God
'Cause I Know How
Lust Can Blind
It's A Passion In My Soul
But You're No Damn Lover
Friend Of Mine

I Can not Sleep Alone Tonight
My Baby Left Me Here Tonight
I Cannot Cope 'Til It's All Right
You And Your Manipulation
You Hurt My Baby

And Then It Happened
She Touched Me
For The Lips Of
A Strange Woman
Drop As A Honeycomb
And Her Mouth Was
Smoother Than Oil
But Her Inner Spirit And Words
Were As Sharp As
A Two-Edged Sword
But I Loved It
'Cause It's Dangerous

Dangerous
The Girl Is So Dangerous
Take Away My Money
Throw Away My Time
You Can Call Me Honey
But You're No Damn Good For Me

Dangerous
The Girl Is So Dangerous
Take Away My Money
Throw Away My Time
You Can Call Me Honey
But You're No Damn Good For Me

Dangerous
The Girl Is So Dangerous
Take Away My Money
Throw Away My Time
You Can Call Me Honey
But You're No Damn Good For Me

Dangerous
The Girl Is So Dangerous
I Have To Pray To God
'Cause I Know How
Lust Can Blind
It's A Passion In My Soul
But You're No Damn Lover
Friend Of Mine
(Ad Libs Out)

TAGGE: The Rebellion will continue to gain a support in the Imperial Senate as long as....

Suddenly all heads turn as Commander Tagge's speech is cut short and the Grand Moff Tarkin, governor of the Imperial outland regions, enters. He is followed by his powerful ally, The Sith Lord, Darth Vader. All of the generals stand and bow before the thin, evil-looking governor as he takes his place at the head of the table. The Dark Lord stands behind him.

TARKIN: The Imperial Senate will no longer be of any concern to us. I've just received word that the Emperor has dissolved the council
permanently. The last remnants of the Old Republic have been swept away.

He announced happily and sings:
(Swept away by Athmosphere)

With the sweepin
it's the look on her face, that's got me displaced
plus the fact that she's probably got no clue I'm peepin
she's deep into routine
cleanin off the sidewalk
infront of the shop she works
1:15 am, me parked in the car
on the street, maybe 30 feet from the spot she sweeps
emotions achin', who is this human?
and whys she chewin my attention
the action, unaware, innocent, purely accident
and whom I askin this?
I'm alone, in the passenger seat of this [this part is bleeped out]
awaitin' my companion, but damn man, she's got me distracted

and it's not just the fact that she's attractive
it's the whole kit-n-kabootle
from the look on her face, to her taste in shoes, to the way she moves
it inspires me to sit and doodle, so
while I write
she wipes down the tagged up picnic tables outside of the [bleeped out]
it's missin not a spot
and here I sit again, with a pen
and a desire to be entirely lost in a world of them ..

(spoken) "what do you mean you just wanna be friends.."

TAGGE: That's impossible! How will the Emperor maintain control without the bureaucracy?

TARKIN: The regional governors now have direct control over territories. Fear will keep the local systems in line. Fear of this battle station.

TAGGE: And what of the Rebellion? If the Rebels have obtained a complete technical readout of this station, it is possible, however unlikely, that they might find a weakness and exploit it.

VADER: The plans you refer to will soon be back in our hands.

MOTTI: Any attack made by the Rebels against this station would be a useless gesture, no matter what technical data they've obtained. This station is now the ultimate power in the universe. I suggest we use it!

VADER: Don't be too proud of this technological terror you've constructed. The ability to destroy a planet is insignificant next to the power of the Force.

MOTTI: Don't try to frighten us with your sorcerer's ways, Lord Vader. Your sad devotion to that ancient religion has not helped you conjure up the stolen data tapes, or given you clairvoyance enough to find the Rebel's hidden fort...

Suddenly Motti chokes and starts to turn blue under Vader's spell.

VADER: I find your lack of faith disturbing.

TARKIN: Enough of this! Vader, release him!

VADER: As you wish.

TARKIN: This bickering is pointless. Lord Vader will provide us with the location of the Rebel fortress by the time this station is operational. We will then crush the Rebellion with one swift stroke.

After which Motti sings in relief...
(Sweet Release by Bill Squier)

Destiny's a road we ride
Sight unseen--our thoughts untried
Through the years--a million miles
A trial of errors--a life of trials
There's a sign along the highway
There's a candle by my bed
There's a face in the doorway
There's a price on my head


Sweet release...come in peace
Sweet release...won't you carry me on
Sweet release...my falls increase
Sweet release...i'm not that strong


Sex machine will break you down
Strip you clean and take your crown
Wasted nights--rise and fall
One-way lights--they hide it all
Now i stand before the mirror

Hold the candle to my face
I can feel the scars burnin'
But they don't leave a trace

Sweet release...rest in peace
Sweet release...i toss and turn
Sweet release...come and teach me
Sweet release...we never learn


Black and white is black and red
None are right--but some are dead
Through every life the war drags on
Our hopes and dreams lie ripped and torn


Sweet release...give us peace
Sweet release...won't you carry me on
Sweet release...will it never cease
Sweet release...can't you see i'm not that strong

Grey_Wolf
03-26-2006, 04:04 AM
EXTERIOR: TATOOINE -- WASTELAND.

The speeder stops before what remains of the huge Jawas
Sandcrawler. Luke and Ben walk among the smoldering rubble
and scattered bodies.

LUKE: It looks like Sandpeople did this, all right. Look, here are
Gaffi sticks, Bantha tracks. It's just...I never heard of them hitting
anything this big before.

Ben is crouching in the sand studying the tracks.

BEN: They didn't. But we are meant to think they did. These tracks are
side by side. Sandpeople always ride single file to hide there numbers.

LUKE: These are the same Jawas that sold us Artoo and Threepio.

BEN: And these blast points, too accurate for Sandpeople. Only
Imperial stormtroopers are so precise.

LUKE: Why would Imperial troops want to slaughter Jawas?

Luke looks back at the speeder where Artoo and Threepio are
inspecting the dead Jawas, and put two and two together.

LUKE: If they traced the robots here, they may have learned who they
sold them to. And that would lead them home!

Luke reaches a sudden horrible realization, then races for
the speeder and jumps it.

BEN: Wait, Luke! It's too dangerous.

Luke races off leaving Ben and the two robots alone with
the burning Sandcrawler.

EXTERIOR: TATOOINE -- WASTELAND.

Luke races across the wasteland in his battered Landspeeder.

EXTERIOR: TATOOINE -- LARS HOMESTEAD.

The speeder roars up to the burning homestead. Luke jumps out
and runs to the smoking holes that were once his home. Debris
is scattered everywhere and it looks as if a great battle has
taken place.

LUKE: Uncle Owen! Aunt Beru! Uncle Owen!

Luke stumbles around in a daze looking for his aunt and
uncle. Suddenly he comes upon their smoldering remains. He is
stunned, and cannot speak. Hate replaces fear and a new
resolve comes over him.

EXTERIOR: SPACE.

Imperial TIE fighter races toward the Death Star.
(in the background is played Alone by All Saints)

Not gonna don't wanna never gonna don't wanna
Wanna end up alone
Not gonna never gonna don't don't wanna
Wanna end up alone

I need to sit back And kick out
It's about the way I'm makin you feel
Your tryin' to show me that your happy
Really happy
But I can see that these feelings aren't for real
The un-hapiness are maybe causing you
Is deffinetly unintentional (Deffinetly unintentional)
So don't hesitate don't be afraid
Cuz tell me cuz my actions are not crutional
But I'll tell you something right now

Not gonna don't wanna ever gonna don't wanna
Wanna end up alone
Not gonna never gonna don't don't wanna

Wanna end up alone

I needed to be honest a really honest
And tell me what's on your mind
(You can tell me what's on your mind)
Whatever the problem may be a tell me
Oh cuz the body never lies
Am I too hard (Too hard) Too soft (Too soft)
Or am I really just selfish to the bone
So don't hesitate I must psychibate
Let you feelings all be known
But I'll tell you something right now

Not gonna don't wanna never gonna don't wanna
Wanna end up alone
Not gonna never gonna don't don't wanna
Wanna end up alone

Oh no Oh muma drubby oh

Grey_Wolf
03-26-2006, 04:10 AM
INTERIOR: DEATH STAR -- DETENTION CORRIDOR.

Two stormtroopers open an electronic cell door and allow
several Imperial guards to enter. Princess Leia's face is
filled with defiance, which slowly gives way to fear as a
giant black torture robot enters, followed by Darth Vader.

VADER: And, now Your Highness, we will discuss the location of your
hidden Rebel base.

The torture robot gives off a steady beeping sound as it
approaches Princess Leia and extends one of its mechanical
arms bearing a large hypodermic needle. The door slides shut
and the long cell block hallway appears peaceful. The muffled
screams of the Rebel princess are barely heard.
(The Hurting by Tears for fears is played in the background)

Is it an horrific dream
Am i sinking fast
Could a person be so mean
As to laugh and laugh
On my own
Could you ease my load
Could you see my pain
Could you please explain
The hurting

Could you understand a child
When he cries in pain
Could you give him all he needs
Or do you feel the same
All along

You've been told you're wrong
When you felt it right
And you're left to fight
The hurting

Get in line with the things you know
Feel the pain
Feel the sorrow
Touch the hurt and don't let go
Get in line with the things you know
Learn to cry
Like a baby
Then the hurting won't come back

Grey_Wolf
03-29-2006, 12:49 PM
EXTERIOR: TATOOINE -- WASTELAND.

There is a large bonfire of Jawa bodies blazing in front of
the Sandcrawler as Ben and the robots finish burning the dead.
Luke drives up in the speeder and Ben walks over to him.

BEN: There's nothing you could have done, Luke, had you been there.
You'd have been killed, too, and the droids would be in the hands of the Empire.

LUKE: I want to come with you to Alderaan. There's nothing here for me now. I want to learn the ways of the Force and become a Jedi like my father.
(You Want It, You Got It by Bryan Adams)

And he sings...
I think i told you maybe once or twice before,
They'll only hold you down,
Leave you wanting more.
But you refuse to listen, babe,
So this is where you'll stay,
If you weren't so bloody juvenile,
You'd be some where today.
If you want it, you got it,
If you want it, you got it,
If you want it, you got it now.

You think you want a break but i got news for you,
I think it's time you start believing your reviews.
Stood me up and shot me down so many times before,
But dropping names and playing games won't get you through my door.

If you want it, you got it,
If you want it, you got it,
If you want it, you got it now.

EXTERIOR: TATOOINE -- WASTELAND.

The Landspeeder with Luke, Artoo, Threepio, and Ben in it
zooms across the desert. The speeder stops on a bluff
overlooking the spaceport at Mos Eisley. It is a haphazard
array of low, grey, concrete structures and semi-domes. A
harsh gale blows across the stark canyon floor. Luke adjusts
his goggles and walks to the edge of the craggy bluff where
Ben is standing.

BEN: Mos Eisley Spaceport. You will never find a more wretched hive of
scum and villainy. We must be cautious.

Ben looks over at Luke, who gives the old Jedi a determined
smile.

EXTERIOR: TATOOINE -- MOS EISLEY -- STREET.

The speeder is stopped on a crowded street by several
combat-hardend stormtroopers who look over the two robots. A
Trooper questions Luke.

TROOPER: How long have you had these droids?

LUKE: About three or four seasons.

BEN: They're for sale if you want them.

TROOPER: Let me see your identification.

Luke becomes very nervous as he fumbles to find his ID
while Ben speaks to the Trooper in a very controlled voice.

BEN: You don't need to see his identification.

TROOPER: We don't need to see his identification.

BEN: These are not the droids your looking for.

TROOPER: These are not the droids we're looking for.

BEN: He can go about his business.

TROOPER: You can go about your business.

BEN: (to Luke) Move along.

TROOPER: Move along. Move along.

EXTERIOR: TATOOINE -- MOS EISLEY -- STREET.

The speeder pulls up in front of a rundown blockhouse cantina
on the outskirts of the spaceport. Various strange forms of
transport, including several unusual beasts of burden, are
parked outside the bar. A Jawa runs up and begins to fondle
the speeder.

THREEPIO: I can't abide these Jawas. Disgusting creatures.

As Luke gets out of the speeder he tries to shoo the Jawa
away.

LUKE: Go on, go on. I can't understand how we got by those troopers. I thought we were dead.

BEN: The Force can have a strong influence on the weak-minded. You will find it a powerful ally.

And begins to sing...
(Under the influence by Status Quo)

On a train to nowhere in another nightmare
In a dream about falling for someone and taking her back to my room
Tangled up in her hair
And believing everything goes and then anything more is alright

On a road to somewhere
Where it goes i don't care
But it keeps on winding and winding and winding away
Sitting next to me are lovely senoritas
Reality way in the back of my mind

I'm under the influence i find it's all in my mind
And under the influence the blind will lead the blind
Thunder and lightning in my head but only in bed
I'm under the influence of something from the blue

When i wake a new day, on a better do day
But the dreams keep calling and calling and calling me back

Definitely no no
Need a new amigo to help me get my reality right

I'm under the influence i find it's all in my mind
And under the influence the blind will lead the blind
Thunder and lightning in my head but only in bed
I'm under the influence of something from the blue

What the hell will i do?
Facing up to tell you
Will i be breaking the ice and falling through?
Definitely no no
Found need a new amigo to help me get my reality right

I'm under the influence i find it's all in my mind
And under the influence the blind will lead the blind
Thunder and lightning in my head but only in bed
I'm under the influence of something from the blue
I'm under the influence of something from the blue


LUKE: Do you really think we're going to find a pilot here that'll take us to Alderaan?

BEN: Well, most of the best freighter pilots can be found here. Only
watch your step. This place can be a little rough.

LUKE: I'm ready for anything.

THREEPIO: Come along, Artoo.

INTERIOR: TATOOINE -- MOS EISLEY -- CANTINA.

The young adventurer and his two mechanical servants follow
Ben Kenobi into the smoke-filled cantina. The murky, moldy den
is filled with a startling array of weird and exotic alien
creatures and monsters at the long metallic bar. At first the
sight is horrifying. One-eyed, thousand-eyed, slimy, furry,
scaly, tentacled, and clawed creatures huddle over drinks. Ben
moves to an empty spot at the bar near a group of repulsive
but human scum. A huge, rough-looking Bartender stops Luke and
the robots.

BARTENDER: We don't serve their kind here!

Luke still recovering from the shock of seeing so many
outlandish creatures, doesn't quite catch the bartender's
drift.

LUKE: What?

BARTENDER: Your droids. They'll have to wait outside. We don't want
them here.

Luke looks at old Ben, who is busy talking to one of the
Galactic pirates. He notices several of the gruesome creatures
along the bar are giving him a very unfriendly glare.
Luke pats Threepio on the shoulder.

LUKE: Listen, why don't you wait out by the speeder. We don't want any
trouble.

THREEPIO: I heartily agree with you sir.

Threepio and his stubby partner go outside and most of the
creatures at the bar go back to their drinks.
Ben is standing next to Chewbacca, an eight-foot-tall-
savage-looking creature resembling a huge grey bushbaby monkey
with fierce baboon-like fangs. His large blue eyes dominate a
fur-covered face and soften his otherwise awesome appearance.
Over his matted, furry body he wears two chrome bandoliers,
and little else. He is a two-hundred-year-old Wookiee and a
sight to behold.
Ben speaks to the Wookiee, pointing to Luke several times
during his conversation and the huge creature suddenly lets
out a horrifying laugh. Luke is more than a little bit
disconcerted and pretends not to hear the conversation between
Ben and the giant Wookiee.
Luke is terrified but tries not to show it. He quietly sips
his drink, looking over the crowd for a more sympathetic ear
or whatever.
A large, multiple-eyed Creature gives Luke a rough shove.

CREATURE: Negola dewaghi wooldugger?!?

The hideous freak is obviously drunk. Luke tries to ignore
the creature and turns back on his drink. A short, grubby
Human and an even smaller rodent-like beast join the
belligerent monstrosity.

HUMAN: He doesn't like you.

LUKE: I'm sorry.

HUMAN: I don't like you either

The big creature is getting agitated and yells out some
unintelligible gibberish at the now rather nervous, young
adventurer.

HUMAN: (continued) Don't insult us. You just watch yourself. We're
wanted men. I have the death sentence in twelve systems.

LUKE: I'll be careful than.

HUMAN: You'll be dead.

The rodent lets out a loud grunt and everything at the bar
moves away. Luke tries to remain cool but it isn't easy. His
three adversaries ready their weapons. Old Ben moves in behind
Luke.
BEN: This little one isn't worth the effort. Come let me buy you something...

and launches into...
(For What It's Worth by Amber Pacific )

I'm taking it in
I'm holding it back
I'm filling my lungs with a knife in my back
But you kept going on just to make me feel like this
Now that it's over
I won't feel the same
A broken frame with dark picture is wasted
I'll throw it away
Losing sight
You were all I had (all I can take...)
Cast the drugs on me...

We missed our chance
I won't forget
As time will only tell where to go
(Time will only tell where you go)
But I wish that you were breathing
I still just can't believe
You're gone...

And I was looking for something
But I came up with nothing
Not a reason to leave or let this out
But you kept going on
Just to make me feel like this
Now that it's over
I won't feel the same

A broken friendship was worth it
I'll scrap any thoughts with your name
Still I long for you to stay
I take back anything

We missed our chance
I won't forget
As time will only tell where to go
(Time will only tell where you go)
But I wish that you were breathing
I still just can't believe
You're gone...
We missed our chance
I won't forget
As time will only tell where to go
(Time will only tell where you go)
But I wish that you were breathing
I still just can't believe
You're gone...

We missed our chance
I won't forget
As time will only tell where to go
(Time will only tell where you go)
But I wish that you were breathing
I still just can't believe
You're gone...

rohirrim TR
03-29-2006, 01:01 PM
A powerful blow from the unpleasant creature sends the
young would-be Jedi sailing across the room, crashing through
tables and breaking a large jug filled with a foul-looking
liquid. With a blood curdling shriek, the monster draws a
wicked chrome laser pistol from his belt and levels it at old
Ben. The bartender panics.

BARTENDER: No blasters! No blaster!

With astounding agility old Ben's laser sword sparks to
life and in a flash an arm lies on the floor. The rodent is
cut in two and the giant multiple-eyed creature lies doubled,
cut from chin to groin. Ben carefully and precisely turns off
his laser sword and replaces it on his utility belt. Luke,
shaking and totally amazed at the old man's abilities, attempts
to stand. The entire fight has lasted only a matter of seconds.
The cantina goes back to normal, although Ben is given a
respectable amount of room at the bar. Luke, rubbing his
bruised head, approaches the old man with new awe. Ben points
the the Wookiee.

BEN: This is Chewbacca. He's first-mate on a ship that might suit our
needs.

Eastbound and Down
Jerry Reed
from Smokey and the Bandit


Eastbound and down, loaded up and truckin'
Ah we gonna do what they say can't be done
We've got a long way to go, and a short time to get there
I'm eastbound, just watch old bandit (falcon) run

Keep your foot hard on the pedal
Son, never mind them brakes
Let it all hang out cause we got a run to make
The boys are thirsty in Atlanta
and there's beer in Texarkana
We'll bring it back no matter what it takes

Eastbound and down, loaded up and truckin'
Ah we gonna do what they say can't be done
We've got a long way to go, and a short time to get there
I'm eastbound, just watch old Falcom run


Eastbound and down, loaded up and truckin'
Ah we gonna do what they say can't be done
We've got a long way to go, and a short time to get there
I'm eastbound, just watch old Falcon run

Old Smokey's got them ears on
He's hot on your trail
And he ain't gonna rest 'til you're in jail
So you've got to dodge him, you've got to duck him
You gotta keep that diesel truckin'
Just put that hammer down and give it hell

Eastbound and down, loaded up and truckin'
Ah we gonna do what they say can't be done
We've got a long way to go, and a short time to get there
I'm eastbound, just watch old Falcon run

Grey_Wolf
03-29-2006, 01:26 PM
EXTERIOR: TATOOINE -- MOS EISLEY -- STREET.

Threepio paces in front of the cantina as Artoo carries on an
electronic conversation with another little red astro-droid. A
creature comes out of the cantina and approaches two
stormtroopers in the street.

THREEPIO: I don't like the look of this.

INTERIOR: TATOOINE -- MOS EISLEY -- CANTINA.

Strange creatures play exotic big band music on odd-looking
instruments as Luke, still giddy, downs a fresh drink and
follows Ben and Chewbacca to a booth where Han Solo is
sitting. Han is a tough, roguish starpilot about thirty years
old. A mercenary on a starship, he is simple, sentimental, and
cocksure.

HAN: Han Solo. I'm captain of the Millennium Falcon. Chewie here tells
me you're looking for passage to the Alderaan system.

BEN: Yes, indeed. If it's a fast ship.

HAN: Fast ship? You've never heard of the Millennium Falcon?

BEN: Should I have?

HAN: It's the ship that made the Kessel run in less than twelve
parsecs!

Ben reacts to Solo's stupid attempt to impress them with
obvious misinformation.

HAN: (continued) I've outrun Imperial starships, not the local
bulk-cruisers, mind you. I'm talking about the big Corellian ships
now. She's fast enough for you, old man. What's the cargo?

BEN: Only passengers. Myself, the boy, two droids, and no questions
asked.

HAN: What is it? Some kind of local trouble?

BEN: Let's just say we'd like to avoid any Imperial entanglements.

HAN: Well, that's the trick, isn't it? And it's going to cost you
something extra. Ten thousand in advance.

LUKE: Ten thousand? We could almost buy our own ship for that!

HAN: But who's going to fly it, kid! You?

LUKE: You bet I could. I'm not such a bad pilot myself! We don't have
to sit here and listen...

BEN: We haven't that much with us. But we could pay you two thousand
now, plus fifteen when we reach Alderaan.

HAN: Seventeen, huh!

And he mumbles...
(Seventeen seconds by the cure)

Time slips away
And the light begins to fade
And everything is quiet now
Feeling is gone
And the picture disappears
Everything is cold now

The dream had to end
The wish never came true
And the girl
Starts to sing

Seventeen seconds
A measure of life

Han ponders this for a few moments.

HAN: Okay. You guys got yourself a ship. We'll leave as soon as you're
ready. Docking bay Ninety-four.

BEN: Ninety-four.

HAN: Looks like somebody's beginning to take an interest in your
handiwork.

Ben and Luke turn around to see four Imperial stormtroopers
looking at the dead bodies and asking the bartenders some
questions. The bartender points to the booth.

Grey_Wolf
03-30-2006, 03:11 AM
TROOPER: All right, we'll check it out.

The stormtroopers look over at the booth but Luke and Ben
are gone. The bartender shrugs his shoulders in puzzlement.

HAN: Seventeen thousand! Those guys must really be desperate. This
could really save my neck. Get back to the ship and get her ready.

EXTERIOR: TATOOINE -- MOS EISLEY -- STREET.

BEN: You'll have to sell your speeder.

LUKE: That's okay. I'm never coming back to this planet again.

INTERIOR: MOS EISLEY -- CANTINA.

As Han is about to leave, Greedo, a slimy green-faced alien
with a short trunk-nose, pokes a gun in his side. The creature
speaks in a foreign tongue translated into English subtitles.

GREEDO: Going somewhere, Solo?

HAN: Yes, Greedo. As a matter of fact, I was just going to see your
boss. Tell Jabba that I've got his money.

Han sits down and the alien sits across from him holding
the gun on him.

GREEDO: It's too late. You should have paid him when you had the
chance. Jabba's put a price on your head, so large that every bounty
hunter in the galaxy will be looking for you. I'm lucky I found you
first.

HAN: Yeah, but this time I got the money.

GREEDO: If you give it to me, I might forget I found you.

HAN: I don't have it with me. Tell Jabba...

GREEDO: Jabba's through with you. He has no time for smugglers who
drop their shipments at the first sign of an Imperial cruiser.

HAN: Even I get boarded sometimes. Do you think I had a choice?

and remembering that embarrassing episode he sings..
(Boarded up by Xtc)

Boarded up
Yeah, we're boarded up
Nailed up shut
Yeah, we're boarded up

Music venue has had its day
Death watch beetle band moved in to play
Groups don't come down from london way

Cos we're boarded up
Yeah, we're nailed up shut
Two-by-four-ded up
Yeah, we're boarded up

Touring companies stay away
Rats and mice take the centre stage
Carpenter's mate have a field day

Boarded up
Yeah, we're nailed up shut
[don't mind me at all]
Two-by-four-ded up
Yeah, we're boarded up

Pubs and clubs had the chop
Making way for a superstore plot
Some town planner didn't know when to stop

Boarded up
Come and see us
Boarded up
Don't wait too long, now cos we're
Boarding up
Yeah, boarded up...

Han Solo slowly reaches for his gun under the table.

GREEDO: You can tell that to Jabba. He may only take your ship.

HAN: Over my dead body.

GREEDO: That's the idea. I've been looking forward to killing you for
a long time.

HAN: Yes, I'll bet you have.

Suddenly the slimy alien disappears in a blinding flash of
light. Han pulls his smoking gun from beneath the table as the
other patron look on in bemused amazement. Han gets up and
starts out of the cantina, flipping the bartender some coins
as he leaves.

HAN: Sorry about the mess.
(What a mess by Xzibit)

Walks out after this looooooong tirade...

Yeah, keep that
Huh.. what a mess
Yeah.. I see you (PRIMO!!)
Yeah.. I was blessed with some clarity right?
Uh-huh, hah.. I'ma sit back
Tell you niggaz what I been lookin at, huh

[Xzibit]
Y'all niggaz is killin me
You got Bloods and Crips in New York City, is anybody feelin me?
I ain't concerned with who gon' shoot who
I'm only concerned with music, and who break through
**** YOU, for thinkin platinum is the ultimate goal
These faggot niggaz gettin they money, but losin they soul
I don't wanna hear **** from you niggaz with no background
No backbones, you get no chance to back down
Deal how we deal witcha, peons, no chips
Changin whips out so they can look richer
I see the big picture, startin in the kitchen
with bricks and Pyrex pots, the widescreen edition
Listen, I seen niggaz hit with so much time loc
They have to die and come back three times to see them white folks
Take notes, cause you will be tested
Vested up, drunk as ****, large caliber weapons
I feel you.. rap niggaz, ****in it up
Monkey-mouthed muh'****ers, spoilin the cut
For real niggaz in the street, really hustlin weight
See they networks and blueprints on hip-hop tapes
Johnny Law catchin on, soakin up the game
How you think they find the stash spots and follow the slang? STUPID
Grown men playin cops and robbers
Death for dollars, I'm too laid back to holla

[Chorus 2X: (scratched by DJ Premier)]

[X] What a mess..
"And Ruff up, the mother****in House" - GZA
"Hope y'all niggaz hearin this right"
"We.. we gon'.. we gon' gon' win"

[Xzibit]
Look at what we leavin behind
We back at square one, ridin, with nuttin to ride fo'
Dyin for nuttin worth dyin fo'
The blind lead the blind with a blindfold, with "Eyes Wide Shut"
Save mine up, cause nothin ever last forever
Never nothin out of my reach, we blast whoever
I can split a muh'****er from his ass to his last thought
**** talk, then stomp through the asphault
It's yo' fault we tow-truck for your outline
In due time, you'll find, the world is mine
So I listen to the rhetorhic, jealousy and the ignorance
Can't stop me nigga, my mind too militant
God blessed me with a chin
And a heavy right-left combination that'll cave your face in
So don't make me hurt you, patience is virtue
They only got a few of us let, huh

[Chorus]

[Xzibit]
Primo.. turn me up..
Now it's two-thousand-and-two; where kids do
whatever the **** they wanna do, huh, sad but true
Wanna take another life like it's the thing to do
****, we the biggest gang, flaggin red white and blue baby
Designer drugs, pimps and thugs
Can't shoot, innocent folks, hit with slugs
One day it's gon' all make sense, 'til then
use your brains and your strength it's your best defense, c'mon

[Chorus w/ variations]

[X] What a mess..

rohirrim TR
03-30-2006, 01:02 PM
EXTERIOR: SPACE.

Several TIE fighters approach the Death Star.

INTERIOR: DEATH STAR -- CONTROL ROOM.

VADER: Her resistance to the mind probe is considerable. It will be
some time before we can extract any information from her.

An Imperial Officer interrupts the meeting.

IMPERIAL OFFICER: The final check-out is complete. All systems are
operational. What course shall we set?

TARKIN: Perhaps she would respond to an alternative form of
persuasion.

VADER: What do you mean?

TARKIN: I think it is time we demonstrate the full power of this
station. (to soldier) Set your course for Princess Leia's home planet
of Alderaan.

TROOPER: With pleasure.

EXTERIOR: TATOOINE -- MOS EISLEY -- STREET.

Four heavily-armed stormtroopers move menacingly along a
narrow slum alleyway crowed with darkly clad creatures hawking
exotic goods in the dingy little stalls. Men, monsters, and
robots crouch in the waste-filled doorways, whispering and
hiding from the hot winds.

THREEPIO: Lock the door, Artoo.

One of the troopers checks a tightly locked door and moves
on down the alleyway. The door slides open a crack and
Threepio peeks out. Artoo is barely visible in the background.

TROOPER: All right, check that side of the street. It's secure. Move
on to the next door.

The door opens, Threepio moves into the doorway.

THREEPIO: I would much rather have gone with Master Luke than stay
here with you. I don't know what all the trouble is about, but I'm
sure it must be your fault.

Artoo makes beeping sounds.

THREEPIO: You watch your language!

EXTERIOR: TATOOINE -- MOS EISLEY -- STREET -- ALLEYWAY -- USED SPEEDER LOT.

Ben and Luke are standing in a sleazy used speeder lot,
talking with a tall, grotesque, insect-like used speeder
dealer. Strange exotic bodies and spindly-legged beasts pass
by as the insect concludes the sale by giving Luke some coins.

LUKE: He says it's the best he can do. Since the XP-38 came out,
they're just not in demand.

BEN: It will be enough.

Ben and Luke leave the speeder lot and walk down the dusty
alleyway past a small robot herding a bunch of anteater-like
creatures. Luke turns and gives one last forlorn look at his
faithful speeder as he rounds a corner. A darkly clad creature
moves out of the shadows as they pass and watches them as they
disappear down another alley.

BEN: If the ship's as fast as he's boasting, we ought to do well.

INTERIOR: DOCKING BAY 94 -- DAY.

Jabba the Hut and a half-dozen grisly alien pirates and purple
creatures stand in the middle of the docking bay. Jabba is the
grossest of the slavering hulks and his scarred face is a grim
testimonial to his prowess as a vicious killer. He is a fat,
slug-like creature with eyes on extended feelers and a huge
ugly mouth.

JABBA: Come on out, Solo!

A voice from directly behind the pirates startles them and
they turn around to see Han Solo and the giant Wookiee,
Chewbacca, standing behind them with no weapons in sight.

HAN: I've been waiting for you, Jabba.

JABBA: I expected you would be.

HAN: I'm not the type to run.

JABBA: (fatherly-smooth) Han, my boy, there are times when you
disappoint me...why haven't you paid me? And why did you have to fry
poor Greedo like that...after all we've been through together.

HAN: You sent Greedo to blast me.

JABBA: (mock surprise) Han, why you're the best smuggler in the
business. You're too valuable to fry. He was only relaying my concern
at your delays. He wasn't going to blast you.

HAN: I think he thought he was. Next time don't send one of those
twerps. If you've got something to say to me, come see me yourself.

JABBA: Han, Han! If only you hadn't had to dump that shipment of
spice...you understand I just can't make an exception. Where would I
be if every pilot who smuggled for me dumped their shipment at the
first sign of an Imperial starship? It's not good business.

HAN: You know, even I get boarded sometimes, Jabba. I had no choice,
but I've got a charter now and I can pay you back, plus a little
extra. I just need some more time.

JABBA: (to his men) Put your blasters away. Han, my boy, I'm only
doing this because you're the best and I need you. So, for an extra,
say twenty percent I'll give you a little more time...but this is it.
If you disappoint me again, I'll put a price on your head so large you
won't be able to go near a civilized system for the rest of your short
life.

HAN: Jabba, I'll pay you because it's my pleasure.

EXTERIOR: DOCKING PORT ENTRY -- ALLEYWAY.

Chewbacca waits restlessly at the entrance to Docking Bay 94.
Ben, Luke, and the robots make their way up the street.
Chewbacca jabbers excitedly and signals for them to hurry. The
darkly clad creature has followed them from the speeder lot.
He stops in a nearby doorway and speaks into a small
transmitter.

INTERIOR: MOS EISLEY SPACEPORT -- DOCKING BAY 94

Chewbacca leads the group into a giant dirt pit that is Docking
Bay 94. Resting in the middle of the huge hole is a large,
round, beat-up, pieced-together hunk of junk that could only
loosely be called a starship.

LUKE: What a piece of junk.

The tall figure of Han Solo comes down the boarding ramp.

HAN: She'll make point five beyond the speed of light. She may not
look like much, but she's got it where it counts, kid. I've added some
special modifications myself.

Luke scratches his head. It's obvious he isn't sure about
all this. Chewbacca rushes up the ramp and urges the others to
follow.

HAN: We're a little rushed, so if you'll hurry aboard we'll get out of
here.

The group rushes up the gang plank, passing a grinning Han
Solo.

INTERIOR: MILLENNIUM FALCON.

Chewbacca settles into the pilot's chair and starts the mighty
engines of the starship.

INTERIOR: MOS EISLEY SPACEPORT -- DOCKING BAY 94.

Luke, Ben, Threepio, and Artoo move toward the Millennium
Falcon passing Solo.

THREEPIO: Hello, sir.

EXTERIOR: TATOOINE -- MOS EISLEY -- STREET.

Eight Imperial stormtroopers rush up to the darkly clad
creature.

TROOPER: Which way?

The darkly clad creature points to the door of the docking
bay.

TROOPER: All right, men. Load your weapons!

INTERIOR: MOS EISLEY SPACEPORT -- DOCKING BAY 94.

The troops hold their guns at the ready and charge down the
docking bay entrance.

TROOPER: Stop that ship!

Han Solo looks up and sees the Imperial stormtroopers
rushing into the docking bay. Several of the troopers fire at
Han as he ducks into the spaceship.

TROOPER: Blast 'em!

Han draws his laser pistol and pops off a couple of shots
which force the stormtroopers to dive for safety. The
pirateship engines whine as Han hits the release button that
slams the overhead entry shut.

INTERIOR: MILLENNIUM FALCON.

HAN: Chewie, get us out of here!

The group straps in for take off.

THREEPIO: Oh, my. I'd forgotten how much I hate space travel.

EXTERIOR: TATOOINE -- MOS EISLEY -- STREETS.

The half-dozen stormtroopers at a check point hear the general
alarm and look to the sky as the huge starship rises above the
dingy slum dwellings and quickly disappears into the morning
sky.


Artist: Kenny Loggins
Album: Yesterday Today Tomorrow Great
Title: Danger Zone


Revvin' up your engine
Listen to her howlin' roar
Metal under tension
Beggin' you to touch and go
Highway to the danger zone
Ride into the danger zone
Headin' into twilight
Spreadin' out her wings tonight
She got you jumpin' off the deck
And shovin' into overdrive
Highway to the danger zone
I'll take you
Right into the danger zone
You'll never say hello to you




Until you get it on the red line overload
You'll never know what you can do
Until you get it up as high as you can go
Out along the edges
Always where i burn to be
The further on the edge
The hotter the intensity
Highway to the danger zone
Gonna take you
Right into the danger zone
Highway to the danger zone

Grey_Wolf
03-30-2006, 02:17 PM
INTERIOR: MILLENNIUM FALCON -- COCKPIT.

Han climbs into the pilot's chair next to Chewbacca, who
chatters away as he points to something on the radar scope.

Artist: Beatles
Album: The Beatles/1962 - 1966
Title: Ticket To Ride


I think I'm gonna be sad,
I think it's today, yeah.
The girl that's driving me mad
Is going away.

She's got a ticket to ride,
She's got a ticket to ride,
She's got a ticket to ride,
But she don't care.

She said that living with me
Is bringing her down yeah.
For she would never be free
When I was around.

She's got a ticket to ride,
She's got a ticket to ride,
She's got a ticket to ride,
But she don't care.

I don't know why she's ridin' so high,
She ought to think twice,
She ought to do right by me.
Before she gets to saying goodbye,
She ought to think twice,
She ought to do right by me.

I think I'm gonna be sad,
I think it's today yeah.
The girl that's driving me mad

Is going away, yeah.

She's got a ticket to ride,
She's got a ticket to ride,
She's got a ticket to ride,
But she don't care.

I don't know why she's ridin' so high,
She ought to think twice,
She ought to do right by me.
Before she gets to saying goodbye,
She ought to think twice,
She ought to do right by me
.
She said that living with me,
Is bringing her down, yeah.
For she would never be free
When I was around.

Ah, she's got a ticket to ride,
She's got a ticket to ride,
She's got a ticket to ride,
But she don't care.

My baby don't care, my baby don't care.
My baby don't care, my baby don't care.
My baby don't care, my baby don't care.



EXTERIOR: SPACE -- PLANET TATOOINE.

The Corellian pirateship zooms from Tatooine into space.

INTERIOR: MILLENNIUM FALCON -- COCKPIT.

Han frantically types information into the ship's computer.
Little Artoo appears momentarily at the cockpit doorway, makes
a few beeping remarks, then scurries away.

HAN: It looks like an Imperial cruiser. Our passengers must be hotter
than I thought. Try and hold them off. Angle the deflector shield
while I make the calculations for the jump to light speed.

EXTERIOR: SPACE -- PLANET TATOOINE.

The Millennium Falcon pirateship races away from the yellow
planet, Tatooine. It is followed by two huge Imperial
stardestroyers.

INTERIOR: MILLENNIUM FALCON -- COCKPIT.

Over the shoulders of Chewbacca and Han, we can see the galaxy
spread before them. Luke and Ben make their way into the
cramped cockpit where Han continues his calculation.

HAN: Stay sharp! There are two more coming in; they're going to try to cut us off.

LUKE: Why don't you outrun them? I thought you said this thing was fast.

HAN: Watch your mouth, kid, or you're going to find yourself floating home. We'll be safe enough once we make the jump to hyperspace.
Besides, I know a few maneuvers. We'll lose them!

Artist: Allman Brothers Band, The
Album: Win Lose Or Draw
Title: Win, Lose Or Draw

Endlessly facing the cold concrete floor
Four cold grey walls, and no doors
I barely remember the last forty days
Or just what they're holdin' me for
So far away, they tell me:
"boy, you're here to stay; win, lose or draw"
Letters unanswered and visits so few
Cold desperation i know
I guess i'd give most anything
Oh lord, if they'd just let me go
I'm so far away
Day after lonely, lonely day
Win, lose or draw

Ma, shes dead and gone

Pa just don't seem to find the time
It makes me so sad that he's forsaken me
When he's all i had left i call mine
I'm so far away
Day after lonely, lonely day
Win, lose or draw.

There's two men in one room for ten long years
Still strangers that talk away the time
'cause each time i think of your soft hand in mine
I lay here and die one more time
And i'm so far away
Day after lonely, lonely day
Win, lose or draw

Grey_Wolf
03-31-2006, 04:46 AM
EXTERIOR: SPACE -- PLANET TATOOINE.

Imperial cruisers fire at the pirateship.

INTERIOR: MILLENNIUM FALCON -- COCKPIT.

The ship shudders as an explosion flashes outside the window.

HAN: Here's where the fun begins!

BEN: How long before you can make the jump to light speed?

HAN: It'll take a few moments to get the coordinates from the
navi-computer.

The ship begins to rock violently as lasers hit it.

LUKE: Are you kidding? At the rate they're gaining...

HAN: Traveling through hyperspace isn't like dusting crops, boy!
Without precise calculations we could fly right through a star or
bounce too close to a supernova and that'd end your trip real quick,
wouldn't it?

The ship is now constantly battered with laserfire as a red
warning light begins to flash.

LUKE: What's that flashing?

HAN: We're losing our deflector shield. Go strap yourself in, I'm
going to make the jump to light speed.

Artist: 2 Unlimited
Album: Hits
Title: Jump For Joy

A: chrous
I wanna scream
I wanna jump for joy, and i want everyone to know!
I wanna scream
I wanna jump for joy, and i gotta let the whole world know!

R: jump for joy
Jump for joy
Jump for joy
Jump for joy

A: everybody jump jump
Jump for joy
Everybody jump jump
Everybody jump jump

Jump for joy!

A: chrous

R: i wanna jump for joy, j-o-y
'cause cupid shot your arrow in the sky
You know the feeling, jumping and screaming
Here come the angels marked by demons
You must be dreaming, your heart is steaming
Forget the pain and start believing
Peace and love surrounding earth
Respect to my mum who gave me birth

Butterflies are moving fast
Is this the last love look of last
Heavier as ever, rhymes quite clever
Respect to the world, it's time for whatever
Stimilate the feeling you got inside
Hold me down so we can take a ride
Hoaw my month for you to enjoy
Wave your hands in the air and jump for joy

A: chrous

R: jump for joy, jump for joy
Jump for joy, jump for joy
Jump for joy!
I wanna jump for joy, jump for joy
A: everybody jump jump
Everybody jump jump
Jump for joy

Everybody jump jump
Jump for joy

A: chrous

A: chrous

R: jump for joy
Jump for joy
Jump for joy
Jump for joy

R:repeat and fade

The galaxy brightens and they move faster, almost as if
crashing a barrier. Stars become streaks as the pirateship
makes the jump to hyperspace.

EXTERIOR: SPACE.

The Millennium Falcon zooms into infinity in less than a second.

Artist: Cranberries
Album: Stars: The Best Of 1992-2002
Title: Stars

The Stars are bright tonight
And I am walking nowhere

Guess I will be alright
Desire gets you nowhere

And you are always right
I thought you were so perfect

Take you as you were
Have you as you were
Take you as you were

I love you just the way you are
I love you just the way you are
I´ll take you just the way you are
Does anybody love the way you are?
Aaa Aaa Aaa

The Stars are bright tonight
A distance is between us
And I will be OK
The worst I´ve ever seen us

And still I have my weaknesses
And still I have my strength
And still I have my ugliness

But I, I, I
I love you just the way you are
I love you just the way you are
I´ll take you just the way you are
Does anybody love the way you are?

Aaaa Aaaa Aaaa Aaaa Aaaaa

I love you just the way you are
I love you just the way you are
I´ll take you just the way you are
Does anybody love the way you are?

Aaaa Aaaa Aaaa Aaaa Aaaa Aaaa Aaaa

Star, Star

Grey_Wolf
04-01-2006, 09:28 AM
EXTERIOR: SPACE.

The Millennium Falcon zooms into infinity in less than a
second.

EXTERIOR: DEATH STAR.

Alderaan looms behind the Death Star battlestation.

INTERIOR: DEATH STAR -- CONTROL ROOM.

Admiral Motti enters the quiet control room and bows before
Governor Tarkin, who stands before the huge wall screen
displaying a small green planet.

MOTTI: We've entered the Alderaan system.

Vader and two stormtroopers enter with Princess Leia. Her
hands are bound.

LEIA: Governor Tarkin, I should have expected to find you holding
Vader's leash. I recognized your foul stench when I was brought on
board.

TARKIN: Charming to the last. You don't know how hard I found it
signing the order to terminate your life!

LEIA: I surprised you had the courage to take the responsibility
yourself!

TARKIN: Princess Leia, before your execution I would like you to be my
guest at a ceremony that will make this battle station operational. No
star system will dare oppose the Emperor now.

LEIA: The more you tighten your grip, Tarkin, the more star systems
will slip through your fingers.

TARKIN: Not after we demonstrate the power of this station. In a way,
you have determined the choice of the planet that'll be destroyed
first. Since you are reluctant to provide us with the location of the
Rebel base, I have chosen to test this station's destructive power...
on your home planet of Alderaan.

LEIA: No! Alderaan is peaceful. We have no weapons. You can't
possibly...

TARKIN: You would prefer another target? A military target? Then name
the system!

Tarkin waves menacingly toward Leia.

TARKIN: I grow tired of asking this. So it'll be the last time. Where
is the Rebel base?

Leia overhears an intercom voice announcing the approach to
Alderaan.

LEIA: (softly) Dantooine.

Leia lowers her head.

LEIA: They're on Dantooine.

TARKIN: There. You see Lord Vader, she can be reasonable. (addressing
Motti) Continue with the operation. You may fire when ready.

LEIA: What?

TARKIN: You're far too trusting. Dantooine is too remote to make an
effective demonstration. But don't worry. We will deal with your Rebel
friends soon enough.

LEIA: No!

INTERIOR: DEATH STAR -- BLAST CHAMBER.

VADER: Commence primary ignition.

A button is pressed which switches on a panel of lights. A
hooded Imperial soldier reaches overhead and pulls a lever.
Another lever is pulled. Vader reaches for still another lever
and a bank of lights on a panel and wall light up. A huge beam
of light emanates from within a cone-shaped area and converges
into a single laser beam out toward Alderaan. The small green
planet of Alderaan is blown into space dust.

Artist: 10000 Maniacs
Album: Hope Chest
Title: Anthem For Doomed Youth


For whom do the bells toll
When sentenced to die The stuttering rifles Will stifle the cry The
monstrous anger The fear's rapid rattle A desert inferno Kids dying
like cattle Don't tell me We're not prepared I've seen today's marine
He's eighteen and he's eager He can be quite mean No mock'ries for
them No prayers or bells The demented choirs The wailing of shells The
boys holding candles On untraveled roads The fear spreads like fire As
shrapnel explodes I think it's wrong To conscript our youth Against

their will When plenty of our citizenry Really like to kill What sign
posts will lead To armageddon's fires What bugles will call them From
crowded grey shires The women sit quiet With death on their minds A
slow dusk descending The drawing of blinds Make the hunters all line
up It's their idea of fun And let those be forgiven Who never owned a
gun Was it him or me Or the wailing of the dead The laughing soldiers
Cast their lots And you can cut the dread.

Grey_Wolf
04-02-2006, 12:09 PM
INTERIOR: MILLENNIUM FALCON -- CENTRAL HOLD AREA.

Ben watches Luke practice the lightsaber with a small "seeker"
robot. Ben suddenly turns away and sits down. He falters,
seems almost faint.

LUKE: Are you all right? What's wrong?

BEN: I felt a great disturbance in the Force...as if millions of voices suddenly cried out in terror and were suddenly silenced. I fear something terrible has happened.

Artist: Mr. Lil One
Album: Voices
Title: Voices

Hahahaaaaaa... I'm back now watch yourselves

(Verse 1)

Lets talk about sex let's talk about reps
Talk about lust and talk about trust talk about death
And talk about lies talk about truth and talk about life
I know soon I go see me come back with about 10 crows
So I make it all simple you, you and the world a nickel
Sicko status who be the baddest mother****er
Watch when I buck you all of this arson all of this fire
You be the G liar, liar quiet hums then I come
Who who Mr. Lil One evilish ways devilish style
Selfish pitiful greedy times

(Chorus)

Sometimes I feel so alone
Hear these sick thoughts going through my dome
Voices playing with my head
Some times I wish I was dead

(Verse 2)

Lets talk about day talk about night talk about wrong
And talk about right talk about truth talk about faith
Talk about you and talk about snakes wait till the grand finale
Now Lil One blowing up in Cali had it bag it feeling the fans
Everybody knows I'm the man crystal clear how you fear

Me Lil One every time I'm near, beer I love it ghost I love them
And what about hoes I think nothing of them
Enemies run damage is done why why they fin to get done
Satanical sign dramatical times all cuz I'm sick in the mind

(Chorus)

*(last part dead repeated three times)

(Verse 3)

Lets talk about you talk about me talk about us
And talk about greed Talk about hoes and talk about sluts
Talk about girls and talk about mutts, why must I feel this way?
All this pain every single day Moms is gone music is lost
Still I feel all of this wrong all this hate all this drama
All of this hate from my baby momma
Making up lies family ties shred it poke and sitting here coping
Frown on my face hope that she taste
Some of this **** when it blows in her face

(Chorus)

(Lil One Talking)

That's Lil One that's Lil One that's Lil One
Coming for you But you know this and you know this gone


Ben rubs his forehead. He seems to drift into a trance. Then
he fixes his gaze on Luke.

BEN: You'd better get on with your exercises.

Han Solo enters the room.

HAN: Well, you can forget your troubles with those Imperial slugs. I
told you I'd outrun 'em.

Luke is once again practicing with the lightsaber.

HAN: Don't everyone thank me at once.

Threepio watches Chewbacca and Artoo who are engrossed in a
game in which three-dimensional holographic figures move along
a chess-type board.

HAN: Anyway, we should be at Alderaan about oh-two-hundred hours.

Chewbacca and the two robots sit around the lighted table
covered with small holographic monsters. Each side of the
table has a small computer monitor embedded in it. Chewbacca
seems very pleased with himself as he rests his lanky fur-
covered arms over his head.

THREEPIO: Now be careful, Artoo.

Artoo immediately reaches up and taps the computer with his
stubby claw hand, causing one of the holographic creatures to
walk to the new square. A sudden frown crosses Chewbacca's
face and he begins yelling gibberish at the tiny robot.
Threepio intercedes on behalf of his small companion and
begins to argue with the huge Wookiee.

THREEPIO: He made a fair move. Screaming about it won't help you.

HAN: (interrupting) Let him have it. It's not wise to upset a Wookiee.

THREEPIO: But sir, nobody worries about upsetting a droid.

HAN: That's 'cause droids don't pull people's arms out of their socket
when they lose. Wookiees are known to do that.

THREEPIO: I see your point, sir. I suggest a new strategy, Artoo. Let
the Wookiee win.

Luke stands in the middle of the small hold area; he seems
frozen in place. A humming lightsaber is held high over his
head. Ben watches him from the corner, studying his movements.
Han watches with a bit of smugness.

BEN: Remember, a Jedi can feel the Force flowing through him.

LUKE: You mean it controls your actions?

BEN: Partially. But it also obeys your commands.

Suspended at eye level, about ten feet in front of Luke, a
"seeker", a chrome baseball-like robot covered with antennae,
hovers slowly in a wide arc. The ball floats to one side of
the youth then the other. Suddenly it makes a lightning-swift
lunge and stops within a few feet of Luke's face. Luke doesn't
move and the ball backs off. It slowly moves behind the boy,
then makes another quick lunge, this time emitting a blood red
laser beam as it attacks. It hits Luke in the leg causing him
to tumble over. Han lets loose with a burst of laughter.

HAN: Hokey religions and ancient weapons are no match for a good
blaster at your side, kid.

LUKE: You don't believe in the Force, do you?

HAN: Kid, I've flown from one side of this galaxy to the other. I've
seen a lot of strange stuff, but I've never seen anything to make me
believe there's one all-powerful force controlling everything. There's
no mystical energy field that controls my destiny.

Ben smiles quietly

HAN: It's all a lot of simple tricks and nonsense.

BEN: I suggest you try it again, Luke.

Ben places a large helmet on Luke's head which covers his
eyes.

BEN: This time, let go your conscious self and act on instinct.

LUKE: (laughing) With the blast shield down, I can't even see. How am
I supposed to fight?

BEN: Your eyes can deceive you. Don't trust them.

Han skeptically shakes his head as Ben throws the seeker
into the air. The ball shoots straight up in the air, then
drops like a rock. Luke swings the lightsaber around blindly
missing the seeker, which fires off a laserbolt which hits
Luke square on the seat of the pants. He lets out a painful
yell and attempts to hit the seeker.

BEN: Stretch out with your feelings.

Artist: Nazareth
Album: Close Enough For Rock 'n' Roll
Title: Carry Out Feelings

I'm not just something you can pick up or put down
Entertainment value, like some circus clown
Don't give green stamps
With my emotions
Don'thave a cut price soul
Don't do,
Carry out feelings
Or take away love
Carry out feelings
You take away love
Carry out feelings
You take away love
Don't have the kind of heart
You reap and you take away
Keep in your cold store to use at some future date
Don't give a refund on my emotions
No discounting on my soul
Don't do,
Carry out feelings
Or, take away love

Carry out feelings
You take away love
Carry out feelings
And take away love
I'm not just someone you can pick up and throw away
Someone to join you in arecycled love affair
Don't give green stamps with my emotions
Don'thave a cut price soul
Don't do,
Carry out feelings
Or take away love
Carry out feelings
You take away love
Carry out feelings
You take away love
Carry out feelings
You take away love

Grey_Wolf
04-06-2006, 03:01 AM
Luke stands in one place, seemingly frozen. The seeker
makes a dive at Luke and, incredibly, he managed to deflect
the bolt. The ball ceases fire and moves back to its original
position.

BEN: You see, you can do it.

HAN: I call it luck.

BEN: In my experience, there's no such thing as luck.

HAN: Look, going good against remotes is one thing. Going good against
the living? That's something else.

Solo notices a small light flashing on the far side of the
control panel.

HAN: Looks like we're coming up on Alderaan.

Han and Chewbacca head back to the cockpit.

LUKE: You know, I did feel something. I could almost see the remote.

BEN: That's good. You have taken your first step into a larger world.

Artist: Emilia
Album: Big Big World
Title: Big Big World

I'm a big big girl
in a big big world
It's not a big big thing if you leave me
but I do do feel that
I too too will miss you much
miss you much...
I can see the first leaf falling
it's all yellow and nice
It's so very cold outside
like the way I'm feeling inside
I'm a big big girl
in a big big world
It's not a big big thing if you leave me
but I do do feel that
I too too will miss you much
miss you much...
Outside it's now raining
and tears are falling from my eyes
why did it have to happen

I'm a big big girl
in a big big world
It's not a big big thing if you leave me
but I do do feel that
I too too will miss you much
miss you much...
I have your arms around me ooooh like fire
but when I open my eyes
you're gone...
I'm a big big girl
in a big big world
It's not a big big thing if you leave me
but I do do feel that
I too too will miss you much
miss you much...
I'm a big big girl
in a big big world
It's not a big big thing if you leave me
but I do feel I will miss you much
miss you much...

Grey_Wolf
04-06-2006, 03:04 AM
INTERIOR: DEATH STAR -- CONFERENCE ROOM.

Imperial Officer Cass stands before Governor Tarkin and the
evil Dark Lord Darth Vader.

TARKIN: Yes.

OFFICER CASS: Our scout ships have reached Dantooine. They found the
remains of a Rebel base, but they estimate that it has been deserted
for some time. They are now conducting an extensive search of the
surrounding systems.

TARKIN: She lied! She lied to us!

Artist: Posies
Album: Frosting On The Beater
Title: How She Lied By Living


Shimmering was she
And loveliness to see
The found her when she was three
Where she lied
We talked within a wave
Of things we could not crave
But circumstances turn grave(s)
That's where she lied

(chorus)
You told me, you told me you loved life
Don't tell me, don't tell me you loved life

Don't tell me you loved life

I read your book of rot
And wondered what you thought
As journalists have taught
It pays to lie
The fruit upon a vine
The gun that swallows time
To shimmer in our minds
That's how she lied

(chorus)


VADER: I told you she would never consciously betray the Rebellion.

TARKIN: Terminate her...immediately!

Grey_Wolf
04-06-2006, 03:07 AM
EXTERIOR: HYPERSPACE.

The pirateship is just coming out of hyperspace; a strange
surreal light show surrounds the ship.

INTERIOR: MILLENNIUM FALCON -- COCKPIT.

HAN: Stand by, Chewie, here we go. Cut in the sublight engines.

Han pulls back on a control lever. Outside the cockpit
window stars begin streaking past, seem to decrease in speed,
then stop. Suddenly the starship begins to shudder and
violently shake about. Asteroids begin to race toward them,
battering the sides of the ship.

HAN: What the...? Aw, we've come out of hyperspace into a meteor
shower. Some kind of asteroid collision. It's not on any of the
charts.

The Wookiee flips off several controls and seems very cool
in the emergency. Luke makes his way into the bouncing
cockpit.

LUKE: What's going on?

HAN: Our position is correct, except...no, Alderaan!

LUKE: What do you mean? Where is it?

HAN: Thats what I'm trying to tell you, kid. It ain't there. It's been
totally blown away.

LUKE: What? How?

Ben moves into the cockpit behind Luke as the ship begins
to settle down.

BEN: Destroyed...by the Empire!

HAN: The entire starfleet couldn't destroy the whole planet. It'd take
a thousand ships with more fire power than I've...

A signal starts flashing on the control panel and a muffled
alarm starts humming.

HAN: There's another ship coming in.

LUKE: Maybe they know what happened.

BEN: It's an Imperial fighter.

Chewbacca barks his concern. A huge explosion bursts
outside the cockpit window, shaking the ship violently. A
tiny, finned Imperial TIE fighter races past the cockpit
window.

LUKE: It followed us!

BEN: No. It's a short range fighter.

HAN: There aren't any bases around here. Where did it come from?

EXTERIOR: SPACE.

The fighter races past the Corellian pirateship.

INTERIOR: MILLENNIUM FALCON -- COCKPIT.

LUKE: It sure is leaving in a big hurry. If they identify us, we're in
big trouble.

HAN: Not if I can help it. Chewie...jam it's transmissions.

BEN: It'd be as well to let it go. It's too far out of range.

HAN: Not for long...

EXTERIOR: SPACE.

The pirateship zooms over the camera and away into the
vastness of space after the Imperial TIE fighter.

INTERIOR: MILLENNIUM FALCON -- COCKPIT.

The tension mounts as the pirateship gains on the tiny fighter.
In the distance, one of the stars becomes brighter until it is
obvious that the TIE ship is heading for it. Ben stands behind
Chewbacca.

BEN: A fighter that size couldn't get this deep into space on its own.

LUKE It must have gotten lost, been part of a convoy or something.

HAN: Well, he ain't going to be around long enough to tell anyone
about us.

EXTERIOR: SPACE.

The TIE fighter is losing ground to the larger pirateship as
they race toward camera and disappear over head.

INTERIOR: MILLENNIUM FALCON -- COCKPIT.

The distant star can be distinguished as a small moon or
planet.

LUKE: Look at him. He's headed for that small moon.

HAN: I think I can get him before he gets there...he's almost in
range.

Artist: Bone Thugs-N-Harmony
Album: Get Up and Get It 12"
Title: Get Up and Get It


feat. 3LW
[Hook][Layzie, Krayzie & 3LW]
You gotta get up, get out and get something
(Get up, get up, get up, get up, get up and get it)
You gotta get up, get out and get something
(Get up, get up, get up, get up, get up and get it)
You gotta get up, get out and get something
(Get up, get up, get up, get up, get up and get it)
You gotta get up, get up, get up, get up
(Get up, get up, get up, get up, get up and get it)

[In the 4th line of hook]
Get up and get something

[Layzie]
It's all about money ain't nobody frontin'
I gotta go get it we gotta survive
Whether it's workin' a nine-to-five
Or ridin' the hustle I gotta get mine, bottom line
Most of my time I'm out here puttin' in work
For all of my days that I run this earth
I'ma make it count for what it's worth
You never know about this life and the type of pain that it can bring
That's why you gotta get off of you're thing cuz it ain't no dream and it
ain't no game
We so serious, dogg you know it don't stop
I know time is the devil's workshop

[Bizzy]
See I do it I did it
And y'all know that I'm wit it
I'll give anything for passin' and take to it back
A hustlin' little brother with crack
But now I grind a little bit harder
Harder my niggaz stories in order
See, it was hard for me momma
My mother dropped in the water
My sister was damn fast, Heather was right behind ya
Cassie, that's my little sister
My father loved you like the only child
Funny, he ain't never seen my smile

[Hook]

[Krayzie]
You betta get on yo grind
You betta go get it if you really tryin' to shine
You betta be keepin' yo eyes on your prize at all times
Keepin' it real for my all of my thugs in the projects
The niggaz that ain't got ****
Not havin' this nonsense my niggaz
My momma said, boy if you ever wanna be anything

Get off the couch and out my house, use your brain
So I took heed and I jumped right up on my feet
Got off the streets and I'll be
In heat I'm laughing at police now

[Layzie]
Coming to you like this
This used to be child
Is now a grown man
Don't play with the wrong hand
But I never could quit cuz I'm playin' a strong man
Everybody got a point to prove you might as well start today
Rather than puttin' it off tomorrow
You're lettin' it slip away
Lil' Lay, I parle
And get paid, and that's all
And I creep and I rise
In yo eyes I still ball
And stand tall with my chest
And my cheek to the sky
I'm in it to win it my nigga believe it until the day that I die
So come on

[Hook]

[3LW]
Anything you want, anything you need
You gotta get it, yeah and go get it
Ain't comin' to you, you gotta put in your dues
Show the world that you can do it
Don't let nobody hold you back
So you betta get your hustle on
Baby betta get your hustle on
You betta

[Wish]
We some of the livest, you know
True thugs don't really mind to riot, let it go
They sayin' get up and get it
Yes we went and did it
You won't admit it
Cuz you hatin' cuz you can't get it
Every since I was a young thug
Been creepin' showin' mo' love
Even when I got it you best to give it up
It's Cleveland, until we get what we want we ain't leaving
This is what we want with no chumps, please believe it

[Hook x2]

[3LW fading]
3-L-Dub get they hustle on
Gotta get the cheese in the lab
A collabo with Bone
Begging on my knee
Gettin' money till we flooded with ice
Nigga it's freeze
3-L-Dub is goin' coast to coast
We family
3-L-Dub get they hustle on
Gotta get the cheese in the lab
A collabo with Bone
Begging on my knee
Gettin' money till we flooded with ice...


The small moon begins to take on the appearance of a
monstrous spherical battle station.

BEN: That's no moon! It's a space station.

Artist: B-52's, The
Album: B-52's
Title: There's A Moon In The Sky (called The Moon)


There's a moon in the sky
It's called the moon
And everybody is there, including,
Saturn, mercury
Saturn, venus
Saturn, mars
Saturn, jupiter
The van allen belt

Roll-roll-roll-roll-rollin' in andromeda
Won-ton-ton-ton rama-in-andromeda

There's too many rings---this is the space age
There's too many things---this is the space age
Just ain't no atmosphere tonight

If you're lucky you get to ride in a gold meteorite
If you're not, you get a mouth, a mouthful of red kryptonite
You better move over
Here comes a super-nova

Grey_Wolf
04-11-2006, 10:18 AM
HAN: It's too big to be a space station.

LUKE: I have a very bad feeling about this.

Artist: Alison Krauss
Album: I've Got That Old Feeling
Title: I've Got That Old Feeling

No matter what i say or do,
I just can't seem to get inside your heart
What have i done wrong?
Lately you're so far away,
You just don't seem to hold me like you used to
Something's going on

I've got that old feeling, you're leaving
I'm so tired of goodbye
I can't wait on your love forever

While you change your mind

Morning finds us face to face
I feel you staring through me while i'm talking
Familiar looks i recognize the same old looks that said goodbye the last time
Something i'm used to

I've got that old feeling, you're leaving
I'm so tired of goodbye
I can't wait on your love forever
While you change your mind

BEN: Yeah, I think your right. Full reverse! Chewie, lock in the auxiliary power.

The pirateship shudders and the TIE fighter accelerates
away toward the gargantuan battle station.

LUKE: Why are we still moving towards it?

HAN: We're caught in a tractor beam! It's pulling us in!

LUKE: But there's gotta be something you can do!

HAN: There's nothin' I can do about it, kid. I'm in full power. I'm going to have to shut down. But they're not going to get me without a fight!

Ben Kenobi puts a hand on his shoulder.

BEN: You can't win. But there are alternatives to fighting.

Artist: Brendan Benson
Album: The Alternative to Love
Title: Alternative To Love

Maybe if I lay real still
It will go away, maybe it will
Maybe this I won't budge
Maybe I just need a little nudge
Maybe this time I won't flinch
Maybe this time it might be a sinch
Maybe this time I won't run
Maybe I'll own up to what I've done
What have I done?
What have I done?

Maybe I'm just damaged goods
And, baby, you're a babe in the woods
And me, I'm just a little lost lamb
But you love me wherever I am
And maybe I've been caught red handed
Making off like a lucky bandit
And this wasn't how I planned it

Maybe this time I could stay
And let myself get carried away
Maybe this time it's too late
We could make a move or we could wait
Maybe she will understand
And not expect too much from one man
Maybe she can

Or maybe she can't

Maybe when I've changed my tune
I'll come out of my solitude
And start to live my life anew
And spend the rest of my days pleasing you
And on the path to righteousness
I'll swept the dust
Whatever it takes to gain your trust
I'll do what I must
I'll do what I must (I'll do what I must)
I'll do what I must (I'll do what I must)
I'll do what I must

Maybe I'm just damaged goods
And, baby, you're a babe in the woods
And me, I'm just a little lost lamb
But you love me wherever I am
And maybe I've been caught red handed
Making off like a lucky bandit
And now I walk this planet

Forever it's a joke, the alternative to love
Forever it's a joke, the alternative to love

Grey_Wolf
04-16-2006, 04:58 AM
INTERIOR: MILLENNIUM FALCON -- DEATH STAR.

As the battered pirate starship is towed closer to the awesome
metal moon, the immense size of the massive battle station
becomes staggering. Running along the equator of the gigantic
sphere is a mile-high band of huge docking ports into which
the helpless pirateship is dragged.

EXTERIOR: DEATH STAR -- HUGE PORT DOORS.

The helpless Millennium Falcon is pulled past a docking port
control room and huge laser turret cannons.

VOICE OVER DEATH STAR INTERCOM: Clear Bay twenty-three-seven. We are
opening the magnetic field.

INTERIOR: DEATH STAR -- DOCKING BAY 2037.

The pirateship is pulled in through port doors of the Death
Star, coming to rest in a huge hangar. Thirty stormtroopers
stand at attention in a central assembly area.

OFFICER: To you stations!

OFFICER: (to another officer) Come with me.

INTERIOR: DEATH STAR -- HALLWAY.

Stormtroopers run to their posts.

INTERIOR: DEATH STAR -- HANGAR 2037.

A line of stormtroopers march toward the pirateship in
readiness to board it, while other troopers stand with weapons
ready to fire.

OFFICER: Close all outboard shields! Close all outboard shields!

INTERIOR: DEATH STAR -- CONFERENCE ROOM.

Tarkin pushes a button and responds to the intercom buzz.

TARKIN: Yes.

VOICE: (over intercom) We've captured a freighter entering the remains
of the Alderaan system. It's markings match those of a ship that
blasted its way out of Mos Eisley.

VADER: They must be trying to return the stolen plans to the princess.
She may yet be of some use to us.

INTERIOR: DEATH STAR -- DOCKING BAY 2037.

Vader and a commander approach the troops as an Officer and
several heavily armed troops exit the spacecraft.

VOICE: (over intercom) Unlock one-five-seven and nine. Release
charges.

OFFICER: (to Vader) There's no one on board, sir. According to the
log, the crew abandoned ship right after takeoff. It must be a decoy,
sir. Several of the escape pods have been jettisoned.

VADER: Did you find any droids?

OFFICER: No, sir. If there were any on board, they must also have
jettisoned.

VADER: Send a scanning crew on board. I want every part of this ship
checked.

OFFICER: Yes, sir.

VADER: I sense something...a presence I haven't felt since...

Artist: Beanie Sigel
Album: The Becoming/Feel it in the Air 12"
Title: Feel it in the Air


[Beanie]
My Spidey Senses is tingling
Feel something God my radar is up

[Verse 1]
Something going on, I feel funny, can't tell me nothing's different
My nose twitchin, Intuition setting in like Sti Vision
I still close my eyes, I still see visions
Still hear that voice in the back of my mind
So what I do, I still take heat, I still listen
I still paint that perfect picture
I still shine bright like a prism
My words still skippin through air
I know you can't don't won't get it
You square chose to ride that ****, sault with it, I'm still afloat
I ain't the captain of the yacht but I'm on the boat
I ain't acting what I'm not knowing that I don't
You niggaz acting like you will but I know you won't
Man I read between the lines of the eyes of ya brows
Your handshake ain't matchin your smile

[Chorus]
I can feel it in the air
I can feel it in the air
(I don't know man, I just feel something)
I can hear it in your voice
(Something ain't right man)
I can feel it in the air

[Verse 2]
I sit alone on my floor in the room staring at hammers
Ready to go bananas, two vests on me
Two uzis, extra clips on me
I know my mind ain't playin tricks on me
I ain't schitz homie
Ain't nobody dropped a mick on me

Its like they trying to pop a sick on me
I hear this voice in the back of my mind
Like Mack, tighten up your circle
Before they hurt you, read they body language
85% communication non-verbal
85% swear they know you
10% you know they stories
Man the other 5, I'mma show you
Just know you been pulling strings
You the puppetmaster, Them other bastards
Now watch who you puffin after
Play your cards, go against all odds
Shoot for the moon, if you miss, you still amongst those stars

[Chorus]

[Verse 3]
Can you feel the grim reaper floatin?
Foul preachin quotin' scriptures from revelation
Talk **** and got devil waiting
Body getting stiff, soul levitation
Why do I speak blasphemy?
Knowing one day they will ask for me
Ask for my sins
No one will feel his wrath for me
I go through it so you wouldnt do it after me
As for me, I'm still circling the block before I'm parking
Not bitchin, I'm just still cautious
Same black parker
Same uzi, extra clip, still clappin wit that same larkin
Damn I feel an inner air you will not still here
There ain't an us or a we or I'm a thing
Its a good bad karma thing
Its a song and an honest thing
I swear I feel something honestly

[Chorus]

Grey_Wolf
04-16-2006, 05:02 AM
ader turns quickly and exits the hangar.

OFFICER: Get me a scanning crew in here on the double. I want every
part of this ship checked!

INTERIOR: MILLENNIUM FALCON -- HALLWAY.

A trooper runs through the hallway heading for the exit. In a
few moments all is quiet. The muffled sounds of a distant
officer giving orders finally fade. Two floor panels suddenly
pop up revealing Han Solo and Luke. Ben Kenobi sticks his head
out of a third locker.

LUKE: Boy, it's lucky you had these compartments.

HAN: I use them for smuggling. I never thought I'd be smuggling myself
in them. This is ridiculous. Even if I could take off, I'd never get
past the tractor beam.

BEN: Leave that to me!

HAN: Damn fool. I knew that you were going to say that!

BEN: Who's the more foolish...the fool or the fool who follows him?

Han shakes his head, muttering to himself. Chewbacca
agrees.

INTERIOR: DEATH STAR -- MAIN FORWARD BAY.

The crewmen carry a heavy box on board the ship, past the two
stormtroopers guarding either side of the ramp.

TROOPER: The ship's all yours. If the scanners pick up anything,
report it immediately. All right, let's go.

The crewmen enter the pirateship and a loud crashing sound
is followed by a voice calling to the guard below.

HAN'S VOICE: Hey down there, could you give us a hand with this?

The stormtroopers enter the ship and a quick round of
gunfire is heard.

INTERIOR: DEATH STAR -- FORWARD BAY -- COMMAND OFFICE.

In a very small command office near the entrance to the
pirateship, a Gantry Officer looks out his window and notices
the guards are missing. He speaks into the comlink.

GANTRY OFFICER: TX-four-one-two. Why aren't you at your post?
TX-four-one-two, do you copy?

A stormtrooper comes down the ramp of the pirateship and
waves to the gantry officer, pointing to his ear indicating
his comlink is not working. The gantry officer shakes his head
in disgust and heads for the door, giving his aide an annoyed
look.

GANTRY OFFICER: Take over. We've got a bad transmitter. I'll see what
I can do.

As the officer approaches the door, it slides open
revealing the towering Chewbacca. The gantry officer, in a
momentary state of shock, stumbles backward. With a bone-
chilling howl, the giant Wookiee flattens the officer with one
blow. The aide immediately reaches for his pistol, but is
blasted by Han, dressed as an Imperial stormtrooper. Ben and
the robots enter the room quickly followed by Luke, also
dressed as a stormtrooper. Luke quickly removes his helmet.

LUKE: You know, between his howling and your blasting everything in
sight, it's a wonder the whole station doesn't know we're here.

HAN: Bring them on! I prefer a straight fight to all this sneaking
around.

Artist: Ali Dee
Album: Bring it On
Title: Bring it On

(Bring it) --> Redman

[ CHORUS ]
Ah bring it on
Ah bring it on, bring it on, bring it on
Ah bring it on, bring it on, bring it on
Ah bring it on, bring it on, bring it on

(Bring it)

[ VERSE 1: Ali Dee ]
Breaker breaker, send you to the undertaker
The rapper that's comin to take ya
Cause I shake ya like a Laker
Whether knockin boots, shootin hoops, alley hoops
Ali Dee's hoop funk follow your nose for these here Fruit Loops
You bite like bats if you heard me rap
Drop somethin fat on a track and take on thirty cats, you dirty rats
So here we go, yell Geronimo
Then pass up a hiney, yo
The flow will make you feel like a tiny hoe
I grand-slam like I'm Van Damme
Act like a lumberjack, in fact the track will slam like a Rams fan
You suck so much you need a nipple
I squeeze a trigger, squeeze a Charmin and I cripple Mr. Whipple
And triple any rapper runnin his trapper tryin to kick it
Pull a pump out on a chump and make him jump like Jiminy Cricket
Flippin it like a page until the damn stage is torn
So bring it on, kid, bring it on

[ CHORUS ]

[ VERSE 2: Kool G Rap ]
Send in the fire engines cause G Rap is startin fires
Rappers are jumpin like Evil Knievel
You better believe it, I'm comin like Michael Myers
So run and go hide as I get rid of the ones that hid
But on the lid what I did was, "Yo honey, I blew up the kids"

My broom's not singin the blues, so bring on the crews that try to do me
I'm skimpy like ?Kimpy?, snappy like Daffy and yahoowee!
See, I disrespects em, indeed I disrespect her
Your damn Sam Goody's record makes me laugh like Woody Pecker
Got price on hot mics so your spotlights are dimmin
Lyrics are fatter than womens that you see with Richard Simmons
So back up, don't act up, just be on some good behaviour
You thought it was Lifesavers, the flavor I just gave ya
In fact I pack a disco, my lyrics are slicker than Crisco
Give thrills from Blueberry Hill down to the streets of San Franscico
Like Tabasco I'm hot, if I wanna get ripple go sip on a Cisco
You hookey-playin rookies like they cookies from Nabisco
I shake it, I bake it, I take it to the break of, break of dawn
So bring it on, sucker, bring it on

[ CHORUS ]

[ VERSE 3: Ali Dee ]
I make examples out of suckers that I trample
Givin plenty lumps to them chumps, I'm a champ
Here's a sample, I catch flashbacks while I smash tracks
Then I blast stacks of wack and sad sack rappers get your ass waxed
Frontin get you nothin but a coffin
I bother your father and bring the drama to your mama, make your ass an orphan
I put some lead inside your head, you're dead and gone
So bring it on, trooper, bring it on

[ CHORUS ]

THREEPIO: We found the computer outlet, sir.

Ben feeds some information into the computer and a map of
the city appears on the monitor. He begins to inspect it
carefully. Threepio and Artoo look over the control panel.
Artoo finds something that makes him whistle wildly.

BEN: Plug in. He should be able to interpret the entire Imperial
computer network.

Artoo punches his claw arm into the computer socket and the
vast Imperial brain network comes to life, feeding information
to the little robot. After a few moments, he beeps something.

THREEPIO: He says he's found the main computer to power the tractor
beam that's holding the ship here. He'll try to make the precise
location appear on the monitor.

The computer monitor flashes readouts.

THREEPIO: The tractor beam is coupled to the main reactor in seven
locations. A power loss at one of the terminals will allow the ship to
leave.

Ben studies the data on the monitor readout.

BEN: I don't think you boys can help. I must go alone.

HAN: Whatever you say. I've done more that I bargained for on this
trip already.

LUKE I want to go with you.

Artist: Dusty Springfield
Album: Stay Awhile / I Only Want To Be With You
Title: I Only Want To Be With You

I don't know what it is that makes me love you so
I only know i never want to let you go
'cause you've started something
Oh, can't you see?
That ever since we met
You've had a hold on me
It happens to be true
I only want to be with you

It doesn't matter where you go or what you do
I want to spend each moment of the day with you
Oh, look what has happened with just one kiss
I never knew that i could be in love like this
It's crazy but it's true
I only want to be with you

You stopped and smiled at me
And asked if i'd care to dance
I fell into your open arms
And i didn't stand a chance
Now listen honey
I just want to be beside you everywhere

As long as we're together, honey, i don't care
'cause you've started something
Oh, can't you see?
That ever since we met
You've had a hold on me
No matter what you do
I only want to be with you

Oh, oh, you stopped and you smiled at me
And asked if i'd care to dance
I fell into your open arms
And i didn't stand a chance
Now hear me tell you
I just want to be beside you everywhere
As long as we're together, honey, i don't care
'cause you've started something
Oh, can't you see?
That ever since we met
You've had a hold on me
No matter what you do
I only want to be with you
I said no matter, no matter what you do
I only want to be with you

BEN: Be patient, Luke. Stay and watch over the droids.

Artist: George Michael
Album: Patience
Title: Patience

It's like a conversation, where no-one stops to breathe
Is it my imagination, or did God already leave the table?
Such destruction, and pure white castles in the sand
No time for introduction
With all that money changing hands

And the satellite says, "Take a look at all we have"
But the old man says,
"You want my family, for your liberty...I can't do that."

Look into the eyes of any patient man

Whether they be amber, green or blue,
There's a piece of God staring back at you
But they see our children, and the old folk fend for themselves
They see our broken women
On imaginary shelves

But the satellite says, "Won't you people look at all we have?
Don't you want it?

Can't you see the things that you lack?"

Children in his arms, he turns his back.

LUKE: But he can...

BEN: They must be delivered safely or other star systems will suffer
the same fate as Alderaan. Your destiny lies along a different path
than mine. The Force will be with you...always!

Ben adjusts the lightsaber on his belt and silently steps
out of the command office, then disappears down a long grey
hallway. Chewbacca barks a comment and Han shakes his head in
agreement.

HAN: Boy you said it, Chewie.

Han looks at Luke.

HAN: Where did you dig up that old fossil?

LUKE: Ben is a great man.

HAN: Yeah, great at getting us into trouble.

LUKE: I didn't hear you give any ideas...

HAN: Well, anything would be better than just hanging around waiting
for him to pick us up...

LUKE: Who do you think...

Suddenly Artoo begins to whistle and beep a blue streak.
Luke goes over to him.

LUKE: What is it?

THREEPIO: I'm afraid I'm not quite sure, sir. He says "I found her",
and keeps repeating, "She's here."

Artist: Ellis Paul
Album: Live
Title: Here She Is


If you could paint her, she'd be a picasso.
She's got a few things out of place.
Like when she smiles, it's slightly out of line.
It's half awkward, yet half grace.
While you're unraveling this mystery
Of where she fits in time and space,
She'll drag you into this lover's tale,
Though she will not give a reason.
And if you fight her tooth and nail,
She won't give up until you lose...

She wants the last word, the last dance.
She thinks it's absurd that you believe in second chances.
You're a lost cause, yet here she is.

And that's the mystery. here she is...

She's a poem by ferlinghetti.
She's the angel from a nursery rhyme
She'll set you a place at your table,
Then fill your cup till you're drunk on red wine.

She don't believe in stars or in miracles,
But she reads your horoscope daily.
And if your response is too cynical,
She'll say, "who are you to know?"
While you're unraveling this mystery
Of where she fits in time and space,
She'll memorize your history
And decorate your place.

LUKE: Well, who...who has he found?

Artist: Who, The
Album: Who Are You
Title: Who Are You


Who are you?
Who are you?
Who, who, who, who?
Who, who, who, who?
Who are you?
Who are you?
Who, who, who, who?
Who, who, who, who?
Who are you?
Who are you?
Who, who, who, who?
Who, who, who, who?
Who are you?
Who are you?
Who, who, who, who?
Who, who, who, who?


I woke up in a Soho doorway
I woke up in a soho doorway
A policeman knew my name
A policeman knew my name
He said 'You can go sleep at home tonight
He said "you can go sleep at home tonight
If you can get up and walk away'
If you can get up and walk away"


I staggered back to the underground
I staggered back to the underground
And the breeze blew back my hair
And the breeze blew back my hair
I remember throwin' punches around
I remember throwin' punches around
And preachin' from my chair
And preachin' from my chair


chorus:
Chorus:
Well, who are you? (Who are you? Who, who, who, who?)
Well, who are you? (who are you? who, who, who, who?)
I really wanna know (Who are you? Who, who, who, who?)
I really wanna know (who are you? who, who, who, who?)
Tell me, who are you? (Who are you? Who, who, who, who?)
Tell me, who are you? (who are you? who, who, who, who?)
'Cause I really wanna know (Who are you? Who, who, who, who?)
'cause i really wanna know (who are you? who, who, who, who?)


I took the tube back out of town
I took the tube back out of town
Back to the Rollin' Pin

Back to the rollin' pin
I felt a little like a dying clown
I felt a little like a dying clown
With a streak of Rin Tin Tin
With a streak of rin tin tin


I stretched back and I hiccupped
I stretched back and i hiccupped
And looked back on my busy day
And looked back on my busy day
Eleven hours in the Tin Pan
Eleven hours in the tin pan
God, there's got to be another way
God, there's got to be another way


Who are you?
Who are you?
Ooh wa ooh wa ooh wa ooh wa ...
Ooh wa ooh wa ooh wa ooh wa ...


Who are you?
Who are you?
Who, who, who, who?
Who, who, who, who?
Who are you?
Who are you?
Who, who, who, who?
Who, who, who, who?
Who are you?
Who are you?
Who, who, who, who?
Who, who, who, who?
Who are you?
Who are you?
Who, who, who, who?
Who, who, who, who?


(chorus)
(chorus)


I know there's a place you walked
I know there's a place you walked
Where love falls from the trees
Where love falls from the trees
My heart is like a broken cup
My heart is like a broken cup
I only feel right on my knees
I only feel right on my knees


I spit out like a sewer hole
I spit out like a sewer hole
Yet still recieve your kiss
Yet still recieve your kiss
How can I measure up to anyone now
How can i measure up to anyone now
After such a love as this?
After such a love as this?


(chorus)
(chorus)

Artoo whistles a frantic reply.

Grey_Wolf
04-21-2006, 02:36 AM
THREEPIO: Princess Leia.

LUKE: The princess? She's here?

Artist: Chino XL
Album: Here To Save You All
Title: Here To Save You All

From a single seed off of a man,
A man with countless hopes and dreams
And as he grew, he tried and refied
But could never concord or succeed
The voices of the world spoke to him and said that he would be nothing
That the way he thought and expressed himself was pure hatred, Satan

sent
This turned that man into a rod
A rod that would not bend
But through its entirety, the confusion, the chaos
He will be the one that will save you all...


HAN: Princess? What's going on?

Artist: A Perfect Circle
Album: Emotive
Title: What's Going On


Mother, mother
There's too many of you crying
Brother, brother, brother
There's far too many of you dying
You know we've got to find a way
To bring some lovin' here today

Father, father
We don't need to escalate
You see, war is not the answer
For only love can conquer hate
You know we've got to find a way
To bring some lovin' here today

Picket lines and picket signs
Don't punish me with brutality
Talk to me, so you can see
Oh, what's going on
What's going on
Ya, what's going on
Ah, what's going on

In the mean time
Right on, baby
Right on
Right on

Father, father, everybody thinks we're wrong
Oh, but who are they to judge us
Simply because our hair is long
Oh, you know we've got to find a way
To bring some understanding here today
Oh

Picket lines and picket signs
Don't punish me with brutality
Talk to me
So you can see
What's going on
Ya, what's going on
Tell me what's going on
I'll tell you what's going on
Right on baby
Right on baby

THREEPIO: Level five. Detention block A A-twenty-three. I'm afraid
she's scheduled to be terminated.

LUKE: Oh, no! We've got to do something.

HAN: What are you talking about?

LUKE: The droid belongs to her. She's the one in the message.. We've
got to help her.

HAN: Now, look, don't get any funny ideas. The old man wants us to
wait right here.

LUKE: But he didn't know she was here. Look, will you just find a way
back into the detention block?

HAN: I'm not going anywhere.

LUKE: They're going to execute her. Look, a few minutes ago you said
you didn't want to just wait here to be captured. Now all you want to
do is stay.

HAN: Marching into the detention area is not what I had in mind.

LUKE: But they're going to kill her!

HAN: Better her than me...

LUKE: She's rich.

Artist: Big & Rich
Album: Comin' To Your City
Title: Filthy Rich

Everybody's trying to get filthy rich off of somebody else's money
Grandma worked her whole life sewing at a shirt factory
She was saving for retirement, she had 'em take a little out every week
But then a big man up in a high rise, he cashed in his options and run
Well, took all her money and buddy that ain't funny
Now Granny's work will never be done

[Chorus:]
'Cause, everybody's trying to get filthy rich off somebody else's money
Hey, me and my friends we were talking 'bout that, ole Freddy, Bill and Sonny
How with all my brains and all your cash, we could make a million, you can bet your ass
Everybody's trying to get filthy rich off of someone else's money

I saw a preacher on the TV with big diamond rings on his hand
He was begging for some money, he said to send us every penny you can
I guess the good Lord's got a mortgage and a payment on yacht in the Keys
So we better keep sending our hard earned living to those God fearing folks on TV

[repeat the Chorus]

Yeah with all my brains and all your cash, we could make a million, you can bet your ass
Everybody's trying to get filthy rich off of someone else's money
Everybody's trying to get big and rich off of someone esle's money

Chewbacca growls.

HAN: Rich?

LUKE: Yes. Rich, powerful! Listen, if you were to rescue her, the
reward would be...

HAN: What?

LUKE: Well more wealth that you can imagine.

Artist: Next
Album: Imagine That
Title: Imagine That

Dream
Imagine
Close your eyes

Ooh... (Tweet)
Ooh... (R.L.)
Ooh... (And T-Low)
Now I may not have
5 or 6 cars in my garage
But would you settle for a nice massage
And the love of a lifetime

Girl, I swear to God that
With a whole lot of love
And little bit of faith
That we can make it
You just gotta believe that

We could roll till the wheels fall off (And)
I’mma love you till my soul’s gone on (‘Cause)
It can happen, baby, just hold on
Close your eyes and dream (And imagine that)

Imagine that smile ever leavin’ your face
Comin’ home from work and never leavin’ the place
Got chocolate and champagne just for you to taste
(Close your eyes)
Close your eyes, girl, imagine that

Imagine Benzes in the parkin’ lot
A different chauffeur for every car you got
Islands to settle on a private yacht (Just close your
eyes)
Close your eyes, girl, imagine that

I know you deserve
More than I got right now
But baby, there’s no doubt
‘Cause you’ve always stayed down

I swear to God that
A whole lot of love
And a little bit of faith
That we can make it
You just gotta believe that

We could roll till the wheels fall off (And)
I’mma love you till my soul’s gone on (Hey)
It can happen, baby, just hold on
Close your eyes and dream (And imagine that)

Imagine that smile ever leavin’ your face
Comin’ home from work and never leavin’ the place
Got chocolate and champagne just for you to taste
(Close your eyes)
Close your eyes, girl, imagine that (And imagine that)

Imagine Benzes in the parkin’ lot

A different chauffeur for every car you got
Islands to settle on a private yacht
Close your eyes, girl, imagine that (Close your eyes
and imagine that, girl)

{Some day} Just have my back and I promise that
{Some way} I’ll work to try to cop you that
{If we pray} And believe, you will see that
{It’ll be okay} You just gotta dream and believe

Imagine that
I can, can you, can we
We dream, ooh
You can have anything you need
A dream
But you’ve got to imagine that


Imagine that
I can, can you, can we
We dream, ooh
You can
If you close your eyes and imagine that


Imagine that smile ever leavin’ your face
Comin’ home from work and never leavin’ the place
Got chocolate and champagne just for you to taste
Close your eyes, girl, imagine that


Imagine Benzes in the parkin’ lot (Oh)
A different chauffeur for every car you got (Oh, oh)
Islands to settle on a private yacht (Just close your
eyes, girl)
Close your eyes, girl, imagine that


Imagine that smile ever leavin’ your face
Comin’ home from work and never leavin’ the place
Got chocolate and champagne just for you to taste (Oh)
Close your eyes, girl, imagine that


Imagine Benzes in the parkin’ lot (Parkin’ lot)
A different chauffeur for every car you got
(Oh...oh...)
Island to settle on a private yacht (Just close your
eyes)
Close your eyes, girl, imagine that
Close your eyes and dream and
Close your eyes and dream and
Imagine that...imagine that...imagine that...
Dream with me
Imagine

HAN: I don't know, I can imagine quite a bit!

LUKE: You'll get it!

HAN: I better!

LUKE: You will...

HAN: All right, kid. But you'd better be right about this.

Han looks at Chewie, who grunts a short grunt.

LUKE: All right.

HAN: What's your plan?

Artist: Frankie J
Album: What's A Man To Do
Title: What's A Man To Do


Ayo...you see I got a lil situation right...
You see my shorty she be trippin' sometimes...
And I'm fittin to let ya'll know what it's all about

Oh...Ladidi-dadadida
Ayo...listen to my story
Yeah, yeah...come on...uh..

[Verse 1]
Well it all started on a late night creepin...
I planned my getaway
Cause my shorty she was trippin
Just trying to get out
Breathe a lil different air
If you know what I mean yeah..

So as I'm jumping out the window of my room...
I hear my homies calling out
They're on the move
Driving Escalades and Hummers with them blades
Hiding behind shades, ready on their way..yeah..
It's how we roll...
So as we driving, we ended up on the strip
We see some hunnies and damn!
I just began to flip..
Cause this shorty she be staring straight at me
This sexy fine lady..she be callin me now...

[Chorus]
What's a man to do
When situations like these come to you ..damn
What's a man to say..
When shorty's just drivin you insane..

What's a man to do..
When you and your girl
Just can't pull through...damn..
What's a man to say..
When everything just ain't the same...

[Verse 2]
See I'm trying to find a way out of this misery
Cause only God knows this is not the way I be
I'm just too young to be stressin this ain't right for me
So she better act up
Or I'm gonna straight up and leave...
This is not the first time
That we go through this...
It's 'bout the second, third, fourth maybe even fifth
And I've been trying to work it out
Only with you babe...
So listen close 'cause not all men are the same...

So what's a man gotta do
So we work this
I've just about tried almost everything I can
So let me learn you something
And you better learn right quick
Girl get yo act together
Or I'm about to have a fit...

[Chorus]

Come on...can you feel me...yeah..that's right

[Chorus repeat till fade]

LUKE: Uh...Threepio, hand me those binders there will you?

Luke moves toward Chewbacca with electronic cuffs.

LUKE: Okay. Now, I'm going to put these on you.

Chewie lets out a hideous growl.


LUKE: Okay. Han, you put these on.

Luke sheepishly hands the binders to Han.

HAN: Don't worry, Chewie. I think I know what he has in mind.

Artist: Beach Boys
Album: Beach
Title: Don't Worry Baby


Well its been building up inside of me
For oh i don't know how long
I don't know why
But i keep thinking
Something's bound to go wrong

But she looks in my eyes
And makes me realize
And she says "don't worry baby"
Don't worry baby
Don't worry baby
Everything will turn out alright

Don't worry baby
Don't worry baby
Don't worry baby

I guess i should've kept my mouth shut
When i started to brag about my car
But i can't back down now
I pushed the other guys too far

She makes me come alive
And makes me wanna drive
When she says "don't worry baby"

Don't worry baby
Don't worry baby
Everything will turn out alright

Don't worry baby
Don't worry baby
Don't worry baby

She told me "baby, when you race today
Just take along my love with you
And if you know how much i loved you
Baby nothing could go wrong with you"

Oh what she does to me
When she makes love to me
And she says "don't worry baby"
Don't worry baby
Don't worry baby
Everything will turn out alright

Don't worry baby
Don't worry baby
Don't worry baby


The Wookiee has a worried and frightened look on his face
as Han binds him with the electronic cuffs.

THREEPIO: Master Luke, sir! Pardon me for asking...but, ah...what
should Artoo and I do if we're discovered here?

LUKE: Lock the door!

HAN: And hope they don't have blasters.

THREEPIO: That isn't very reassuring.

Artist: Stevie Wonder
Album: Jungle Fever
Title: Make Sure You're Sure

Well the night is young
And the stars are out
And your eyes are all aglow
And you say you feel
Ways you've never felt
But are you sure, make sure you're sure

Well, the wine is sweet
And the music sways
And your lips are so divine
And you say you know
That you're falling in love
Now, let's be mature, make sure you're sure

I'm not accustomed to wearing my feelings

In a place that's so obvious to see
But if eyes don't lie
There's a chance that you are not fooling yourself
And me

Well the night is through
And the sun's come out
And so too has your lovely smile
And you vow to stay
In these arms always
Can you endure, now are you sure

Love can be so insecure
So please be sure

Luke and Han put on their armored stormtrooper helmets and
start off into the giant Imperial Death Star.

Grey_Wolf
04-21-2006, 09:28 AM
INTERIOR: DEATH STAR -- DETENTION AREA -- ELEVATOR TUBE.

Han and Luke try to look inconspicuous in their armored suits
as they wait for a vacuum elevator to arrive. Troops,
bureaucrats, and robots bustle about, ignoring the trio
completely. Only a few give the giant Wookiee a curious
glance.
Finally a small elevator arrives and the trio enters.

LUKE: I can't see a thing in this helmet.

A bureaucrat races to get aboard also, but is signaled away by
Han. The door to the pod-like vehicle slides closed and the
elevator car takes off through a vacuum tube.

INTERIOR: DEATH STAR -- MAIN HALLWAY.

Several Imperial officers walk through the wide main
passageway. They pass several stormtroopers and a robot
similar to Threepio but with an insect face. At the far end of
the hallway, a passing flash of Ben Kenobi appears, then
disappears down a small hallway. His appearance is so fleeting
that it is hard to tell if he is real or just an illusion. No
one in the hallway seems to notice him.

INTERIOR: DEATH STAR -- INTERIOR ELEVATOR -- DETENTION SECURITY AREA.

Luke and Han step forward to exit the elevator, but the door
slides open behind them. The giant Wookiee and his two guards
enter the old grey security station. Guards and laser gates
are everywhere. Han whispers to Luke under his breath.

HAN: This is not going to work.

LUKE: Why didn't you say so before?

HAN: I did say so before!

INTERIOR: DETENTION AREA.

Elevator doors open. A tall, grim looking Officer approaches
the trio.

OFFICER: Where are you taking this...thing?

Chewie growls a bit at the remark but Han nudges him to
shut up.

LUKE: Prisoner transfer from Block one-one-three-eight.

OFFICER: I wasn't notified. I'll have to clear it.

The officer goes back to his console and begins to punch in
the information. There are only three other troopers in the
area. Luke and Han survey the situation, checking all of the
alarms, laser gates, and camera eyes. Han unfastens one of
Chewbacca's electronic cuffs and shrugs to Luke.
Suddenly Chewbacca throws up his hands and lets out with
one of his ear-piercing howls. He grabs Han's laser rifle.

HAN: Look out! He's loose!

LUKE: He's going to pull us all apart.

HAN: Go get him!

Artist: Perry Como
Album: Unknown
Title: I'm Gonna Get Him


When you were a kid
And you wanted a "doll"
You got it!
Don't ask how you did,
But when you were a kid
And you wanted a "doll"
You got it!
You carefully laid out a plan,
When you were a kid
'twas a doll . . .

And now it's a man!

I'm gonna get em!
I'm gonna get em!
Instead of givin' up
An' throwin' in the towel
I'm gonna keep on fightin'
Fair or fowl
Until i get em!
I'm gonna em!

I'm gonna wear my jewels
An' my ermine wrap
An' if i have to drop my shoulder strap
I'm gonna get em!
I'm gonna em!

An' when i've got him
Where i think he otta be . . .

I'm gonna love em, love em
My mission in life will be to "love em"
Until he loves me!

I'm gonna get em!
Hmm, i'm gonna get em!
I'll back him in a corner
'till he squirms an' twists
An' if i must put handcuffs
On his wrists
I'm gonna get em!
I'm gonna get em!

He'll know the facts of life
An' when he understands
I'll put a "shotgun" in my father's hands
An' that'll get em!
I'm gonna em!

An' when i've got him
Where i think he otta be . . .
I'm gonna hug em, hug em
I'll hug em and if i have to slug em
He's gonna love, he's gonna love
He's gonna love me!

The startled guards are momentarily dumbfounded. Luke and
Han have already pulled out their laser pistols and are
blasting away at the terrifying Wookiee. Their barrage of
laserfire misses Chewbacca, but hits the camera eyes, laser
gate controls, and the Imperial guards. The officer is the
last of the guards to fall under the laserfire just as he is
about to push the alarm system. Han rushes to the comlink
system, which is screeching questions about what is going on.
He quickly checks the computer readout.

HAN: We've got to find out which cell this princess of yours is in.
Here it is...cell twenty-one-eight-seven. You go get her. I'll hold
them here.

Luke races down one of the cell corridors. Han speaks into the
buzzing comlink.

HAN: (sounding official) Everything is under control. Situation
normal.

INTERCOM VOICE: What happened?

HAN: (getting nervous) Uh...had a slight weapons malfunction. But, uh,
everything's perfectly all right now. We're fine. We're all fine here,
now, thank you. How are you?

INTERCOM VOICE: We're sending a squad up.

HAN: Uh, uh, negative. We had a reactor leak here now. Give us a few
minutes to lock it down. Large leak...very dangerous.

INTERCOM VOICE: Who is this? What's your operating number?

Han blasts the comlink and it explodes.

HAN: Boring conversation anyway. (yelling down the hall) Luke! We're
going to have company!

Artist: Rick Springfield
Album: Speak Tothe Sky
Title: We're Gonna Have A Good Time


We're gonna have a good time, its gonna be a rock 'n' roll night
We're gonna have a good time, we're gonna play the music all night

Come on now, get the music on
We're gonna dance & sing till the night is gone
I'm feeling good, i'm feeling better now
You can really do it and i'll show you how

So come on, can't you hear me saying, don't you think about yesterday

We're gonna have a good time, its gonna be a rock 'n' roll night
We're gonna have a good time, we're gonna play the music all night

Ooh, sit down, i don't want ya rocking the boat
You got your high heels shoes and your overcoat
I believe things are better now if you just let go, i can show you how

So come on, its no time for sorrow, don't you think about tomorrow

We're gonna have a good time, its gonna be a rock 'n' roll night
We're gonna have a good time, we're gonna play the music all night...

Grey_Wolf
04-22-2006, 03:12 AM
INTERIOR: DEATH STAR -- CELL ROW.

Luke stops in front of one of the cells and blasts the door
away with a laser pistol. When the smoke clears, Luke sees the
dazzling young princess-senator. She had been sleeping and is
now looking at him with an uncomprehending look on her face.
Luke is stunned by her incredible beauty and stands staring at
her with his mouth hanging open.

LEIA: (finally) Aren't you a little short to be a stormtrooper?

Luke takes off his helmet, coming out of it.

LUKE: What? Oh...the uniform. I'm Luke Skywalker. I'm here to rescue
you.

LEIA: You're who?

LUKE: I'm here to rescue you. I've got your R2 unit. I'm here with Ben
Kenobi.

LEIA: Ben Kenobi is here! Where is he?

LUKE: Come on!

Artist: Mary Chapin Carpenter
Album: Come On Come On
Title: Come On Come On

Some people remember the first time / some can't forget the last / some just select what they want to from the past / it's a song that you danced to in high school / it's a moon you tried to bri
Wn / on a four-in-the-morning drive through the streets of town

Come on come on, it's getting late now / come on come on, take my hand / come on come on, you just have to whisper / come on come on, i will understand

It's a photograph taken in paris, at the end of the honeymoon
In 1948, late in the month of june
Your parents smile for the camera in sienna shades of light
Now you're older than they were then that summer night

Come on come on, it's getting late now
Come on come on, take my hand

Come on come on, you just have to whisper
Come on come on, i will understand

It's a need you never get used to, so fierce and so confused
It's a loss you never get over the first time you lose

And tonight i am thinking of someone, seventeen years ago
We rode in his daddy's car down the river road

Come on come on, it's getting late now
Come on come on, take my hand
Come on come on, you just have to whisper
Come on come on, i will understand
Come on come on, it's getting late now
Come on come on, take my hand
Come on come on, you just have to whisper
Come on come on, i will understand
Come on come on

Grey_Wolf
04-24-2006, 10:12 AM
INTERIOR: DEATH STAR -- CONFERENCE ROOM.

Darth Vader paces the room as Governor Tarkin sits at the far
end of the conference table.

VADER: He is here...

Artist: Babyface
Album: Unknown
Title: Here He Comes Again

Tell me he didn't break your heart
Tell me he didn't lie to you
Tell me there's no way that he set you up
Tell me there's no way that you let him use you
You'd think by now you'd know him by all his signs
So how could you be a fool

Girl, here he comes again
Telling lies to you
Girl, here he comes again
To break your heart
Find out you know he's no good
So when will you learn
He's nothing but a user

It's not my place to say what to do
But i just can't stand when love abuses you
He's never gonna change
He enjoys seeing you in so much pain
So little girl get up off your face
Hold your head up high
And tell him that you're through

Hook

Girl, i know you want me
I see the look in your eyes
All you have to do is ask me
Don't think you're wasting your time
I am yours if you want me
All you have to do is tell me
Do you want me
Do you want him
Look behind your back
He's comin' again

Hook 3 times

TARKIN: Obi-Wan Kenobi! What makes you think so?

VADER: A tremor in the Force. The last time I felt it was in the
presence of my old master.

TARKIN: Surely he must be dead by now.

VADER: Don't underestimate the power of the Force.

TARKIN: The Jedi are extinct, their fire has gone out of the universe.
You, my friend, are all that's left of their religion.

There is a quiet buzz on the comlink.

TARKIN: Yes.

INTERCOM VOICE: Governor Tarkin, we have an emergency alert in
detention block A A-twenty-three.

TARKIN: The princess! Put all sections on alert!

VADER: Obi-Wan is here. The Force is with him.

TARKIN: If you're right, he must not be allowed to escape.

VADER: Escape is not his plan. I must face him alone.

Artist: Beatles
Album: 1
Title: Come Together (lennon/mccartney)

Here come old flattop he come grooving up slowly
He got joo-joo eyeball he one holy roller
He got hair down to his knee
Got to be a joker he just do what he please

He wear no shoeshine he got toe-jam football
He got monkey finger he shoot coca-cola
He say "i know you, you know me"
One thing i can tell you is you got to be free
Come together right now over me

He bag production he got walrus gumboot
He got ono sideboard he one spinal cracker
He got feet down below his knee
Hold you in his armchair you can feel his disease
Come together right now over me

He roller-coaster he got early warning
He got muddy water he one mojo filter
He say "one and one and one is three"
Got to be good-looking 'cause he's so hard to see
Come together right now over me

Grey_Wolf
04-25-2006, 11:42 AM
INTERIOR: DEATH STAR -- DETENTION AREA -- HALLWAY.

An ominous buzzing sound is heard on the other side of the
elevator door.

HAN: Chewie!

Chewbacca responds with a growling noise.

HAN: Get behind me! Get behind me!

A series of explosions knock a hole in the elevator door
through which several Imperial troops begin to emerge.
Han and Chewie fire laser pistols at them through the smoke
and flame. They turn and run down the cell hallway, meeting up
with Luke and Leia rushing toward them.

HAN: Can't get out that way.

LEIA: Looks like you managed to cut off our only escape route.

HAN: (sarcastically) Maybe you'd like it back in your cell, Your Highness.

Artist: Beatles
Album: 1
Title: Get Back (lennon/mccartney)

[sweet loretta fat thought she was a cleaner but she was a frying pan.]

Jojo was a man who thought he was a loner
But he knew it wouldn't last.
Jojo left his home in tucson, arizona
For some california grass.
Get back, get back.
Get back to where you once belonged
Get back, get back.
Get back to where you once belonged.
Get back jojo. go home
Get back, get back.
Back to where you once belonged
Get back, get back.
Back to where you once belonged.
Get back jo.

Sweet loretta martin thought she was a woman
But she was another man
All the girls around her say she's got it coming

But she gets it while she can
Get back, get back.
Get back to where you once belonged
Get back, get back.
Get back to where you once belonged.
Get back loretta. go home
Get back, get back.
Get back to where you once belonged
Get back, get back.
Get back to where you once belonged.
Get back loretta
Your mother's waiting for you
Wearing her high-heel shoes
And her low-neck sweater
Get on home loretta
Get back, get back.
Get back to where you once belonged.

Luke takes a small comlink transmitter from his belt as
they continue to exchange fire with stormtroopers making their
way down the corridor.

LUKE: See-Threepio! See-Threepio!

THREEPIO: (over comlink) Yes sir?

Artist: Baccara
Album: Unknown
Title: Yes Sir, I Can Boogie

Mister
Your eyes are full of hesitation
Sure makes me wonder
If you know what you're looking for.
Baby
I wanna keep me reputation
I'm a sensation
You try me once, you'll beg for more.

Chorus

Oh, yes sir, i can boogie
But i need a certain song.
I can boogie,
Boogie woogie
All night long.

Oh, yes sir, i can boogie
If you stay, you can't go wrong.

I can boogie,
Boogie woogie
All night long.

No sir
I don't feel very much like talking
No, neither walking
You wanna know if i can dance.

Yes sir
Already told you in the first verse
And in the chorus
But i will give you one more chance.

Chorus repeat to fade

Yes sir, i can boogie....

LUKE: We've been cut off! Are there any other ways out of the cell bay?...What was that? I didn't copy!

Artist: John Hiatt
Album: Two Bit Monsters
Title: Copy Party

Down on the beat
They're lining up everyone
Who's got a mind on a bullet and a mouth like a gun
Boys and girls
Stripped to their innocence
We run some real weak links in this long chain of events

Cop party and you better not go
Spend the rest of your life in this tv show
Cop party and you better run
Because they're not gonna stop until they've had their fun
Until justice is done

They're checking out
Everybody with a fine-toothed comb
So leave your keys in the car and the wisecracking at home
Spread 'em, boy
And don't you turn around
We're gonna make you real sorry that you ever come into this town

Cop party and you better not go
Spend the rest of your life in this tv show
Cop party and you better run
Because they're not gonna stop until they've had their fun

Summer is here, we're out in the street
The verdict is already in
Turn up the music, here comes the heat

Cop party and you better not go
You'll spend the rest of your life in this tv show
Cop party and you better run
Because they're not gonna stop until they've had their fun

Cop party and you better not go

Grey_Wolf
04-27-2006, 02:25 AM
INTERIOR: DEATH STAR -- DETENTION AREA -- HALLWAY.

An ominous buzzing sound is heard on the other side of the
elevator door.

INTERIOR: DEATH STAR -- MAIN BAY GANTRY -- CONTROL TOWER.

Threepio paces the control center as little Artoo beeps and
whistles a blue streak. Threepio yells into the small comlink
transmitter.

THREEPIO: I said, all systems have been alerted to your presence, sir.
The main entrance seems to be the only way in or out; all other
information on your level is restricted.

Someone begins banging on the door.

TROOPER VOICE: Open up in there!

THREEPIO: Oh, no!

INTERIOR: DEATH STAR -- DETENTION CORRIDOR.

Luke and Leia crouch together in an alcove for protection as
they continue to exchange fire with troops. Han and Chewbacca
are barely able to keep the stormtroopers at bay at the far
and of the hallway. The laserfire is very intense, and smoke
fills the narrow cell corridor.

LUKE: There isn't any other way out.

HAN: I can't hold them off forever! Now what?

LEIA: This is some rescue. When you came in here, didn't you have a
plan for getting out?

HAN: (pointing to Luke) He's the brains, sweetheart.

Luke manages a sheepish grin and shrugs his shoulders.

LUKE: Well, I didn't...

The princess grabs Luke's gun and fires at a small grate in
the wall next to Han, almost frying him.

HAN: What the hell are you doing?

LEIA: Somebody has to save our skins. Into the garbage chute, wise
guy.

Artist: Alan Parsons Project
Album: Eye In The Sky
Title: Old And Wise

As far as my eyes can see
There are shadows approaching me
And to those i left behind
I wanted you to know
You've always shared my deepest thoughts
You follow where i go

And oh when i'm old and wise
Bitter words mean little to me
Autumn winds will blow right through me
And someday in the mist of time
When they asked me if i knew you
I'd smile and say you were a friend of mine
And the sadness would be lifted from my eyes
Oh when i'm old and wise

As far as my eyes can see

There are shadows surrounding me
And to those i leave behind
I want you all to know
You've always shared my darkest hours
I'll miss you when i go

And oh, when i'm old and wise
Heavy words that tossed and blew me
Like autumn winds that will blow right through me
And someday in the mist of time
When they ask you if you knew me
Remember that you were a frined of mine
As the final curtain falls before my eyes
Oh when i'm old and wise

As far as my eyes can see


She jumps through the narrow opening as Han and Chewbacca
look on in amazement. Chewbacca sniffs the garbage chute and
says something.

HAN: Get in there you big furry oaf! I don't care what you smell! Get
in there and don't worry about it.

Artist: Aaliyah
Album: I Care 4 U
Title: Don’t Worry

This track is fly, mmm

Ain't no need for you, baby
It ain't what you think
So don't worry

Remember back in the day when
We vowed it was special
And we’d always stay down
No matter where we went you’d stay in touch
Two people that were just so in love
Now you cryin that you feelin like things
Ain't really been the way they used to be
You say that it seems like I’ve changed
But I’m still the same

There’s no need for you, To worry 'bout me
Baby, Don't worry 'bout me, No, no
It ain't what you think, You still got me
So don't worry, Don't worry
Even tho it seems, You’re losin me
And things, Ain't what they used to be
Baby, I ain’t gon leave
So don't worry, Don’t worry 'bout, Don't worry 'bout me

I was headed out to Cali for a show
Told you that on Tuesday I’d be home
Left a message on your voicemail sayin I
Would call you later to warn you I’m alright
Now you callin just to tell me that you heard
I was seen in a Bentley wit my girls
On the way to the spot where people hang
But nothin’s changed

There’s no need for you, To worry 'bout me
Baby, Don't worry 'bout me, No
It ain't what you think, You still got me
So don't worry, Don't worry
Even tho it seems, You’re losin me
And things, Ain't what they used to be
Baby, I aint gon leave
So don't worry, Don’t worry 'bout, Don't worry 'bout me

---Repeat---

There’s no need to worry 'bout what I do with ??
Don’t worry 'bout a *amn thang
Don't worry about what I do in my town
Don't worry 'bout a *amn thang
Don't worry 'bout how I do when I put it down
Don't worry 'bout a *amn thang
Trust in me everything’s gonna be alright
Don't worry 'bout a *amn thang
I’m gonna work it out, I’ll be home tonight

There’s no need for you, To worry 'bout me
Baby, Don't worry 'bout me, No
It ain't what you think, You still got me
So don't worry, Don't worry
Even tho it seems, You’re losin me
And things, Ain't what they used to be
Baby, I ain’t gon leave
So don't worry, Don’t worry 'bout, Don't worry 'bout me

---Repeat 2x---


Han gives him a kick and the Wookiee disappears into the
tiny opening. Luke and Han continue firing as they work their
way toward the opening.

HAN: Wonderful girl! Either I'm going to kill her or I'm beginning to
like her. Get in there!

Artist: Coolio
Album: My Soul
Title: C U When U Get There

Verse 1: Coolio
Now I've seen places and faces
and things you ain't never thought about thinking
if you ain't peek then you must be drinking
and smokin'
pretending not to locin' but you're brokin'
let me get you open
now little Timmy got his diploma and
little Jimmy got life
and Tamikra around the corner just took her first hit off the pipe
the other homie shot the other homie and ran away with his money
and when the other homies heard about it they thought it was funny
but who's the dummy
now you done lost the hustler
a down-ass brother got replaced by a buster
and though I got love for ya
I know I can't trust ya
coz my crew is rollin' home and your crew is rollin' dusta
and just because of that you act you don't like the brother no more
uh, I guess that's just the way it goes
I ain't tryina preach
I believe I can reach
but your mind ain't prepared
I C U when you get there
Chorus:
I'll see you when you get there
if you ever get there
see you when you get there
I'll see you when you get there
if you ever get there
see you when you get there
Verse 2: Lek Ratt (40 Thevz)
More temptation in faith
I guess we livin' for the day
I seen a man get swept off his feet
by a bullet and an AK
the situation so twisted everybody gettin lifted
I'm just tryin to take care of my kids and handle my business
coz it way too serious so you gotta pay close attention
so you don't get caught sittin' when they come and do all the gettin'
life is a big game so you gotta play it with a big horse
someone's gotta run a little faster coz we gotta lay the struggle
I'd be a fool to surrender when I know I can be a contender
and if everbody's a sinner then everybody can be a winner
no matter you rag collar deep down we all brothers
and regardless of the time somebody up there still love us
I'm a scuff and struggle y'all breathless and weak
I just strived my whole life to make it to the mountain peak
always keep reaching sure to grab on to something


I'll be there when you get there when you wit the sound bumpin'
Chorus:
I'll see you when you get there
see you when you get there
if you ever get there
if you ever get there
see you when you get there
I'll see you when you get there
see you when you get there
if you ever get there
if you ever get there
see you when you get there
Verse 3: PS (40 Thevz)
You need to loosen up
and live a little
and if you got kids let 'em know how ya feel
for your own sake give a little
oh, you don't want to hear that
you busy tryina stack
and keep them from the Jones's is taking advantage of your own
the realist homies got you but you known them longest
but some ain't missing a good thing until it's gone
could have built an empire if not for the jealousy that divides us
we prefer to keep our eyes shut to describe when
it's something wrong and we desire
so hold your head up high if your poor and righteous
I know time seems dry and problems seem endless
but in times of despair we gotta put ourselves together
and if you feel you're out the game then you need to get back in it
coz nothing worse than a quitter
you gotta face responsibility one day, my brother
so gather up your pity and turn it to ambition
and put your vehicle and drive and stop by my side
Chorus:
I'll see you when you get there
see you when you get there
if you ever get there
if you ever get there
see you when you get there
I'll see you when you get there
see you when you get there
if you ever get there
if you ever get there
see you when you get there
(Coolio)
As we walk down the road of our destiny
and the time comes to choose which shall it be
the wide and crooked, or the strait narrow,
we got one voice to give and one life to live
stand up for sumthin or lay down in your game
listen to the song that we sang
its up to u to make it be
I guess i'll see u when u c me
(chorus fade out)


Luke ducks laserfire as he jumps into the darkness. Han
fires off a couple of quick blasts creating a smokey cover,
then slides into the chute himself and is gone.

Grey_Wolf
04-29-2006, 03:04 AM
INTERIOR: DEATH STAR -- GARBAGE ROOM.

Han tumbles into the large room filled with garbage and muck.
Luke is already stumbling around looking for an exit. He finds
a small hatchway and struggles to get it open. It won't budge.

HAN: (sarcastically) Oh! The garbage chute was a really wonderful
idea. What an incredible smell you've discovered! Let's get out of
here! Get away from there...

Artist: 3 Doors Down
Album: Another 700 Miles
Title: That Smell

Whiskey bottles, and brand new cars
Oak tree you're in my way
There's too much coke and too much smoke
Look what's going on inside you

Ooooh that smell
Can't you smell that smell
Ooooh that smell
The smell of death surrounds you

Angel of darkness is upon you
Stuck a needle in your arm
So take another toke, have a blow for your nose
One more drink fool, will drown you

Ooooh that smell
Can't you smell that smell
Ooooh that smell
The smell of death surrounds you

Now they call you Prince Charming
Can't speak a word when you're full of 'ludes
Say you'll be all right come tomorrow
But tomorrow might not be here for you

Ooooh that smell
Can't you smell that smell
Ooooh that smell
The smell of death surrounds you

Hey, you're a fool you
Stick them needles in your arm
I know I been there before

One little problem that confronts you
Got a monkey on your back
Just one more fix, Lord might do the trick
One hell of a price for you to get your kicks

Ooooh that smell
Can't you smell that smell
Ooooh that smell
The smell of death surrounds you

Ooooh that smell
Can't you smell that smell
Ooooh that smell
The smell of death surrounds you

LUKE: No! wait!

Han draws his laser pistol and fires at the hatch. The
laserbolt ricochets wildly around the small metal room.
Everyone dives for cover in the garbage as the bolt explodes
almost on top of them. Leia climbs out of the garbage with a
rather grim look on her face.

LUKE: Will you forget it? I already tried it. It's magnetically sealed!

LEIA: Put that thing away! You're going to get us all killed.

HAN: Absolutely, Your Worship. Look, I had everything under control
until you led us down here. You know, it's not going to take them long
to figure out what happened to us.

LEIA: It could be worst...

Artist: Alanis Morissette
Album: Unknown
Title: There are worse things I could do

There are worse things I could do, than go with a boy or two
Even though the neighborhood thinks I'm trashy and no good
I suppose it could be true, but there are worse things I could do
I could flirt with all the guys, smile at them and bat my eyes
Press against them when we dance, make them think they stand a chance

Then refuse to see it through, that's a thing I'd never do

I could stay home every night, wait around for Mr. Right
Take cold showers every day, and throw my life away
On a dream that won't come true
I could hurt someone like me, out of spite and jealously
I don't steal and I don't lie, but I can feel and I can cry
A fact I'll bet you never knew
But to cry in front of you, that's the worst thing I could do

A loud, horrible, inhuman moan works its way up from the
murky depths. Chewbacca lets out a terrified howl and begins
to back away. Han and Luke stand fast with their laser pistols
drawn. The Wookiee is cowering near one of the walls.

HAN: It's worst.

LUKE: There's something alive in here!

Artist: Lee Ann Womack
Album: Something Worth Leaving Behind
Title: Something Worth Leaving Behind lyrics - Something worth leaving behind

Hey Mona Lisa, who was Leonardo
Was he Andy Warhol
Were you Marilyn Monroe

Hey Mozart, what kind of name is Amadeus
It's kinda like Elvis
You gotta die to be famous

I may not go down in history
I just want someone to remember me

I'll probably never hold the brush
That paints a masterpiece
I'll probably never find the pen
That writes a symphony
But if I will love then I will find
That I have touched another life
And that's something
Something worth leaving behind

Hey Midas, they say you had the magic touch
But even all that shiny stuff
Someday's gonna turn to dust

Hey Jesus, must have been some Sunday morning
In a blaze of glory
We're still telling your story

I may not go down in history
I just want someone to remember me

I'll probably never dream a dream and watch it turn to gold
I know I'll never lose my life to save another soul
But if I will love then I will find
I have touched another life and that's something
Something worth leaving behind

Hey baby, see the future that we're building
Our lives live on
In the lives of our children
And that's something Something worth leaving behind


HAN: That's your imagination.

Artist: Brian Wilson
Album: Imagination
Title: Your Imagination

Another car running fast
Another song on the beach
I take a trip through the past
When summer’s way out of reach
Another walk in the park
When i need something to do
And when i feel all alone
Sometimes i think about you
You take my hand
Smile and say you don’t understand
To look in your eyes
And see what you feel
And then realize that nothing’s for real
‘cause you know it’s just

Your imagination running wild

Another bucket of sand
Another wave and the pier
I miss the way that i used
To call the shots around here
You know it would’ve been nice
If i had something to do
I took a trip through the past
And got to spend it with you
You take my hand
Smile and say you don’t understand
To look in your eyes
And see what you feel
And then realize that nothing’s for real
‘cause you know it’s just

Your imagination running wild


LUKE: Something just moves past my leg! Look! Did you see that?

HAN: What?

LUKE: Help!

Artist: Beatles
Album: Help!
Title: Help!


Help, I need somebody,
Help, not just anybody,
Help, you know I need someone, help.

When I was younger, so much younger than today,
I never needed anybody's help in any way.
But now these days are gone, I'm not so self assured,
Now I find I've changed my mind and opened up the doors.

Help me if you can, I'm feeling down
And I do appreciate you being round.
Help me, get my feet back on the ground,
Won't you please, please help me?

And now my life has changed in oh so many ways,
My independence seems to vanish in the haze.
But every now and then I feel so insecure,
I know that I just need you like I've never done before.

Help me if you can, I'm feeling down
And I do appreciate you being round.
Help me, get my feet back on the ground,
Won't you please, please help me.

When I was younger, so much younger than today,
I never needed anybody's help in any way.
But now these daya are gone, I'm not so self assured,
Now I find I've changed my mind and opened up the doors.

Help me if you can, I'm feeling down
And I do appreciate you being round.
Help me, get my feet back on the ground,
Won't you please, please help me, help me, help me, oh.

Grey_Wolf
11-08-2007, 06:07 AM
Suddenly Luke is yanked under the garbage and Han begins to sing...

Artist: ZZ Top
Album: Afterburner
Title: Dipping Low (In The Lap Of Luxury)


I went around the world till I found the right spot.
It was ultra sweet and just a little bit hot.
Dippin' low in the lap of luxury.
Dippin' low in the lap of luxury.

Now if you get down there you'll be doin' it right.
Yeah, once you got it you better hold on tight.
Dippin' low in the lap of luxury.
Dippin' low in the lap of luxury.

Now if you wanna break down I'll hold my head up high.
I'm a good mechanic, I'll go over you in style.
Dippin low in the lap of luxury.
Dippin low in the lap of luxury.

Grey_Wolf
11-08-2007, 07:08 AM
Solo tries to get to Luke. Luke surfaces with a gasp of air and thrashing of limbs. A membrane tentacle is wrapped around his throat.

LEIA: Luke!

Leia extends a long pipe toward him.

LEIA: Luke, Luke, grab a hold of this.

Although he's choking to death luke rasps out:

Artist: Green Day
Album: Dookie
Title: Having A Blast


I'm talking all you down with me
Explosives duct taped to my spine
Nothing gonna change my mind
I won't listen to anyone's last words
There's nothing left for you to say
Soon you'll be dead anyway
No one is getting out alive
This time I've lost my mind and I don't care
So close your eyes
And kiss yourself goodbye
And think about the times you spent and what they've meant
To me it's nothing
I'm losing all my happiness
The happiness you pinned on my
Loniliness still conforts me
My anger dwells inside of me
I'm taking it all out on you and all the **** you put me though
Do you ever think back to another time ?
Did it bring you so down that you thought you lost your mind ?
Do you ever want to lead a long trail of destruction
and mow down any bullshit that confronts you ?
Do you ever build up all the small things in your head
To make one problem that adds up to nothing

Grey_Wolf
11-08-2007, 11:34 AM
LUKE: Blast it, will you! My gun's jammed.

HAN: Where?

LUKE: Anywhere! Oh!!

Solo fires his gun downward. Luke is pulled back into the muck by the slimy tentacle.

HAN: Luke! Luke!

Suddenly the walls of the garbage receptacle shudder and
move in a couple of inches. Then everything is deathly quiet.
Han and Leia give each other a worried look as Chewbacca howls
in the corner. With a rush of bubbles and muck Luke suddenly bobs to the surface.

LEIA: Grab him!

Luke seems to be released by the thing and he sings...

Artist: Andy Williams
Album: Unchained Melody: Greatest Songs
Title: Unchained Melody


Oh, my love, my darling,
I've hungered for your touch a long, lonely time,
Time goes by so slowly and time can do so much.
Are you still mine?
I need your love, i need your love, god speed your love to me.

Lonely rivers flow to the sea, to the sea
To the open arms of the sea
Lonely rivers sigh, "wait for me, wait for me"
"i'll be coming home, wait for me!"

<instrumental interlude>

Are you still mine?
I need your love, i need your love, god speed your love to me

Grey_Wolf
11-08-2007, 11:39 AM
LEIA: What happened?

LUKE: I don't know, it just let go of me and disappeared...

HAN: I've got a very bad feeling about this.

Before anyone can say anything the walls begin to rumble
and edge toward the Rebels.

LUKE: The walls are moving!

LEIA: Don't just stand there. Try to brace it with something.

They place poles and long metal beams between the closing
walls, but they are simply snapped and bent as the giant
trashmasher rumbles on. The situation doesn't look too good.

LUKE: Wait a minute!

Luke pulls out his comlink.

LUKE: Threepio! Come in Threepio! Threepio! Where could he be?

and then...

Artist: Beatles
Album: 1
Title: From Me To You (lennon/mccartney)


If there's anything that you want,
If there's anything i can do,
Just call on me and i'll send it along
With love from me to you.
I've got everything that you want,
Like a heart that is oh, so true.
Just call on me and i'll send it along
With love from me to you.
I got arms that long to hold you
And keep you by my side.
I got lips that long to kiss you
And keep you satisfied, oooh.
If there's anything that you want,
If there's anything i can do,
Just call on me and i'll send it along
With love from me to you.
From me, to you.
Just call on me and i'll send it along
With love from me to you.
I got arms that long to hold you
And keep you by my side.
I got lips that long to kiss you
And keep you satisfied, oooh.
If there's anything that you want,
If there's anything i can do,
Just call on me and i'll send it along
With love from me to you.
To you, to you, to you.

Grey_Wolf
11-09-2007, 05:52 AM
INTERIOR: DEATH STAR -- MAIN GANTRY -- COMMAND OFFICE.

A soft buzzer and the muted voice of Luke calling out for
See-Threepio can be heard on Threepio's hand comlink, which is
sitting on the deserted computer console. Artoo and Threepio
are nowhere in sight. Suddenly there is a great explosion and
the door of the control tower flies across the floor. Four
armed stormtroopers enter the chamber.

FIRST TROOPER sings...

Artist: Fall Out Boy
Album: Infinity On High
Title: The Take Over, the Breaks Over


Baby, seasons change but people don't
And I will be waiting in the back of the room
I'm boring to overcompensate for
headlines and flash flash flash photograpy
Dont pretend you ever forgot about me
Dont pretend you ever forgot about me

Would you rather be a widow or a divorcee?
Snap your way through fashion magazines
Widow or divorcee?
Dont pretend
Dont pretend

We dont fight fair

Say your head could be a prison,
Then these are just conjugal visits,
People feel the sickness still,
This doesn

Dont pretend you ever forgot about me..
Dont pretend you ever forgot about me..

Would you rather be a widow than a divorcee?
Snap your way through fashion magazines
Widow or a divorcee
Don't pretend
Don't pretend


we do it in the dark,
with smiles on our faces,
we're trapped and well concealed,
in secret places

we do it in the dark,
with smiles on our faces,
we're trapped and well concealed,
in secret places

We don't fight fair
We don't fight fair
We don't fight fair
We don't fight fair
We don't fight fair

we do it in the dark,
with smiles on our faces,
we're trapped and well concealed,
in secret places

we do it in the dark,
with smiles on our faces,
we're trapped and well concealed,
in secret places

We don't fight fair
Fair

Smiles on our faces
We're trapped and well concealed
In secret places

Don't pretend you ever forgot about me
Don't pretend you ever forgot about me
We don't fight fair


A trooper pushes a button and the supply cabinet door slides open. See-Threepio and Artoo-Detoo are inside. Artoo follows his bronze companion out into the office.

THREEPIO: They're madmen! They're heading for the prison level. If you
hurry, you might catch them.

FIRST OFFICER: (to his troops) Follow me! You stand guard.

The troops hustle off down the hallway, leaving a guard to watch over the command office.

THREEPIO: (to Artoo) Come on!

The guard aims a blaster at them and sings...

Artist: Bob Mould
Album: Black Sheets Of Rain
Title: Stand Guard

Stand guard over what is mine
Stand guard day and night to watch over me and mine
I keep at a distance, it suits me just fine
I need no assistance, i stand guard all the time

I meant it as a threat
It's a promise you can keep
Don't want no interference
Standing up in my sleep

Stand guard over sea and land
I watch what they've done to this earth, i don't need no master plan
When all the consequences have far been outweighed by selfish reward
I feel an obligation sometimes i'm not quite sure what it's toward

There's got to be some reason that we all keep on living
More often than not we leave this earth
With at least two handfuls of misgiving

I stand guard over what is rightfully mine
I watch all this beauty disintegrating
To stand guard is not enough
Makes me feel like i'm waiting for something horrendous to happen
But i stand guard over family and friends
It's all that i can do to stand here and watch how this lifetime ends

I've never felt as much as i feel for you now
I'm not about to stand here and watch this whole world bring you down
I see how it brings you down
But i will stand guard for you
I will stand guard over you


THREEPIO: Oh! All this excitement has overrun the circuits of my
counterpart here. If you don't mind, I'd like to take him down to
maintenance.

TROOPER: All right.

The guard nods and Threepio, with little Artoo in tow, hurries out the door.

Grey_Wolf
11-09-2007, 11:24 AM
INTERIOR: DEATH STAR -- MAIN FORWARD BAY -- SERVICE PANEL.

THREEPIO: They aren't here! Something must have happened to them. See
if they've been captured.

Little Artoo carefully plugs his claw arm into a new wall
socket and a complex array of electronic sounds spew from the
tiny robot.

THREEPIO: Hurry!

INTERIOR: DEATH STAR -- GARBAGE ROOM.

The walls are only feet apart. Leia and Han are braced against
the walls. The princess is frightened. They look at each
other. Leia reaches out and takes Han's hand and she holds it
tightly. She's terrified and suddenly groans as she feels the
first crushing pressure against her body.

HAN: One thing's for sure. We're all going to be a lot thinner! (to
Leia) Get on top of it!

LEIA: I'm trying!

INTERIOR: DEATH STAR -- MAIN FORWARD BAY -- SERVICE PANEL.

THREEPIO: (to Artoo) Thank goodness, they haven't found them! Where
could they be?

Artoo frantically beeps something to See-Threepio.

THREEPIO: Use the comlink? Oh, my! I forgot I turned it off!

INTERIOR: DEATH STAR -- GARBAGE ROOM.

Meanwhile, Luke is lying on his side, trying to keep his head
above the rising ooze. Luke's comlink begins to buzz and he
rips it off his belt.

INTERIOR: DEATH STAR -- MAIN FORWARD BAY -- SERVICE PANEL.

Muffled sounds of Luke's voice over the comlink can be heard,
but not distinctly.

THREEPIO: Are you there, sir?

INTERIOR: DEATH STAR -- GARBAGE ROOM.

LUKE: Threepio!

INTERIOR: DEATH STAR -- MAIN FORWARD BAY -- SERVICE PANEL.

THREEPIO: We've had some problems...

LUKE: (over comlink) Will you shut up and listen to me? Shut down all
garbage mashers on the detention level, will you? Do you copy?

INTERIOR: DEATH STAR -- GARBAGE ROOM.

LUKE: Shut down all the garbage mashers on the detention level.

INTERIOR: DEATH STAR -- MAIN FORWARD BAY -- SERVICE PANEL.

LUKE: (over comlink) Shut down all the garbage mashers on the
detention level.

THREEPIO: (to Artoo) No. Shut them all down! Hurry!

Threepio holds his head in agony as he hears the incredible
screaming and hollering from Luke's comlink.

THREEPIO: Listen to them! They're dying, Artoo! Curse my metal body! I
wasn't fast enough. It's all my fault! My poor master!

LUKE: (over comlink) Threepio, we're all right!

and in relief he sings...

Artist: Mary Chapin Carpenter
Album: The Calling
Title: We're All Right

Let's go down to the fields tonight
Where the grass grows round our knees
Lay down in the silver light
Dripping through the trees
Broken halo in my hands
And distance in your eyes
The past is gone, good luck, so long
Cross ourselves and hope to fly

No roadmaps, no signposts
No north star, no lifeboats
No cavalry coming in sight
But we're all right

Let's feel small in the world tonight
Beneath a giant sky
Forget for once who is wrong or right
Just let it all go by

Close our eyes when we grow tired
And dream of where we'll be
When night gives way to another day
Have we ever woken up this free

I never had a talisman, I never wore a charm
But it's not too late to believe that fate
Was always keeping us from harm

No roadmap, no signposts
No north star, no lifeboats
No miracles coming in sight
No voices to guide us, no angels beside us
No shaman, no mystical light
No omens, no compass, no seer, no prophet
No cavalry coming in sight
But we're all right
We're all right
We're all right
We're all right

Grey_Wolf
11-13-2007, 03:20 AM
INTERIOR: DEATH STAR -- GARBAGE ROOM.

The screaming and hollering is the sound of joyous relief. The
walls have stopped moving. Han, Chewie and Leia embrace in the
background.

LUKE: We're all right. You did great.

Luke moves to the pressure sensitive hatch, looking for a
number.

LUKE: Hey...hey, open the pressure maintenance hatch on unit number...
where are we?

INTERIOR: DEATH STAR -- MAIN FORWARD BAY -- SERVICE PANEL.

HAN: (over comlink) Three-two-six-eight-two-seven and as he reads he sings...

Drive my truck midway to the motorway station
Fairlane cruiser coming up on the left hand side
Headlight shining, driving rain on the window frame
Little young Lady Stardust hitching a ride... and it's

2-4-6-8 ain't never too late
Me and my radio truckin' on thru the night
3-5-7-9 on a double white line
Motorway sun coming up with the morning light

Whizzkid sitting pretty on your two-wheel stallion
This ol' ten-ton lorry got a bead on you
Ain't no use setting up with a bad companion
Ain't nobody get the better of you-know-who

2-4-6-8 ain't never too late
Me and my radio truckin' on thru the night
3-5-7-9 on a double white line
Motorway sun coming up with the morning light

Well there ain't no route you could choose to lose the two of us
Ain't nobody know when you're acting right or wrong
No-one knows if a roadway's leading nowhere
Gonna keep on driving home on the road I'm on...

2-4-6-8 ain't never too late
Me and my radio truckin' on thru the night
3-5-7-9 on a double white line
Motorway sun coming up with the morning light

Grey_Wolf
11-13-2007, 03:22 AM
INTERIOR: DEATH STAR -- TRACTOR BEAM -- POWER GENERATOR TRENCH.

Ben enters a humming service trench that powers the huge
tractor beam. The trench seems to be a hundred miles deep. The
clacking sound of huge switching devices can be heard. The old
Jedi edges his his way along a narrow ledge leading to a
control panel that connects two large cables. He carefully
makes several adjustments in the computer terminal, and
several lights on the board go from red to blue.

Afterwards he does a small dance routine and sings...

Artist: Billy Bragg
Album: William Bloke
Title: From Red To Blue


Another day dawns grey, its enough to make me spit
But we go on our way, just putting up with it
And when i try to make my feelings known to you
You sound like you have changed from red to blue

You're a father now, you see things in different ways
For every parent will gain perspective on their wilder days
But that alone does not explain the changes i see in you
The way you've drifted off from red to blue

Sometimes i think to myself
Should i vote red for my class or green for our children?
But whatever choice i make
I will not forsake

So you bought it all, the best your money could buy
And i watched you sell your soul for their bright shining lie
Where are the principles of the friend i thought i knew
I guess you let them fade from red to blue

I hate the compromises that life forces us to make
We must all bend a little if we are not to break
But the ideals you've opted out of,
I still hold them to be true
I guess they weren't so firmly held by you

Grey_Wolf
11-16-2007, 09:35 AM
INTERIOR: DEATH STAR -- UNUSED HALLWAY.

The group exits the garbage room into a dusty, unused hallway.
Han and Luke remove the trooper suits and strap on the blaster
belts.

HAN: "If we can just avoid any more female advice, we ought to be able
to get out of here." after which he launches into...

Artist: Bernadette Larson
Album: Lights, Camera, Action!
Title: No Good Advice


Daddy told me look into the future
Sit at your computer, be a good girl
And Mama said remember your a lady,
Think before your play and straighten your curls,

Well everybodys talking like i'm crazy
Dangerous and lazy girl with no soul
But i've seen it all from where i'm hiding
Baby cause i'm sliding, out of control

(BRIDGE)
Here I go, on the road crank the stereo
I flick my finger to the world below
Here I am, dirty hands, i don't give a damn
Shut your mouth and lets give a show

(CHORUS)
I don't need no good advice
I'm already wasted
I don't need some other life
Cold and complicated
I don't need no Sunday trips
Tea and sympathising
I don't need no special face
To anaesthetise me

Daddy always told me to remember,
Leave the boys, till later, don't you drop down
Mama said I'd never get to heaven
Hang out till eleven, with the wrong crowd

Everybody's talking like I'm only
Just another phony girl with no place
But i dig the music that i'm making
Baby, and i'll break it into your brain

(BRIDGE)
Here I go, on the road, crank the stereo
I flick my finger to the world below
Here I am, dirty hands, i don't give a damn
Shut your mouth and lets give a show

(CHORUS)
I don't need no good advice
I'm already wasted
I don't need some other life
Cold and complicated
I don't need no Sunday trips
Tea and sympathising
I don't need no special face
To anaesthetise me

(BRIDGE)
Here I go, on the road, crank the stereo
I flick my finger to the world below
Here I am, dirty hands, i don't give a damn
Shut your mouth and lets give a show

(CHORUS)
I don't need no good advice
I'm already wasted
I don't need some other life
Cold and complicated
I don't need no Sunday trips
Tea and sympathising
I don't need no special face
To anaesthetise me


Luke smiles and scratches his head as he takes a blaster
from Solo.

LUKE:

Artist: 911
Album: Moving On
Title: Moving On


Moving on our way
Moving on our way
I will always remember
Our first days together
It felt like we had known each other forever
We were dreamers
And we were believers
To give up everything
To follow this dream
But one thing that we have learnt is to stand, together as one
And nothing will overcome
And nothing's gonna stop us now
Chorus:
Moving on our way
We're moving on in the one direction
We're growing stronger with each passing day
We're moving on ewe'll always remember
All of our friends all along the way
Moving on our way
Now there's been hard times
As the road unwinds
We've grown closer
It's been worth all the sacrifice
Times are changing
And I hear what you say
Can'tlook at the world
Through innocent eyes
We promise we will never forget the message
keep the faith as long as you're here
By our side
We'll make this music last for all time
Chorus till end

Grey_Wolf
11-16-2007, 10:36 AM
Chewie begins growling and points to the hatch to the garbage room, as he runs away and then stops howling.

HAN: (to Chewie) Where are you going?

The Dia Nogu bangs against the hatch and a long, slimy
tentacle works its way out of the doorway searching for a
victim. Han aims his pistol.

LEIA: No, wait. They'll hear!

Han fires at the doorway. The noise of the blast echoes
relentlessly throughout the empty passageway. Luke simply
shakes his head in disgust.

HAN: (to Chewie) Come here, you big coward!

Chewie shakes his head "no."

HAN: Chewie! Come here!

LEIA: Listen. I don't know who you are, or where you came from, but
from now on, you do as I tell you. Okay?

And then she launches into...

Artist: 8-Ball and MJG
Album: Unknown
Title: Listen to Me Now


[Verse One:]

I have no face, I have no body, I have no heart I have no soul
I don't care if you're young if you're old
Here's my mission, I'm out to get them, those who be slippin
Creepin, while they be creepin, I be enterin
into them, silently, violently, that's not me
Quietly, you'll never know I'm in your blood stream
Swimming, I been injected, now you're infected
And when you find me here it will be worse than you expected
Temptation, that's how I get in, that's how I got in
Information, is what you lackin, now I'm attackin
Your mind, and body functions, don't seem to function
Somethin, ain't how it used to be and it's because of me
Killin you, cold-blooded murderer
The bible told the world I would be here and now I'm servin ya
Along with the floods mass destruction and wars
You can listen to me, but the choice is yours

[Chorus: sample from Goodie Mob's "Cell Therapy"]

"Listen to me now, believe me later on"
I knew I should've had my jimmy hat strapped on
"Listen to me now, believe me later on"
There's a message to my madness it's more than just a song
"Listen to me now, believe me later on"
My fantasy was fulfilled, but my life is still gone
"Listen to me now, believe me later on"
I'm rolling through your skin cuttin corners in your bones

[Verse Two:]

I got no concious, killing by the bunches, how can I see with no eyes?
The protected people I'm taking em by surprise, I despise
any type of Doctor, thinking he can stop a
Epidemic built across the nation, can't stop temptation listen
who in the hell gonna stop you when, I get in your mind then
tell you squats with a girl I'm bein, hit a broad from behind, I'm
all up in the walls of the womb, your doom is incognito
You constantly putting your life in my hands, thinking you didn't see no
evidence that made it irrelevant I'm hangin out up in the system
On the scene mean stuffed in them jeans, is how she did them
If it was up to me I'd get with you all, but I really don't pick em
How one by one she lures them in, I'm the one who tricks them
Your coffin sealin temperature chillin the silent killer
I done sucked a whole life, twice the cells of Mike's Thriller
If a victim want to be loved, gun and will travel
Anywhere with any broad, the buster now you ain't grabbin me ta

[Chorus:]

"Listen to me now, believe me later on"
I knew I shoulda told him to put a condom on
"Listen to me now, believe me later on"
There's a message to my madness it's more than just a song man
"Listen to me now, believe me later on"
My fantasy was fulfilled but my life is still gone
"Listen to me now, believe me later on"
I'm rolling through your skin cutting corners in your bones

[Verse Three:]

Lord tell me why was I born in the days of bloodshed
Players and neighborhoods full of the walking dead
Poison is cooked, and smoked, and shot into our veins
Lifestyles of the Rich and Famous echo through our brains
Misguided, the big picture over the small picture
That's how the devil makes a man interpretate the scripture
Rotten, born dead into a sea of sinners
Young girls are pros, before they can become beginners
Booty shakers sellin sex to pay they college tuition
Jealousy, send our brothers on straight pistol missions
And in the midst of the drama mama can I save ya
Now you remember all the hell she went through tryin ta raise ya
But it's too late for that, in this predicament
You shoulda been thinking of this when you was flickin it, stickin it
But who am I? Just another man running his mouth
Giving you something to think about, my time is up, I'm out

If you ain't realized by now, the description of the topic here is AIDS
Several amounts of times I will appear on the front page
Never be thinking about the filthy hoes in which I've laid
Down deep in the dungeons next to the devil is where I stayed
Never be thinking about the backs I rode and what I weighed
Now everything that's important in your life is just a daze
Being a damn fool trying to prove you wasn't afraid
Wasn't intending to do it but yet and still at times you made
moves within the game that should never have been played
Whether you old or whether it struck you at an early age
No difference between the two, cause they both in the same stage
Curiosity killed the cat the cat was standin in front of the gauge
It seems the whole subject keeps the world within a daze
Well this is the fact,
that some of these people be thinkin they can't be fazed
Worldwide plague slowly turning into a rage
Up and down side to side heterosex and gays need to

[Chorus:]

"Listen to me now, believe me later on"
I knew I should've had my jimmy hat strapped on
"Listen to me now, believe me later on"
There's a message to my madness, it's more than just a song man
"Listen to me now, believe me later on"
My fantasy was fulfilled, but my life is still gone
"Listen to me now, believe me later on"
I'm rolling through your skin cuttin corners in your bones

"Listen to me now, believe me later on"
I knew I should have told him to put a condom on
"Listen to me now, believe me later on"
There's a message to my madness, it's more than just a song
"Listen to me now, believe me later on"
My fantasy was fulfilled, but my life is still gone
"Listen to me now, believe me later on"
I'm rolling through your skin cuttin corners in your bone

Han is stunned at the command of the petite young girl.

HAN: Look, Your Worshipfulness, let's get one thing straight! I take
orders from one person! Me!

LEIA: It's a wonder you're still alive. (looking at Chewie) Will
somebody get this big walking carpet out of my way?

Han watches her start away. He looks at Luke.

HAN: No reward is worth this.

They follow her, moving swiftly down the deserted corridor.

Grey_Wolf
11-17-2007, 06:31 AM
INTERIOR: DEATH STAR -- POWER TRENCH.

Suddenly a door behind Ben slides open and a detachment of
stormtroopers marches to the power trench. Ben instantly slips
into the shadows as an Officer moves to within a few feet of
him.

OFFICER: Secure this area until the alert is canceled.

FIRST TROOPER: Give me regular reports.

All but two of the stormtroopers leave.

FIRST TROOPER immediately launches into...

Artist: Ultramagnetic MC's
Album: Travelling at the Speed of Thought 12"
Title: A Chorus Line

Ultramagnetic

[Ced Gee]
Yo whassup yo
We in the Ultra lab man
We got this beat rollin man
We might as well start this Chorus Line, y'all with that?

[Tim Dog]
Word up, yeah let's do this **** man
Let's get on that

[Ced Gee]
Yo so how we gonna do this? Yo..
Matter of fact, you know how we gon' do it?
Yo Tim Dog, you lead it off, aight?

[Tim Dog]
Aight

[Ced Gee]
We gonna, yeah we gonna get out of here man
It's on you, take it my brother

[Tim Dog]
Ahhhhhhhhh [edited], call me the hick that vicked
To lick the dick you spick, cause I'm too quick
I be appraisin, raised with the brave
I'm the headmaster and you're my slave
Metaphor master, rhymes are disaster
Have the class to, faster, call me the master
You wanna jet, project with a similie
But I'm so large I boned your girl Emily
Procrastinator, laid her, hate her, played her, sprayed her
You wanna be taught? Later
I'll control, get bold, uphold, re-fold
in tow.. cause I got so
many dollars, scholars, holler
Girlies wanna stop and talk but I walk
away, cause Dog don't lay
If rappers wanna play - go ride a sleigh
I'll compare and dare with a stare
You say where? I'm over here
Metaphor physical, rhymes are artistical lyrical mircales
difficult, to some terrifical
Hypothetically, alphabetically
Energetically, theoretically
No joke hardcore, rhymes will sting more
Dog will get more, yes yes yes y'all
I manifest protest and progress
Confess with reflex, cause I get cold sex
I can't believe how dope I am
Give me a pound, thank you ma'am
So whether you think that I'm just a myth
to rift to lift the gifts that itch the fifth
to shift the spliff that's in control to hold and fold
a bowl'll make you take and ache and fake
Whoooo.. hot damn I'm great
I'm on the Chorus Line

It's a Chorus Line (3X)
Yo Trev (yeah) bust your rhyme

[T.R. Love]
Hold the beat, stop the beat, drop the beat
Gimme a second, to think of
the dopest lingua, lyrical interest
The metaphor better for, if and in awe
before the score, want more then implore
the rhyme line fine, com-bine design
Redefine, intertwine
Down the line, see the sign, stop sign
Pause -- and let me enter your brain
Reachin the full circumfrence then maintain
to build, in which I equal to destroy
I'm like a twister tornado, you're just a toyboy
Made, manufactured by, Parker Brothers
You bought your rhymes, from another wholesale
Words are stale, up to bail
cause you fail, try to trail
My certain style, words and rhythm for connecting
Dissecting, interjecting, I'm collecting
Fiends, the way it actually should be know to me
Cause that's the way it has to be done for me
Mine, and everyone else around
You're unequal to the sounds of my ratio
My strength is mental universal power
For the hour I will rain like a shower
Nucleon, cause you be on, fatal
More than able, also capable
Of takin you out without a doubt
And with clout just a sissy, a sucker girl scout
I'll rewind myself and then begin again
Strike ignite and burn, just like hydrogen
Come again, as I intend to start to end
to go beyond, means of a titan
I'm fightin, releasing my fury to cause static
and shine, the superstar, reign supreme
T.R. the Lover has got to be
Dope and def, the best that never fessed
Unless you guessed the test, a threat in chess
Never mess up for my Chorus Line

Yo Ced, here's your rhyme

[Ced Gee]
Metaphor layer, kickin it righteous
Ced Gee's the hypest, man that might just
Rip into this, rap right through this
beat that's sweet to eat, I'm not new to this
Rappin with swing and, bein distinct man
Seein the waffle can, rap with me understand
the fact I sound def means that I'm buildin
I'm so dope I got rhymes by the million
The image maker breaker taker faker shaker
You rhyme like me, you shoulda stayed the
hell out the industry, cause that means you're jockin me
Your sweating me, getting me, telling me, you're not ahead of me
But that's not all, I just feel that I'm better than
cause I'm Ultra, and I'm a veteran
with rhymes, by the thous', stacks and piles
I'm a scientist, you say how
the hell can we ever trust, Ced Gee when he starts to bust
a rhyme with gale force, conducting with mega-thrust
To build or ill or kill or deal a fill the will
that make the people straight and still
To prance and dance and find romance and take the chance
to glance, while I still deal
rhymes that's powerful, witty and logical
Mystical just to show, what I know when I go
out, and move on the battle tip
You rhymes like [edited], you'se a quick pick to stick
the type of hype I like to recite on - my Chorus Line

Yeah boy it's a Chorus Line
Aiyyo Keith (yo) you know what?
It's your rhyme

[Kool Keith]
I'm crankin up with the rhymes, brain tanks need fuel
Sunoco, diesel rhymes are locked in, turbo
Combustion attitude, gratitude, increasing altitude
Levels, but changing latitude
It's very rude when you step on my path
I laugh and giggle, smile and grin my friend
my style within - holds the righs to win
Your brain I bend, like a pound of steel
Lethal power, to me you're weasel power
I'm overloaded with tons of diesel power
Contraction, you're not ready for action
Two hundred rappers a day, I keep waxin
buffin cleanin polishin, every act up
You wanna battle with me you must be cracked up
Stop the jokes the games you're playin
You never were sayin or payin, one bit of attention
to me my rhymes my clothes my hat my shoes
my shirt my tie, the glasses on my eye
I try, not to cry
Cause you're wack as ever, never better
Clever to pick up the mic, in any snow or rain
whether or not you tried to scheme or dream
a beam of life, but my lyrics are bright
like a satellite, with crystal ball knowledge
I got to college, attend to astrology, test
A million groups'll fess, I'm still the best
Kool Keith to impress
I'm like a heat ray, cookin up your brain
I like it well done, on the Chorus Line

and after he's finished the SECOND TROOPER continues the performance...

Artist: Erasure
Album: Chorus
Title: Chorus

Go ahead with your dreaming
For what it's worth
Or you'll be stricken bound
Kicking up dirt
For when it's dark
You never know what the night it may bring

Go ahead with your scheming
And shop at home
You'll find treasure
While cooking up bones
But the knife is sharp
You'd better watch that you don't cut your hands

And they covered up the sun
Until the birds had flown away
And the fishes in the sea
Had gone to sleep

Holy moses our hearts are screaming
Souls are lifting only dreaming
We'll be waiting some are praying
For a time when no one's cheating

The sunlight rising over the horizon
Just a distant memory the dawn chorus
Birds singing bells ringing
In our hearts in our minds...

Grey_Wolf
11-17-2007, 06:35 AM
Ben moves around the tractor beam, watching the
stormtroopers as they turn their backs to him. Ben gestures
with his hand toward them, as the troops think they hear
something in the other hallway. With the help of the Force,
Ben deftly slips past the troopers and into the main hallway.

Both troopers launch into....

Artist: Angie Martinez
Album: Animal House
Title: What's That Sound

{*laughing}
Whoo! Cool-a-Dre baby
Oh! {*laughing}
It's club but it's still sexy
Hey! life is good
Yea, uh, uh, uh, yo
What is that?

[Verse: Angie Martinez]
What's that sound?
If you outside the club, and your joint c'mon
You just pop the truck
Pull the car up and the line is packed, and you far
You tired a' waiting, you better be catch a charge like
"Move bitch, get out the way", flash the bouncer to get out a payin'
And that sound make you wanna get on stage
Oh, you gotta' "move dem thangs"
Beat change, it's a Cool-a-Dre thing
That'll move your thang thang, remove your ring change the sound
Get your jewels all sweated up, the booze is deaded up
Anything goes bring it back, if you just catchin' up
The sound coming outta' the club - that's wassup!
And they let you up, finally, dancing it up
Movin' aroung, DJ Keith - I need that sound (da-mn)

[Chorus: Angie and Missy]
That new ****, that hot ****
Make you move **** - what's that sound?
That move crowds, that new sound
Make you can kick down - who's that chick?
That's Angie, them bambi's
Screamin' Angie - what's that sound?
[Missy:] And this Missy gettin' tipsy off the wiskey

[Verse: Missy Elliot]
2002 be sceered, cause I'm runnin' this **** this year
Haters 'n haters you better be clear
Or you'll be kissin' my pussy on the rear
What I'm talking 'bout, with my filthy mouth, from the Dirty South
Is a drug-drop, c'mon check me out
Ain't nobody does it easy-seezy
And ain't nobody got the dick to sling me (owwww!)
God damn, what's that sound?
Didn't I tell you I'm about to shake it down
I'm no punk, but a killa like Cam
Get on the flo', yes yes mam
When I show up the club get cram
Insecure bitch watch yo man!
Me and Ang like butter on toast
I don't mean to boast, but we do
[Angie:] I need that - yea

[Chorus]

[Verse: Angie Martinez]
Hello-oh? oh that's my ears ringing
I'm sitting here thinking that sound is still bangin'
As we leavin' the spot I'm still drinking
Gotta' leave cause the cops are still waiting
So we circle the block, as we workin' to blot
Then purposely watch - we so blingin'
And the truck is bright, light up the night
Blinking, as we stuck in the chair feel like we sinking
That sound still drowned the air waves
The echo in my head feel like a bear cave
So I sit back to the sound of this track
Playin' on my way home - I can't forget that
That beat when you hear from the street
Make you wanna get on the floor and don't even speak
Cause it don't even matter who be around
Get.. and that's DJ Keith - playin' that sound (I need that)

Grey_Wolf
11-27-2007, 04:24 PM
Luke, Han, Chewbacca, and Leia run down an empty hallway and
stop before a bay window overlooking the pirateship. Troopers
are milling about the ship. Luke takes out his pocket comlink.

HAN: (looking at his ship) There she is.

LUKE: See-Threepio, do you copy?

THREEPIO: (voice) For the moment. Uh, we're in the main hangar across
from the ship.

LUKE: We're right above you. Stand by.

Han is watching the dozen or so troops moving in and out of
the pirateship. Leia moves towards Han, touches his arm and
points out the window to the ship.

LEIA: You came in that thing? You're braver that I thought.

HAN: Nice! Come on!

Artist: Mary Chapin Carpenter
Album: Come On Come On
Title: Come On Come On

Some people remember the first time / some can't forget the last / some just select what they want to from the past / it's a song that you danced to in high school / it's a moon you tried to bri
Wn / on a four-in-the-morning drive through the streets of town

Come on come on, it's getting late now / come on come on, take my hand / come on come on, you just have to whisper / come on come on, i will understand

It's a photograph taken in paris, at the end of the honeymoon
In 1948, late in the month of june
Your parents smile for the camera in sienna shades of light
Now you're older than they were then that summer night

Come on come on, it's getting late now
Come on come on, take my hand
Come on come on, you just have to whisper
Come on come on, i will understand

It's a need you never get used to, so fierce and so confused
It's a loss you never get over the first time you lose

And tonight i am thinking of someone, seventeen years ago
We rode in his daddy's car down the river road

Come on come on, it's getting late now
Come on come on, take my hand
Come on come on, you just have to whisper
Come on come on, i will understand
Come on come on, it's getting late now
Come on come on, take my hand
Come on come on, you just have to whisper
Come on come on, i will understand
Come on come on